josephmcolombo.com
July 2015 - Joseph M. Colombo
http://josephmcolombo.com/july-2015
Joseph M. Colombo. Joseph M. Colombo. July 9, 2015. July 11, 2015. 8220;It’s weird how I’m constantly surprised by the passage of time when it’s literally the most predictable thing in the universe.” Ran d. There’s a really profound compositional thought in there somewhere. At the opera there. But not so quick that a sight seeing trip or two can’t make its way in. The Private Works of Puncher and Wattmann. Will be premiered by Transient Canvas at the Center for New Music on August 15th.
wildrumpusmusic.org
Wild Rumpus
http://wildrumpusmusic.org/concerts
General Call for Scores. To support our spring projects, including Fausto Romitelli's An Index of Metals. October 16, 2015. 8 PM. 2133 University Ave. Berkeley, CA. Christopher Cresswell: From Dreams, We Emerge (2015). For flute, clarinet, violin, cello, electric guitar, piano, and electronics. Jenny Olivia Johnson: Reflect Reflect Respond Respond (2012). For two sopranos, flute, clarinet, violin, cello, harp, electric guitar, and piano. Paula Matthusen: The Ontology of an Echo (2013). For flute, clarine...
mattsharrock.com
Performances — Matt Sharrock, Marimbist/Percussionist
http://www.mattsharrock.com/performances
Matt Sharrock, Marimbist/Percussionist. Ouroboros Trilogy Cycle 1: Zhou Long's. September 10, 2016 at 3:00pm. An ouroboros, an ancient Greek icon depicting a serpent eating its own tail, has become symbolic of eternal renewal. Created by Boston’s Cerise Lim Jacobs, Ouroboros Trilogy. Is a cycle of three grand operas including the 2011 Pulitzer Prize-winning Madame White Snake. Along with two World Premieres, Gilgamesh. Ouroboros Trilogy Cycle 1: Paola Prestini's. September 10, 2016 at 7:30pm. Is a cycle ...
milkbar.org
Who’s Been Here | The MilkBar
http://www.milkbar.org/about/whos-been-here
A home for experimental dance, music, theater and film. Projects room and Rentals. Who’s Been Here. The action theater ensemble: owen walker, catherine debon, jenny schaffer and julie feinstein. Laurie Amat and Adrian Gormley. Jason Ditzian and Max Baloian. Krista DeNio and Ryan Eggensperger. Evelyn Ficarra and Suse Bohse. Lucy H.G. / League of Imaginary Scientists. Adam, justin, damon palermo. Isak Immanuel / Todays Name. Stine Eva Jørgensen (film w/ Ian Winters). Dafna Kory with Melinda Hackett.
lineuponlinepercussion.org
line upon line percussion | repertoire
http://lineuponlinepercussion.org/repertoire
Stille leben des staubes. Out of Thin Air. In the Reign of Harad IV. Turn on the Light. A Man with a Gun Lives Here. James D. Norman. Echoes of Veiled Light. Prism of the Plural. John Luther Adams Always Very Soft. Imagine there was nothing. John Cage Credo in US. Music for Pieces of Wood. 619 SoundSpace: In Memoriam. Subscribe to our mailing list.
danvanhassel.com
Dan VanHassel: Links
http://www.danvanhassel.com/links.html
richardcraig.net
New Works | Richard Craig
http://www.richardcraig.net/new-works
Mdash; Richard Craig. Solo flute work by Marielle Groven. Solo work for ring key piccolo by Max Murray. Work for instrument and fixed media by David Coll. New work for flute and voice by Patricia Alessandrini. Work for flute and live video by David Pockney. New work by Alex Harker for flute/s and violin, with Mieko Kanno and live electronics. Oh Haupt von Blut und Wunden. For multiple flutes by Robert Phillips. Work for contrabass flute and contrabass clarinet and the RTÉ orchestra. 8211; John Croft.
robertandrewperez.blogspot.com
match stick box: April 2009
http://robertandrewperez.blogspot.com/2009_04_01_archive.html
Tuesday, April 28, 2009. Music choreography (a review) pt. one. This year’s Berkeley Dance Project, presented by the University of California at Berkeley’s Department of Theater, Dance and Performance Studies. Was inaptly titled Equal Footing. The first piece, “MinEvent,” staged by Patricia Lent. Was a composition of five dances choreographed by Merce Cunningham. My response to the piece, prima facia. The second performance, choreographed by the director of Equal Footing. S solo in the piece was the high...
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