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David Kutz

CV & Bio. A Statement; August 2016. I am fascinated by the cultural landscape, the place where people and nature interact. What is built, preserved or allowed to decay tells us a lot about what we value. For me, the vernacular landscape – the everyday cultural landscape – speaks softly, but clearly, about who we are and what we think is important. I am very aware of the fact that we now live in the Anthropocene, an epoch where humanity is directly affecting nature on an unprecedented global scale. My...

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David Kutz | davidkutz.com Reviews
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CV & Bio. A Statement; August 2016. I am fascinated by the cultural landscape, the place where people and nature interact. What is built, preserved or allowed to decay tells us a lot about what we value. For me, the vernacular landscape – the everyday cultural landscape – speaks softly, but clearly, about who we are and what we think is important. I am very aware of the fact that we now live in the Anthropocene, an epoch where humanity is directly affecting nature on an unprecedented global scale. My...
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David Kutz | davidkutz.com Reviews

https://davidkutz.com

CV & Bio. A Statement; August 2016. I am fascinated by the cultural landscape, the place where people and nature interact. What is built, preserved or allowed to decay tells us a lot about what we value. For me, the vernacular landscape – the everyday cultural landscape – speaks softly, but clearly, about who we are and what we think is important. I am very aware of the fact that we now live in the Anthropocene, an epoch where humanity is directly affecting nature on an unprecedented global scale. My...

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1

Mythologies, Roland Barthes « David Kutz

http://davidkutz.com/blog/mythologies-roland-barthes

Mythologies, Roland Barthes. Hill & Wang, New York. 1957; Translation 1972 by Jonathan Cape Ltd. Absorbing French philosophy and a discussion of semiology may simply take a smarter person than I to fully appreciate or understand. The following are a few verbatim quotations which I don’t completely understand, but they surfaced with some small sense of comprehension. From “Myth Today”. Is no longer quite a tree, it is a tree which is decorated, adapted to a certain type of consumption, laden with literary...

2

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2014 July « David Kutz

http://davidkutz.com/blog/2014/07

Sebastião Salgado: Genesis & Climate Change. In June, I connected a colleague, Dan Thomas, who is the United Nations Senior Communications Officer for the Secretary-Generals Office on Climate Change, with the International Center of Photography (ICP). ICP was working to mount the Sebastião Salgado exhibition: Genesis, and framing it as a discussion on climate change. Dan at the UN, was deeply […]. David Kutz July 5th, 2014. Read & Writing. 1984 Profile by Howard Chapnick. A Reader: A Thousand Plateaus.

4

Contract Me: « David Kutz

http://davidkutz.com/contract-me

Enter the Characters to Submit. Read & Writing. 1984 Profile by Howard Chapnick. A Reader: A Thousand Plateaus. A Thousand Plateaus; Deleuze & Guattari. Flusser: Towards a Philosophy of Photography. Sontag: Regarding the Pain of Others & Rosler: 3 Works. Edward Said; Orientalism. Sontag: On Photography & Barthes: Camera Lucida. Sebastião Salgado: Genesis & Climate Change. Mythologies, Roland Barthes. Woman, Native, Other. American Art Since 1945. Freud & Man’s Soul.

5

2014 October « David Kutz

http://davidkutz.com/blog/2014/10

Edward Said; Orientalism. This is my second paper written for the low-residency MFA program at the Vermont College of Fine Arts. Visual Studies Project An Annotation of: Said, Edward W. Orientalism. New York: Vintage Books, 1979. Print. By David Kutz Submitted to VCFA Faculty Adviser Humberto Ramirez on Tuesday October, 14, 2014. The “East” as differentiated from […]. David Kutz October 14th, 2014. Read & Writing. 1984 Profile by Howard Chapnick. A Reader: A Thousand Plateaus. Edward Said; Orientalism.

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CV & Bio. A Statement; August 2016. I am fascinated by the cultural landscape, the place where people and nature interact. What is built, preserved or allowed to decay tells us a lot about what we value. For me, the vernacular landscape – the everyday cultural landscape – speaks softly, but clearly, about who we are and what we think is important. I am very aware of the fact that we now live in the Anthropocene, an epoch where humanity is directly affecting nature on an unprecedented global scale. My...

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