absasso.com
APLiterature
http://www.absasso.com/APLiterature.html
AP Practice Tests On-Line. AP Free Response Questions. AP List of Books. Poetry Terms and Definitions. Prose Elements of Fiction. What to Write / Thesis. MLA and ALA Paper Format. Footnotes or In-Text Citations. MLA Citation of the Bible. The Book of Job. The Book of Ecclesiates. The Revelation of St. John the Divine. Confessions of Saint Augustine. The Upanishads, Part II (SBE15). AP Literature and Composition Syllabus. AP Exam: Wednesday May 4, 2016. LINKS TO HOMEWORK AND. Jake and Ariel's Beowulf Film.
stephenxmead.blogspot.com
Confessions of a Professor: March 2012
http://stephenxmead.blogspot.com/2012_03_01_archive.html
Confessions of a Professor. Secondary Source Work Sheet. Here's a useful tool to help you organize and conceptualize your outside sources for research papers. Fill out one for each source and you can use this to set up your Works Cited pages, submit as draft materials with your final paper, and learn the different ways sources can enrich your written work. I will use this source to support my argument. Passages from source that I will quote, paraphrase, or address (include page #s):. Stephen X. Mead.
stephenxmead.blogspot.com
Confessions of a Professor: Literature & Theology
http://stephenxmead.blogspot.com/2014/08/v-behaviorurldefaultvmlo.html
Confessions of a Professor. But to come to a conclusion that “things make sense,” the theologian must first ask questions and those who read theology must also ask questions. In this class, we must ask questions as well. Our questions must be both theological (e.g. “Does this author base his work on scripture, authority, tradition, revelation? 8221;) and literary (e.g. “How does a close reading of the passage both deepen and complicate the literal level of meaning? The Consolation of Philosophy. Boethius...
stephenxmead.blogspot.com
Confessions of a Professor: January 2015
http://stephenxmead.blogspot.com/2015_01_01_archive.html
Confessions of a Professor. Shakespeare Among His Contemporaries. 930 – 10.50 am. This course will engage students in reading and analyzing plays from the English Renaissance, and encourage them to see Shakespeare alongside his contemporaries as part of a vibrant, engaging, and innovative theatrical culture. We will read 8 plays:. Two comedies, two histories, and four tragedies. Students will identify one critical essay on a play and lead the class in a 15-20 minute discussion of the same. The essay in w...
stephenxmead.blogspot.com
Confessions of a Professor: December 2010
http://stephenxmead.blogspot.com/2010_12_01_archive.html
Confessions of a Professor. College Writing II Spring 2011 Syllabus (9:00 and 11:00 MWF). College Writing II Professor Mead. Spring 2011 9:00 and 11:00 AM. 10 M Introduction. KIRSTI IN CLASS. 12 W The Iliad, pp.3-67. 14 F Style: Lessons in Clarity and Grace, Lesson One. 17 M NO CLASS. 19 W The Iliad, Books 1 and 2. Two-page summary of Knox Introduction. 21 F SLCG, Lesson Two. 24 M The Iliad, Books 3 and 4. 26 W The Iliad, Books 5 and 6. 28 F SLCG, Lesson Three. 31 M The Iliad, Books 7 and 8. 21 M NO CLASS.
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Confessions of a Professor: UNI101 Section B1 (Mead, MWF 8:00-8:50AMyesAM)
http://stephenxmead.blogspot.com/2014/08/uni101-section-b1-mead-mwf-800.html
Confessions of a Professor. UNI101 Section B1 (Mead, MWF 8:00-8:50AMyesAM). From a Closed, Intentional Community. To an Unplanned, Global Community. UNI101 is an introductory class to the Saint Martin’s University experience. It is designed to familiarize students with the core skills of reading, writing, listening, speaking, critical thinking, and information literacy. As thinkers, learners, and readers. Mark Salzman’s Lying Awake. And The Desert Fathers. UNI101 is also educates students about non-class...
stephenxmead.blogspot.com
Confessions of a Professor: February 2012
http://stephenxmead.blogspot.com/2012_02_01_archive.html
Confessions of a Professor. Checklist for Research Papers. Three drafts (including final) that trace the process of the writing. Fully filled-out Edit Sheet. Clear parenthetical citations (MLA). At least one note explaining primary text). Works Cited Page (MLA). Minimum 10 sources from scholarly journals or university presses). Close reading for every quotation. Methodology Explained in Intro Paragraph (optional). Title, but no title page. Consideration of strong counter-argument (optional). Are all sour...
stephenxmead.blogspot.com
Confessions of a Professor: December 2013
http://stephenxmead.blogspot.com/2013_12_01_archive.html
Confessions of a Professor. Spring 2014 Syllabus for ENG331. 123-213 ( Lines 1785-end of poem). Vii-95 (Intro, Sections 1-55). The Lais of Marie de France. Introduction, “Guigemar,”. 8220;Equitan,” and “Le Fresna.”. The Lais of Marie de France. 8220;Bisclavret,” “Lanval,” and “Les Deux Amanz.”. The Lais of Marie de France. 8220;Yonec,” “Laustic,” and “Milun.”. The Lais of Marie de France. 8220;Chaitivel,” “Chevrefoil,” and “Eliduc.”. Sir Gawain and the Green Knight. Intro, Note, “Fitt I”. How do the prom...
njbiblio.com
English/Language Arts | NJBiblio
https://njbiblio.com/web-resources/englishlanguage-arts
Visual Learning Materials and More for Your Classroom. Health and Physical Education. Web Resources for English/Language Arts Classes. Collection of Arthur Conan Doyle’s Sherlock Holmes stories, as well as images from original woodcuts, analysis, and history of the character. Academy of American Poets. Information, interactive biographies, and samples from over 200 American poets. Alice in Wonderland: An Interactive Adventure. An Interactive set of adventures through Wonderland for all ages. Online dicti...
stephenxmead.blogspot.com
Confessions of a Professor: January 2011
http://stephenxmead.blogspot.com/2011_01_01_archive.html
Confessions of a Professor. 13 R A Midnight Night’s Dream. 18 T A Midnight Night’s Dream. 20 R A Midnight Night’s Dream. 25 T Romeo and Juliet. 27 R Romeo and Juliet. 1 T Romeo and Juliet. Close Reading Paper Due. 3 R Richard III. 8 T Richard III. 10 R Richard III. 24 R Twelfth Night. 1 T Twelfth Night. 3 R Twelfth Night. 8 T All’s Well That Ends Well. 10 R All’s Well That Ends Well. How does this play fight its genre? 15 T NO CLASS. 17 R NO CLASS. 22 T All’s Well That Ends Well. 7 R Antony and Cleopatra.
