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Dinner And A Show | A Piece of Theatre Review with some Good Wine.

A Piece of Theatre Review with some Good Wine.

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Dinner And A Show | A Piece of Theatre Review with some Good Wine. | dinnerandshowblog.wordpress.com Reviews
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A Piece of Theatre Review with some Good Wine.
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1 the heidi chronicles
2 heidi
3 discover
4 and benjamin winckle
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6 senior moments
7 beyond the fringe
8 anyone
9 and kevin brumpton
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Dinner And A Show | A Piece of Theatre Review with some Good Wine. | dinnerandshowblog.wordpress.com Reviews

https://dinnerandshowblog.wordpress.com

A Piece of Theatre Review with some Good Wine.

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1

Shaw Fire Hit: Review of STC’s Arms and the Man | Dinner And A Show

https://dinnerandshowblog.wordpress.com/2015/09/30/shaw-fire-hit-review-of-stcs-arms-and-the-man

Dinner And A Show. A Piece of Theatre Review with some Good Wine. Shaw Fire Hit: Review of STC’s Arms and the Man. Arms and the Man. 1894) was one of Bernard Shaw’s early commercial successes, although today it is maybe less well known than some of his other pieces; but as the STC and director, Richard Cottrell. Arms and the Man. Has been blessed with a cast that cannot be faulted. This production brims with precision and effortlessness across the board. Andrea Demetriades. Plays our Swiss dreamboat, Blu...

2

Updating the Present: Review of STC’s The Present | Dinner And A Show

https://dinnerandshowblog.wordpress.com/2015/08/19/updating-the-present-review-of-stcs-the-present

Dinner And A Show. A Piece of Theatre Review with some Good Wine. Updating the Present: Review of STC’s The Present. The Sydney Theatre Company’s. By Andrew Upton, after Anton Chekhov’s. Credit must be given where credit is due, though, because for its faults,. Is an engaging piece of theatre. It may not sound much like Chekhov anymore, but for the most part the writing works; the comedy inserted into the text and accentuated by Director, John Crowley. The play opens on the day before Anna’s 40. Was suit...

3

About | Dinner And A Show

https://dinnerandshowblog.wordpress.com/about

Dinner And A Show. A Piece of Theatre Review with some Good Wine. Since coming together to Produce and Direct Eugene O’Neill’s mammoth play, The Iceman Cometh. Sydney and Nathan have collaborated on a variety of projects. They recently recorded a radio play for the ABC which was broadcast in November, 2013. Performed in the 2012 Sydney Fringe show,. Directed a sell out run of Matt Cameron’s Ruby Moon,. And performed the role of Garth McGrath in. Narrow as the Line. His next play, Narrow as the Line.

4

Duties and Lies: Review of Sport for Jove’s Edward II | Dinner And A Show

https://dinnerandshowblog.wordpress.com/2015/10/05/duties-and-lies-review-of-sport-for-joves-edward-ii

Dinner And A Show. A Piece of Theatre Review with some Good Wine. Duties and Lies: Review of Sport for Jove’s Edward II. 1592) is one of the earliest examples of a historical drama indicative of the style that Shakespeare would later make famous. Sport for Jove has taken this play, originally set during the fourteenth century and brought it to a time reminiscent of the late 1920/30s. Interestingly, by placing the play in the early twentieth century, some parallel is drawn between Edward II and his distan...

5

Audience Makes the Difference: Review of Subtlenuance’s All the Difference | Dinner And A Show

https://dinnerandshowblog.wordpress.com/2015/09/24/audience-makes-the-difference-review-of-subtlenuances-all-the-difference

Dinner And A Show. A Piece of Theatre Review with some Good Wine. Audience Makes the Difference: Review of Subtlenuance’s All the Difference. Is a one woman show with Kathryn Schuback. While the piece certainly doesn’t give any real overt payoff or deeper examination of this theme, it certainly invites its audience to ask these questions. Is playing at the Old505 as part of the Sydney Fringe Festival until the 26. Of September. For more information see:. September 24, 2015. September 27, 2015 at 9:00 am.

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theatrered.wordpress.com theatrered.wordpress.com

The Shoe-Horn Sonata | Theatre Red

https://theatrered.wordpress.com/2015/05/08/the-shoe-horn-sonata

Conversations about the Sydney theatre scene. The Truth will prevail. Simone Weil (I think it was) put the kibosh on this liberal fantasy. She pointed out that violence can kill the Truth. If no one is left to tell stories, they’ve been effectively silenced. The Truth does not tell itself. That’s our duty. John Misto, in his classic play. Image (C) Phyllis Wong. And so, after the war, there were Australian women who returned to quiet suburban life nursing extraordinary memories. And EH.T.C. h...Http:/ ww...

theatrered.wordpress.com theatrered.wordpress.com

Interview with Katherine Shearer | Theatre Red

https://theatrered.wordpress.com/2015/05/07/interview-with-katie-shearer

Conversations about the Sydney theatre scene. Interview with Katherine Shearer. In 2012, women stepped into the boxing ring for the first time in Olympic history. Inspired by this is Charlotte Josephine’s play. Coming to the Old 505 soon, it will performed by the brilliant Katherine Shearer. Here I chat with Katherine. Me: What attracted you to the play? Me: What are the joys and challenges of the rehearsal process? Me: What would you like the audience to feel or think about? Old 505 Theatre 26 -31st May.

theatrered.wordpress.com theatrered.wordpress.com

Zeroville | Theatre Red

https://theatrered.wordpress.com/2015/05/15/zeroville

Conversations about the Sydney theatre scene. Is fascinating theatre, presented in the Glass Pavilion, Justice Precinct as part of the Anywhere Festival Parramatta. It’s a wonderfully engaging mix of genres – the hardboiled detective genre meets dystopian speculative fiction. In many ways it’s a natural marriage. Both genres have similar tropes. Both pit logic against some other element of human experience. Considering it’s written by the ensemble and director,. Has an almost unbelievable coherence.

theatrered.wordpress.com theatrered.wordpress.com

Grounded | Theatre Red

https://theatrered.wordpress.com/2015/05/07/grounded

Conversations about the Sydney theatre scene. Make ‘em laugh. Make ‘em cry. Make ‘em wait. Which is what. Does And it’s absolutely brilliant theatre. Penned by George Brant, there’s not a single word wasted. The narrative is straight forward, but seemingly innocent phrases and events are revisited, and on each return take on a greater sense of foreboding. It’s magnificent writing. (And director Kirsten Von Bibra gives it the uncluttered simplicity it deserves.). After Cole’s character has been inevitably...

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