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danika paskvan: essays

2016 Darmstadt Summer Coursebook. September 18, 2016. September 20, 2016. INME: International New Music English and Online Identity Formation in Post-Digital Experimental Music. Q: How do practitioners of new music define themselves? A: International New Music English, or INME. Cross-posted from Cacophony Magazine. A Chicago-based contemporary music magazine. Read more. August 21, 2016. August 25, 2016. The New Discipline and its Artificial Hells: On Art, Pain, and Responsibility. This piece deals with q...

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danika paskvan: essays | danikapaskvan.wordpress.com Reviews

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2016 Darmstadt Summer Coursebook. September 18, 2016. September 20, 2016. INME: International New Music English and Online Identity Formation in Post-Digital Experimental Music. Q: How do practitioners of new music define themselves? A: International New Music English, or INME. Cross-posted from Cacophony Magazine. A Chicago-based contemporary music magazine. Read more. August 21, 2016. August 25, 2016. The New Discipline and its Artificial Hells: On Art, Pain, and Responsibility. This piece deals with q...

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danika paskvan: essays | danikapaskvan.wordpress.com Reviews

https://danikapaskvan.wordpress.com

2016 Darmstadt Summer Coursebook. September 18, 2016. September 20, 2016. INME: International New Music English and Online Identity Formation in Post-Digital Experimental Music. Q: How do practitioners of new music define themselves? A: International New Music English, or INME. Cross-posted from Cacophony Magazine. A Chicago-based contemporary music magazine. Read more. August 21, 2016. August 25, 2016. The New Discipline and its Artificial Hells: On Art, Pain, and Responsibility. This piece deals with q...

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danikapaskvan.wordpress.com

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Wet Ink: Large Ensemble Concert – danika paskvan: essays

https://danikapaskvan.wordpress.com/2016/06/11/wet-ink-june11

2016 Darmstadt Summer Coursebook. June 11, 2016. August 7, 2016. Wet Ink: Large Ensemble Concert. St Peter’s Church, Chelsea. Friday, June 10th. 72 , Partly Cloudy. 1 The state of things becomes tangled, mingled like thread, a long cable, a skein. Connections are not always unravelled. Who will unravel this mess? I am still waiting. She who writes immerses her hands in the soft sign. A link so subtle that it is attached to nothing, a knot so tenuous that it is already passing into another order. The clou...

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The Reader – danika paskvan: essays

https://danikapaskvan.wordpress.com/2016/08/08/the-reader

2016 Darmstadt Summer Coursebook. August 8, 2016. August 9, 2016. Benedict Anderson, Imagined Communities. Rhizomes, Issue 4. Cyberfeminisms. Composers might find Blair, Haas, and Heckman’s Cyborgian Voices of particular interest. (rhizomes.net is a free online Deleuzian critical theory journal; the entire archive is available and well worth a glance). Helene Cixous, Laugh of the Medusa (Eng. trans.). Donna Haraway’s 2003 lecture. Rebecca Solnit, Men Explain Things to Me. Camille Paglia, Sexual Personae.

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INME: International New Music English and Online Identity Formation in Post-Digital Experimental Music – danika paskvan: essays

https://danikapaskvan.wordpress.com/2016/09/18/inme-international-new-music-english-and-online-identity-formation-in-post-digital-experimental-music

2016 Darmstadt Summer Coursebook. September 18, 2016. September 20, 2016. INME: International New Music English and Online Identity Formation in Post-Digital Experimental Music. Q: How do practitioners of new music define themselves? A: International New Music English, or INME. Cross-posted from Cacophony Magazine. A Chicago-based contemporary music magazine. This is an homage to a piece I’ve been reading in. In a smoothly haptic, fully hyperlinked, landscape-mode Web 2.0 experience. International Art En...

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Virtual Reality – danika paskvan: essays

https://danikapaskvan.wordpress.com/2016/06/21/56

2016 Darmstadt Summer Coursebook. June 21, 2016. August 7, 2016. Times Square, New York City. Saturday, June 18th. It’s my little sister’s last day in town after a week-long visit. We spent the day walking around Bushwick, drifting between bakeries and bookshops, watching the beautiful young people. We crossed the Williamsburg Bridge as the sun set, standing in the first train car. My sister held her phone against the front window and took a time lapse. We get off at Bryant Park, walking along 42. Later,...

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Home: Finding John Muir and the Hyperobject in the Alaskan Summer – danika paskvan: essays

https://danikapaskvan.wordpress.com/2016/07/19/home-reading-john-muir-in-the-alaskan-summer

2016 Darmstadt Summer Coursebook. July 19, 2016. August 7, 2016. Home: Finding John Muir and the Hyperobject in the Alaskan Summer. Williwaw Lakes Trail, Chugach State Park. Saturday, July 16th. 61*, Clear blue sky. 8230; in these coast landscapes. Soft white lichens crunch underfoot, the blazing midnight sun high in the sky as we crest around O’Malley Peak. Sleek marmots with a blaze down their faces dart between their fairy-huts, pika and ground squirrels chitter out unseen from their mossy nests.

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50 Favorite Songs of 2016 – Knit and Listen

https://knitandlisten.wordpress.com/2017/01/05/50-favorite-songs-of-2016

Zoë Madonna writes about music here. I Care If You Listen. The Rest is Noise. Follow me on Twitter. 50 Favorite Songs of 2016. I went through a bit of a crisis of motivation, so this took a while, but it’s finally here, published later than I’d like it to have been, but better late than never. 50 Kjartan Sveinsson – Teil I. Layers upon layers, lifting up and rising through blankets of clouds, wondering if the sun will ever emerge. 49 The Lazy Lies – Dangerous Game. 48 David Bowie – Lazarus. This peaceful...

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Commonplace Book – Knit and Listen

https://knitandlisten.wordpress.com/commonplace-book

Zoë Madonna writes about music here. I Care If You Listen. The Rest is Noise. Follow me on Twitter. NB: Selections do not necessarily reflect my own opinions. Jia Tolentino, The New Yorker. 8211; Helena Fitzgerald, “Grief Bacon” newsletter. What’ the meaning of these waves, these floods, these outbursts? Where is the ebullient, infinite woman who, immersed as she was in her. Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn&#...

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Storytelling – Knit and Listen

https://knitandlisten.wordpress.com/2016/12/09/storytelling

Zoë Madonna writes about music here. I Care If You Listen. The Rest is Noise. Follow me on Twitter. For the Boston Globe. December 9, 2016. December 28, 2016. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Powered by WordPress.com.

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Family – Knit and Listen

https://knitandlisten.wordpress.com/2016/12/16/family

Zoë Madonna writes about music here. I Care If You Listen. The Rest is Noise. Follow me on Twitter. Handel and Haydn Bach Christmas, For the Boston Globe, Dec. 16, 2016. December 16, 2016. December 28, 2016. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.

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danika paskvan: essays

2016 Darmstadt Summer Coursebook. September 18, 2016. September 20, 2016. INME: International New Music English and Online Identity Formation in Post-Digital Experimental Music. Q: How do practitioners of new music define themselves? A: International New Music English, or INME. Cross-posted from Cacophony Magazine. A Chicago-based contemporary music magazine. Read more. August 21, 2016. August 25, 2016. The New Discipline and its Artificial Hells: On Art, Pain, and Responsibility. This piece deals with q...

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