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Tom Johnson: February 14, 2013 | UCLA MUSICOLOGY
https://uclamusicologydls.wordpress.com/2013/02/14/tom-johnson
2016 2017 DLS Coordinators. Tom Johnson: February 14, 2013. February 14, 2013. This entry was posted in Speakers. Elizabeth Upton: January 24, 2013. James R. Currie: February 28, 2013 →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.
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August | 2014 | UCLA MUSICOLOGY
https://uclamusicologydls.wordpress.com/2014/08
2016 2017 DLS Coordinators. Monthly Archives: August 2014. Emily Wilbourne: May 1, 2014. August 19, 2014. He Recorded Voice In Seventeenth-Century Italy. Emily Wilbourne, Queens College, CUNY. In this paper, Wilbourne considers several characters from Cavalli operas, beginning with the stutterer, Demo, from. Seventeenth-Century Opera and the Legacy of the Commedia dell’arte. In 2008-9,Emily was an Andrew W. Mellon Postdoctoral Fellow in Music at Columbia University, and, more recently, her article,.
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Joy Calico: March 13, 2014 | UCLA MUSICOLOGY
https://uclamusicologydls.wordpress.com/2014/08/19/joy-calico-march-13-2014
2016 2017 DLS Coordinators. Joy Calico: March 13, 2014. August 19, 2014. A Cultural History of Postwar. Europe through the Lens of. A Survivor from Warsaw. Joy H Calico, Vanderbilt University. A twelve-tone piece about the Holocaust, written in three languages, by a Jewish émigré turned American citizen who had also been the Nazis’ prime exemplar of musical degeneracy: Arnold Schoenberg’s. A Survivor from Warsaw. Arnold Schoenberg’s “A Survivor from Warsaw” in Postwar Europe. Brecht at the Opera. Calico ...
musicology.ucla.edu
ECHO | ECHO | Musicology
https://www.musicology.ucla.edu/echo
About the Department of Musicology. Bachelor of Arts (B.A.). Master of Arts/Doctor of Philosophy (M.A./Ph.D.). Minor in Music History. College of Letters and Science. Experimental Critical Theory Program. Center for Medieval and Renaissance Studies. Center for 17th and 18th Century Studies. W A Clark Memorial Library. Herb Alpert School of Music. About the Department of Musicology. Events and Live Stream. Http:/ www.echo.ucla.edu. We are supported by an advisory board of distinguished scholars from many ...
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James R. Currie: February 28, 2013 | UCLA MUSICOLOGY
https://uclamusicologydls.wordpress.com/2013/02/15/james-r-currie
2016 2017 DLS Coordinators. James R. Currie: February 28, 2013. February 15, 2013. Musical Balance, Stumbling Ground: A Performance Lecture. Is a writer and performer whose work has been concerned with articulating the points of interaction and dislocation between music, history, philosophy, and politics. His scholarly writings have appeared widely, including in the. Journal of the American Musicological Society. And in a number of collections. His book,. Music and the Politics of Negation. Mina Yang: Ap...
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Michael Scott Cuthbert: October 11, 2012 | UCLA MUSICOLOGY
https://uclamusicologydls.wordpress.com/2012/10/11/michael-scott-cuthbert
2016 2017 DLS Coordinators. Michael Scott Cuthbert: October 11, 2012. October 11, 2012. This entry was posted in Speakers. Emma Dillon: November 15, 2012 →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
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Curriculum Vita | Erin E. Templeton
https://eetempleton.wordpress.com/curriculum-vita
Erin E. Templeton. Associate Professor of English, Converse College, 2012-. Anne Morrison Chapman Distinguished Professor of International Study, Converse College 2011-Present. Assistant Professor of English, Converse College, 2007-Present. Lecturer, University of California, Los Angeles, 2006-2007. M A in English, The Pennsylvania State University, 1998. BA in English, The Pennsylvania State University, 1995. William Carlos Williams Review. The Heritages of William Carlos Williams: Points of Contact.
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Emma Dillon: November 15, 2012 | UCLA MUSICOLOGY
https://uclamusicologydls.wordpress.com/2012/11/15/emma-dillon
2016 2017 DLS Coordinators. Emma Dillon: November 15, 2012. November 15, 2012. Medieval Music-Making and the Roman de Fauvel. Cambridge University Press, 2002) and. The Sense of Sound: Musical Meaning in France, 1260-1330. This entry was posted in Speakers. Michael Scott Cuthbert: October 11, 2012. Elizabeth Upton: January 24, 2013 →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
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October | 2014 | UCLA MUSICOLOGY
https://uclamusicologydls.wordpress.com/2014/10
2016 2017 DLS Coordinators. Monthly Archives: October 2014. Gary Tomlinson: February 5, 2015. October 18, 2014. A Million Years of Music:. The Emergence of Human Modernity. February 5, 2015, 3:30 PM. Room 1439, Schoenberg Music Building. What is the origin of music? Monteverdi and the End of the Renaissance. Music in Renaissance Magic. Metaphysical Song: An Essay on Opera. The Singing of the New World: Indigenous Voice in the Era of European Contact. Music and Historical Critique. Now in its sixth edition.
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