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Post Production Standards

Keeping the lines of communication flowing within the Post Production Community. This includes avid tips, pro-tools tips, and editing workflow. All geared to aid in smooth turnover between editing departments.

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Post Production Standards | editingstandards.blogspot.com Reviews

https://editingstandards.blogspot.com

Keeping the lines of communication flowing within the Post Production Community. This includes avid tips, pro-tools tips, and editing workflow. All geared to aid in smooth turnover between editing departments.

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1

Post Production Standards: VFX Naming

http://editingstandards.blogspot.com/2007/12/vfx-naming.html

Wednesday, December 5, 2007. There is a standard in place within many companies that makes things very smooth for all involved:. 1) Make sure when naming shots, always use three numbers (Sc 8o would be 080). 2) Use the scene number to label your VFX. Shots for easy locating. 3) When naming multiple shots with in a scene, you should label each shot in increments. Let's say you have 5 shots in Scene 80, your shots, in sequence order, would be - 080x010, 080x020, 080x030, 080x040, o80x050. O AL 002 010 v02.

2

Post Production Standards: OMF media in a MXF project

http://editingstandards.blogspot.com/2007/11/omf-media-in-mxf-project.html

Wednesday, November 14, 2007. OMF media in a MXF project. We just started a project using Adrenaline HD with DNXHD-36. Based on posts I had seen about issues with MXF audio compatibility, I decided to split the audio off to it's own workspaces, using the OMF/AIFF format instead of MXF. The problem is that if you are in a DNX project, the Avid only refreshes the AVID Mediafiles directories, NOT the OMFI Mediafiles directories, leaving new audio offline. This is a known bug. Posted by Scott Janush. I reall...

3

Post Production Standards: Avid data entry tip

http://editingstandards.blogspot.com/2008/01/avid-data-entry-tip.html

Friday, January 18, 2008. Avid data entry tip. Are you sick and tired of Cmd-V, pasting your way down a entire bin of takes where you want the same information applied to all the takes you have selected? IE date shot. Of course you could export the bin, open it in a spreadsheet and do a fill down command, re-import the bin, but who wants to deal with that? My friends, our time has arrived. I received this info from a Avid engineer who saw me doing this and said "we fixed that.". Posted by Scott Janush.

4

Post Production Standards: Production Sound

http://editingstandards.blogspot.com/2008/01/production-sound.html

Friday, January 11, 2008. It happens often. You cut to the best performance of a character, and another character steps on the line. Picture departments often will find an alternate reading to "clean up" the area were the overlap of lines happen. However, it is still important that sound editorial has access to the original line reading. This is a very simple thing to do and will save time down the road. Posted by Justin Bourret. Wow, nice tip! Keep up the goods, we'll be reading! Obat Herbal Patah Tulang.

5

Post Production Standards: Commenting

http://editingstandards.blogspot.com/2008/01/commenting.html

Thursday, January 10, 2008. Information is my friend, so I am always looking at things and trying to find new ways to organize that info or refine existing info. So, in the AVID, they give you the standard array of columns, which is growing by leaps and bounds, but not always the way I want or need. Add a few new columns and name them:. Posted by Scott Janush. I do much the same thing using locators. Each colour denotes the reason for the locator. June 25, 2008 at 6:00 AM. Post Production Standards Forum.

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L’ONF lance un nouveau site web documentaire | Au royaume de la salle 7

https://auroyaumedelasalle7.wordpress.com/2009/06/25/lonf-lance-un-nouveau-site-web-documentaire

Au royaume de la salle 7. Aller au contenu principal. ER et RED font équipe. 25 juin, 2009 · 8:22. L’ONF lance un nouveau site web documentaire. L’ONF a créé un site web. Via the documentary blog. Sur le même thème. ER et RED font équipe. Laisser un commentaire Annuler la réponse. Entrez vos coordonnées ci-dessous ou cliquez sur une icône pour vous connecter:. Adresse de messagerie (obligatoire). Vous commentez à l'aide de votre compte WordPress.com. ( Déconnexion. Ouvrages de références (Mathieu Lalonde).

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Update Avid MC 3.0.5 | Au royaume de la salle 7

https://auroyaumedelasalle7.wordpress.com/2008/10/06/update-avid-mc-305

Au royaume de la salle 7. Aller au contenu principal. Partager des projets FCP? Gestion des préférences/user FCP →. 6 octobre, 2008 · 8:44. Update Avid MC 3.0.5. Alors que moi je suis encore collé avec MC 2.8, l’ update. De MC 3.0 vient de sortir, avec des fonctionnalités attendues depuis longtemps. Plusieurs review disent beaucoup de bien du nouveau logiciel, j’ai bien hâte d’y toucher! Sur le même thème. Partager des projets FCP? Gestion des préférences/user FCP →. Adresse de messagerie (obligatoire).

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My Work | view from the cutting room floor

https://viewfromthecuttingroomfloor.wordpress.com/my-work

View from the cutting room floor. Ruminations on editing from the bottom of the post production ladder. Here are some examples of my work; I may not have any professional editing gigs under my belt, but I continue to hone my personal editing style and skill set on my own time. Episode Two: “Black Ian”:. 2 Responses to “My Work”. June 23, 2008 at 9:22 am. In A Word… WOW! August 11, 2008 at 7:59 am. I just reviewed your two music videos. Nice job! Leave a Reply Cancel reply. Enter your comment here. Join 2...

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Links | JUSTIN BARHAM

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Click on the images to learn more about who I am, what I do, and how I do it. Scorsese’s inspiring Jefferson Lecture, "Persistence of Vision: Reading the Language of Cinema,": http:/ t.co/VzzhE9ulqd. Retrospective at # LACMA. Key Lime’ and ‘Breathing Light’ were otherworldly. # Kubrick. Cuts I’d love to know the avg. # of setups used. 8212; The official magazine of the American Cinema Editors. Motion Picture Editors Guild. 8212; Homepage of IATSE Local 700. Art of the Guillotine. Alan Edward Bells Blog.

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instant “telecined” dailies for RED | The Assistant Editor

https://fixitinpost.wordpress.com/2010/04/16/instant-“telecined”-dailies-for-red

Another look at Horror. →. April 16, 2010 · 6:47 am. Instant telecined dailies for RED. This is a great tip from Michael Kammes that I found posted on his post production blog site: www.MichaelKammes.com. I may be editing a feature shot on RED later this summer and found the “quick tip” enlightening. 8220;RED: Make Bleeding Edge Cutting Edge. 8211; If you happen to see Mr. Kammes while your out n’ about in LA congratulate him on becoming a blogger for Post Magazine. Another look at Horror. →. The trick h...

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Editing is FUN: | The Assistant Editor

https://fixitinpost.wordpress.com/2011/05/19/editing-is-fun

Great Pietro Scalia, Editor Interviews. May 19, 2011 · 8:38 pm. Over the past couple days I have either witnessed, talked to or overheard people stressing about post production. PEOPLE EDITING IS FUN! Below is my latest trailer MashUP, please cover the kid’s ears because it’s a RedBand MashUp. Great Pietro Scalia, Editor Interviews. One response to “. May 20, 2011 at 8:34 pm. That is too funny! We got a wimp and Thor… related? Then the wimp actually does something nuts to make himself cool? Follow &ldquo...

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Great Pietro Scalia, Editor Interviews | The Assistant Editor

https://fixitinpost.wordpress.com/2010/05/21/great-pietro-scalia-editor-interviews

8220;How To Train Your Dragon” – Interview with Darren Holmes, Film Editor. Editing is FUN: →. May 21, 2010 · 5:05 am. Great Pietro Scalia, Editor Interviews. Since Robin Hood (2010) is now in theaters I figured I’d post a couple great interviews with the film’s Picture Editor – Pietro Scalia. Hope you enjoy. 8220;How To Train Your Dragon” – Interview with Darren Holmes, Film Editor. Editing is FUN: →. One response to “. Great Pietro Scalia, Editor Interviews. Leave a Reply Cancel reply. Create a free we...

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Raymond Did It makes REEL Chicago | The Assistant Editor

https://fixitinpost.wordpress.com/2010/05/19/raymond-did-it-makes-reel-chicago

Trailer Editing Part 2. 8220;How To Train Your Dragon” – Interview with Darren Holmes, Film Editor →. May 19, 2010 · 10:04 pm. Raymond Did It makes REEL Chicago. Trailer Editing Part 2. 8220;How To Train Your Dragon” – Interview with Darren Holmes, Film Editor →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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monteur.org - Félicitations aux gagnants des 21ièmes Prix Gémeaux

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Se souvenir de moi. Mot de passe oublié? Pas encore de compte? Sujets récents sur le forum. Recherche Stagiaire assistant de production. VEND AVID MEDIA COMPOSER 6. Concours: Trouvez un nom pour notre nouvelle associatio. Recherche Assistant DA audiovisuel. Félicitations aux gagnants des 21ièmes Prix Gémeaux. Félicitations aux gagnants des 21ièmes Prix Gémeaux. Le 21ième Gala des Prix Gémeaux sest tenu hier soir et les gagnants dans les catégories montage sont les suivants:. Discutez-en sur le forum!

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monteur.org - Actualités

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Se souvenir de moi. Mot de passe oublié? Pas encore de compte? Sujets récents sur le forum. Recherche Stagiaire assistant de production. VEND AVID MEDIA COMPOSER 6. Concours: Trouvez un nom pour notre nouvelle associatio. Recherche Assistant DA audiovisuel. Sélectionner une catégorie dactualités dans la liste ci-dessous. Les dernères nouvelles. Alliance québécoise des techniciens de limage et du son (AQTIS). Les monteurs associés. American Cinema Editors (A.C.E.). Motion Picture Editors Guild.

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Post Production Standards

Tuesday, November 16, 2010. It has been way too long since we have posted here. I promise that Scott and I will try and give you more content. But we now have a real forum where you can discuss anything you want regarding Post Production. Enjoy. Posted by Justin Bourret. Sunday, November 23, 2008. I know that some people keep each turnover version in their own bins, but I like to have an immediate overview and by keeping multiple versions, I can see the progression of who has what, lengths, notes etc&#46...

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