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D.C. al Coda

Concluding remarks on the city's music life. Saturday, March 12, 2011. Friday, March 11, 2011. The Met: Spring So Far. Why, then, my censure? Saturday, January 8, 2011. Coming Back, to Hampson's Mahler. Fresh off my longest hiatus from concertgoing in a long time, it was with a particular thrill that I walked into Avery Fisher Hall this evening. Starting off with Mozart's Symphony No. 40. Maybe, judging from how quickly everyone quit the auditorium after the premiere. Saturday, October 30, 2010. Looking ...

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D.C. al Coda | dacapoalcoda.com Reviews

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Concluding remarks on the city's music life. Saturday, March 12, 2011. Friday, March 11, 2011. The Met: Spring So Far. Why, then, my censure? Saturday, January 8, 2011. Coming Back, to Hampson's Mahler. Fresh off my longest hiatus from concertgoing in a long time, it was with a particular thrill that I walked into Avery Fisher Hall this evening. Starting off with Mozart's Symphony No. 40. Maybe, judging from how quickly everyone quit the auditorium after the premiere. Saturday, October 30, 2010. Looking ...

<META> KEYWORDS

1 dc al coda

2 paris 1

3 posted by jeremy

4 0 comments

5 email this

6 blogthis

7 share to twitter

8 share to facebook

9 share to pinterest

10 20th century eloquence

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dc al coda,paris 1,posted by jeremy,0 comments,email this,blogthis,share to twitter,share to facebook,share to pinterest,20th century eloquence,fratres,and beethoven's fifth,labels boulez,carnegie hall,satie,upcoming,webern,a quiet place,labels bernstein

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D.C. al Coda | dacapoalcoda.com Reviews

https://dacapoalcoda.com

Concluding remarks on the city's music life. Saturday, March 12, 2011. Friday, March 11, 2011. The Met: Spring So Far. Why, then, my censure? Saturday, January 8, 2011. Coming Back, to Hampson's Mahler. Fresh off my longest hiatus from concertgoing in a long time, it was with a particular thrill that I walked into Avery Fisher Hall this evening. Starting off with Mozart's Symphony No. 40. Maybe, judging from how quickly everyone quit the auditorium after the premiere. Saturday, October 30, 2010. Looking ...

INTERNAL PAGES

dacapoalcoda.com

1

D.C. al Coda: 20th Century Eloquence

http://www.dacapoalcoda.com/2010/10/20th-century-eloquence.html

Concluding remarks on the city's music life. Saturday, October 30, 2010. This evening completely transfixed me. Much of what I said. About tomorrow's Met Ensemble program could have equally applied to this performance by Robert Spano and the Atlanta Symphony Orchestra. Looking at a brochure, it seems like a pretty adventurous program for a major orchestra, consisting of relatively obscure all-20th century works (stressing relatively, they're by no means dusty, but we're not talking La Mer. The highly pro...

2

D.C. al Coda: Looking Forward: Go See This

http://www.dacapoalcoda.com/2010/10/looking-forward-go-see-this.html

Concluding remarks on the city's music life. Friday, October 29, 2010. Looking Forward: Go See This. James Levine will be leading the Met Chamber Ensemble in a concert at Carnegie Hall this Sunday. I have been looking forward to this performance for a long time, and it's not too late for you to start. Here's a handful of reasons why. Exhibits that quality which makes him unique in the Second Viennese School, an ability to craft in miniature. Something about the atonality and sparse texture of his ver...

3

D.C. al Coda: September 2010

http://www.dacapoalcoda.com/2010_09_01_archive.html

Concluding remarks on the city's music life. Monday, September 27, 2010. The End of Time. A shamefully sparse audience, perhaps deterred by the rain, showed up for a wonderful performance by members of the Concertante. Sextet at Merkin Concert Hall. The two works presented had little to do with each other apart from being extraordinary pieces of music and prominently featuring the clarinet. Mozart's Clarinet Quintet. Presented a clearly well-rehearsed reading of the quintet which demonstrated extremely t...

4

D.C. al Coda: Paris 1

http://www.dacapoalcoda.com/2011/03/paris-1.html

Concluding remarks on the city's music life. Saturday, March 12, 2011. Subscribe to: Post Comments (Atom). Student in philosophy at the New School for Social Research / pianist and cellist of more passion than talent / something approximating an amateur scholar of Western music, if there is any such thing. View my complete profile. The Met: Spring So Far. Picture Window template. Template images by i-bob.

5

D.C. al Coda: Coming Back, to Hampson's Mahler

http://www.dacapoalcoda.com/2011/01/conducting-controversies-hampsons.html

Concluding remarks on the city's music life. Saturday, January 8, 2011. Coming Back, to Hampson's Mahler. Fresh off my longest hiatus from concertgoing in a long time, it was with a particular thrill that I walked into Avery Fisher Hall this evening. Starting off with Mozart's Symphony No. 40. Yet Gilbert conducted No. 40 like it was Tchaikovsky, replacing its meticulous playfulness and classical symmetries with fanciful flourishes and martial heroics. If, as Anthony Tommasini seemed to suggest.

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D.C. al Coda

Concluding remarks on the city's music life. Saturday, March 12, 2011. Friday, March 11, 2011. The Met: Spring So Far. Why, then, my censure? Saturday, January 8, 2011. Coming Back, to Hampson's Mahler. Fresh off my longest hiatus from concertgoing in a long time, it was with a particular thrill that I walked into Avery Fisher Hall this evening. Starting off with Mozart's Symphony No. 40. Maybe, judging from how quickly everyone quit the auditorium after the premiere. Saturday, October 30, 2010. Looking ...

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