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I'm from the middle of nowhere. Gospel of Better Barns. Down to the River.

http://www.dulceeboehm.com/

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CONTACTS AT DULCEEBOEHM.COM

Dulcee Boehm

14167 ●●●●●●by Rd.

Pe●●ry , MI

US

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Dulcee Boehm

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Pe●●ry , MI

US

1.51●●●●5001
du●●●●●●●●@gmail.com

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Dulcee Boehm

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Pe●●ry , MI

US

1.51●●●●5001
du●●●●●●●●@gmail.com

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D.B. | dulceeboehm.com Reviews

https://dulceeboehm.com

I'm from the middle of nowhere. Gospel of Better Barns. Down to the River.

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1

Pouring Milk - D.B.

http://www.dulceeboehm.com/Pouring-Milk

This video is a response to working in a creamery and doing affinage, which often involved washing and brushing wheels. The process of making cheese, the temperatures used, and the process of affinage itself consistently reminded me of bathing and caring for our own bodies. The overlapping sound is a sample from dusk near where the milk came from. The amount of milk used here is 1 quart. Down to the River.

2

Chapel Cleaning - D.B.

http://www.dulceeboehm.com/Chapel-Cleaning

During a residency in Troy, New York I responded most strongly to a cleaning list left behind by former parishioners at the Woodside Chapel where the residency was held. The language used to describe the cleaning tasks, seemed to have been influenced by the space being cleaned. Most notably the phrase, "chapel cleaning shall consist of dusting.". Down to the River.

3

Statement - D.B.

http://www.dulceeboehm.com/Statement-1

The people I love the best, jump into work head first without dallying in the shadows.do what has to be done, again and again. Everyday labors we perform are embedded with and inside of culture. I am not interested in claiming these actions as art themselves. Rather, I use necessary or common labors as beginning points to examine and understand existing culture. Texts I care about:. Sociology of Food: The Social Appetite. A Boy Named Sue: Gender and Country Music. Lure of the Local. Down to the River.

4

Down to the River - D.B.

http://www.dulceeboehm.com/Down-to-the-River

Down to the River. The abstraction of the body, language, music, and religious practice all merge into one bowl of water. Down the River to Pray is a hymn that lulls listeners and singers through its rhythm. Here the song is directly sung into the river, and since the words are not understood the rhythm and pauses are the few things that remain. This video was shot at the river in the early morning. Video Installation, Gillett Pedestrian Bridge. Grand Rapids, Michigan. Down to the River.

5

Kleerview - D.B.

http://www.dulceeboehm.com/Kleerview

Kleerview is the cleaning product I use on windows during my work as a Housekeeper. These images are views of the landscape through a window covered in Kleerview, and are paired with the sound of cleaning the windows. As I clean I am temporarily moving the physical landscape back outside sweeping or wiping away sand and dust. 9835; Kleerview Window.mp3. Down to the River.

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LINKS TO THIS WEBSITE

coryimig.com coryimig.com

Links — Cory Imig

http://www.coryimig.com/links

Diagrams on Conceptual Art. Diagrams on Conceptual Art. White Columns Artist Registry. Oklahoma Art Writing and Curatorial Fellowship. Listen to the PLUG Projects' Bad at Sports Interview. Episode 339: PLUG Projects. February 27, 2012.

kategarman.com kategarman.com

Through the Surface : Kate Garman

http://www.kategarman.com/index.php/project/through-the-surface

The Marks We Make. A Means for Survival. Aunt Allie goes to Africa. Beyond Material: Through the Surface. Explores ways in which textures are achieved through these various techniques. It is the ways in which we are expanding our surfaces to bring about new ways to think about textiles. Artists: Alyssa Roach, Ann Chuchvara. And Mandi Michielsen, Mandy Cano Villalobos.

kategarman.com kategarman.com

Pattern's Presence : Kate Garman

http://www.kategarman.com/index.php/project/beyond-material

The Marks We Make. A Means for Survival. Aunt Allie goes to Africa. Beyond Material: Pattern's Presence. Explores the ways in which patterns can be used as a way of creation; as a camouflaging technique or as objects themselves becoming a pattern.

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