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Directors on Screen

Monday, April 23, 2012. Hollywood's Inconsistent Cinema of the 1970s. A certain level of incoherence, for example, lies at the heart of Taxi Driver. Scorsese, 1976), embodied in its central character, Travis Bickle (Robert De Niro). Much as Travis’s own goals and desires remain unclear and confused, so does the audience’s understanding of and attitude towards the character. What does Travis want? Belton: 2005, 361). May well have been, amongst other things, the film. Films such as Taxi Driver. Expose the...

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Directors on Screen | dfpr1001.blogspot.com Reviews

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Monday, April 23, 2012. Hollywood's Inconsistent Cinema of the 1970s. A certain level of incoherence, for example, lies at the heart of Taxi Driver. Scorsese, 1976), embodied in its central character, Travis Bickle (Robert De Niro). Much as Travis’s own goals and desires remain unclear and confused, so does the audience’s understanding of and attitude towards the character. What does Travis want? Belton: 2005, 361). May well have been, amongst other things, the film. Films such as Taxi Driver. Expose the...

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Directors on Screen | dfpr1001.blogspot.com Reviews

https://dfpr1001.blogspot.com

Monday, April 23, 2012. Hollywood's Inconsistent Cinema of the 1970s. A certain level of incoherence, for example, lies at the heart of Taxi Driver. Scorsese, 1976), embodied in its central character, Travis Bickle (Robert De Niro). Much as Travis’s own goals and desires remain unclear and confused, so does the audience’s understanding of and attitude towards the character. What does Travis want? Belton: 2005, 361). May well have been, amongst other things, the film. Films such as Taxi Driver. Expose the...

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Directors on Screen: March 2012

http://dfpr1001.blogspot.com/2012_03_01_archive.html

Sunday, March 18, 2012. Joel Schumacher references the personal filmmaking style of 1970s’ American Cinema. Century, did this style of endless referencing continue to be at the heart of Hollywood Cinema? Well, I would argue that if you examine Joel Schumacher’s 2002 film Phone Booth. But these themes in the film Phone Booth. Has in connection with the generation of post-modern filmmakers that were making films in the 1970s, as mentioned in the opening quotation. Well, if you place Phone Booth. Protagonis...

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Directors on Screen: April 2011

http://dfpr1001.blogspot.com/2011_04_01_archive.html

Friday, April 8, 2011. Kevin Smith and The Role of the Auteur. 8221; – Stringer, Julian. 2003, Movie Blockbusters, Routledge, pp 84-85. Well, when watching Chasing Amy. Of course this opens up another debate about the Romantic auteur that works outside of the tradition but is not afraid, and his actually quite keen, to reference this tradition. The end rain scene from Breakfast at Tiffany’s. Is the scene in the club when Kevin Smith chooses to recreate the scene on the boat from. Kevin Smith may well be ...

3

Directors on Screen: March 2011

http://dfpr1001.blogspot.com/2011_03_01_archive.html

Wednesday, March 16, 2011. The David Fincher Film Style and the Imagination of the Cinema Audience. In a Guardian interview at the BFI Southbank David Fincher talks about how the film Seven. 1995) came about and he pays particular attention to the choices he made with reference to lighting and storytelling techniques. One of the key issues that he raises is that the scriptwriter of. When watching the film what you do not see is just as chilling as what you do see and it does become clear that David Finch...

4

Directors on Screen: February 2012

http://dfpr1001.blogspot.com/2012_02_01_archive.html

Monday, February 27, 2012. The Multiplex Themes of a Baz Luhrmann Film. 8221; from LaBelle’s “Lady Marmalade”, while the men crash into the chorus of Nirvana’s “Smells Like Teen Spirit”. Where [Jane] Campion’s interest in grown-up women went against the tide of her cinematic times, Lurhmann’s themes were those of the multiplex: teenage love and rebellion. (Cousins: 2011, 446)”. It is clearly “more romantic than classical” and it tells us one important point – the film is a carefully dev...Is either nothi...

5

Directors on Screen: Hollywood's Inconsistent Cinema of the 1970s

http://dfpr1001.blogspot.com/2012/04/hollywoods-inconsistent-cinema-of-1970s.html

Monday, April 23, 2012. Hollywood's Inconsistent Cinema of the 1970s. A certain level of incoherence, for example, lies at the heart of Taxi Driver. Scorsese, 1976), embodied in its central character, Travis Bickle (Robert De Niro). Much as Travis’s own goals and desires remain unclear and confused, so does the audience’s understanding of and attitude towards the character. What does Travis want? Belton: 2005, 361). May well have been, amongst other things, the film. Films such as Taxi Driver. Expose the...

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Directors on Screen

Monday, April 23, 2012. Hollywood's Inconsistent Cinema of the 1970s. A certain level of incoherence, for example, lies at the heart of Taxi Driver. Scorsese, 1976), embodied in its central character, Travis Bickle (Robert De Niro). Much as Travis’s own goals and desires remain unclear and confused, so does the audience’s understanding of and attitude towards the character. What does Travis want? Belton: 2005, 361). May well have been, amongst other things, the film. Films such as Taxi Driver. Expose the...

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