electroinstruments.blogspot.com

electronic instruments

Keyboards, synthesizers, samplers and drum machines. 48kb memory for 1.2 seconds of sample time. 27,500 Hz Sample Rate. 8 velocity sensing pads. 24 samples in ROM. Two videos of a fan recreating C.R.E.A.M and Ex Girl to Next Girl instrumentals. Launched as grey body. Black body re-issue in 1997. 26,040 Hz Sample Rate. 8 velocity sensing pads. 384 Kbytes sample ROM. 10 seconds sample time. On Madvillainy, Madlib is holding a SP1200 in his hands on the back cover. Albums produced using SP1200. Da Beatminer...

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Keyboards, synthesizers, samplers and drum machines. 48kb memory for 1.2 seconds of sample time. 27,500 Hz Sample Rate. 8 velocity sensing pads. 24 samples in ROM. Two videos of a fan recreating C.R.E.A.M and Ex Girl to Next Girl instrumentals. Launched as grey body. Black body re-issue in 1997. 26,040 Hz Sample Rate. 8 velocity sensing pads. 384 Kbytes sample ROM. 10 seconds sample time. On Madvillainy, Madlib is holding a SP1200 in his hands on the back cover. Albums produced using SP1200. Da Beatminer...

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electronic instruments | electroinstruments.blogspot.com Reviews

https://electroinstruments.blogspot.com

Keyboards, synthesizers, samplers and drum machines. 48kb memory for 1.2 seconds of sample time. 27,500 Hz Sample Rate. 8 velocity sensing pads. 24 samples in ROM. Two videos of a fan recreating C.R.E.A.M and Ex Girl to Next Girl instrumentals. Launched as grey body. Black body re-issue in 1997. 26,040 Hz Sample Rate. 8 velocity sensing pads. 384 Kbytes sample ROM. 10 seconds sample time. On Madvillainy, Madlib is holding a SP1200 in his hands on the back cover. Albums produced using SP1200. Da Beatminer...

INTERNAL PAGES

electroinstruments.blogspot.com

1

electronic instruments: E-mu SP-12

http://www.electroinstruments.blogspot.com/2008/08/e-mu-sp-12.html

Keyboards, synthesizers, samplers and drum machines. 48kb memory for 1.2 seconds of sample time. 27,500 Hz Sample Rate. 8 velocity sensing pads. 24 samples in ROM. Two videos of a fan recreating C.R.E.A.M and Ex Girl to Next Girl instrumentals. January 15, 2010 at 5:30 AM. March 1, 2010 at 10:03 PM. Subscribe to: Post Comments (Atom).

2

electronic instruments: Akai MPC3000

http://www.electroinstruments.blogspot.com/2008/08/akai-mpc3000.html

Keyboards, synthesizers, samplers and drum machines. The MPC3000 improved upon the MPC60 by adding 16-bit 44.1 kHz stereo sampling, increased memory, 32 voice polyphony, filters and effects. It was released in 1994. List price $3,500. Estimated eBay value $? 16 velocity sensitive pads. 4 pad banks (64 voices per program). Sampling rate of 16-bit 44.1 kHz stereo (freq response 20 Hz - 22.1 kHz). 2 MB sampling memory (22 seconds), upgradable to 32 MB (officially stated as 16 MB) (6 minutes).

3

electronic instruments: E-mu

http://www.electroinstruments.blogspot.com/2008/08/e-mu.html

Keyboards, synthesizers, samplers and drum machines. Produced between 1985 and 1987. Produced between 1987 and 1998. Subscribe to: Post Comments (Atom).

4

electronic instruments: Akai MPC60

http://www.electroinstruments.blogspot.com/2008/08/akai-mpc60.html

Keyboards, synthesizers, samplers and drum machines. The Akai MPC60 ("MIDI Production Center 60") was an electronic musical instrument produced in 1988, by the Japanese company Akai in collaboration with designer Roger Linn. Produced between 1988 - 1991. Estimated eBay value $? In 1991, Akai re-launched the machine as the MPC60II. This incarnation nearly identical to the original MPC60, merely featuring a headphone output, and a plastic chassis instead of a metal one. 16 velocity sensitive pads. At the b...

5

electronic instruments: Akai MPC2500

http://www.electroinstruments.blogspot.com/2008/08/akai-mpc2500.html

Keyboards, synthesizers, samplers and drum machines. List price $2,999.00. Street price $1,699.00. Estimated eBay value $800. Taj runs through the feature set of the MPC 2500 for Producer's Edge Magazine. Review of MPC25000 by Akai. USB port (Mass Storage Class). 16 velocity sensitive pads. 2 MIDI inputs, 4 MIDI outputs. 100,000 note, 64-track, MIDI sequencer. 16 MB sampling memory (upgradeable to 128 MB). It contains 8 assignable outputs and 1 stereo output. It has two assignable Q-link sliders and knobs.

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studiomonitors.blogspot.com

studio monitors: KRK V12S Series 2

http://studiomonitors.blogspot.com/2008/04/krk-v12s-series-2.html

Enter your search terms. KRK V12S Series 2. KRK V12S Series 2. 12" High Excursion Kevlar Woofer. V Series 2 monitors are hallmarked by defined low end, articulate midrange and precise highs, delivering clarity and accuracy on par with many world-class speakers costing more. Whether you are making critical mixing decisions or capturing the subtle nuance of a unique sound, you'll quickly discover that the V Series 2 monitors are as precise about your work as you are. 12" High Excursion Kevlar Woofer.

studiomonitors.blogspot.com

studio monitors: KRK

http://studiomonitors.blogspot.com/2008/04/krk.html

Enter your search terms. KRK [RP-5] Rokit Powered 5. 5" Glass Aramid Composite Woofer. KRK [RP-6] Rokit Powered 6. 6" Glass Aramid Composite Woofer. KRK [RP-8] Rokit Powered 8. 8" Glass Aramid Composite Woofer. KRK [RP-10S] Rokit Powered 10S. KRK V4 Series 2. 4" Kevlar Woofer Vintage. KRK V6 Series 2. 6" Kevlar Woofer Vintage. KRK V8 Series 2. 8" Kevlar Woofer Vintage. KRK V12S Series 2. 12" High Excursion Kevlar Woofer Vintage. 8" Dual Layer Kevlar w/Rohacell. Subscribe to: Post Comments (Atom).

studiomonitors.blogspot.com

studio monitors: KRK V8 Series 2

http://studiomonitors.blogspot.com/2008/04/krk-v8-series-2.html

Enter your search terms. KRK V8 Series 2. KRK V8 Series 2. V Series 2 monitors are hallmarked by defined low end, articulate midrange and precise highs, delivering clarity and accuracy on par with many world-class speakers costing more. Whether you are making critical mixing decisions or capturing the subtle nuance of a unique sound, you'll quickly discover that the V Series 2 monitors are as precise about your work as you are. HF 1" Soft Dome Tweeter. LF 8" Kevlar Woofer. XLR and 1/4" TRS Combo.

studiomonitors.blogspot.com

studio monitors: Mackie HR626

http://studiomonitors.blogspot.com/2008/04/mackie-hr626.html

Enter your search terms. The Post-Production and Surround Studio Standard. With extremely even dispersion for a wide "sweet spot" and user-adjustable controls for a variety of acoustic spaces, the HR626 is found in hundreds of professional studios and in the home studios of top recording artists (see list at left). That unusual looking tweeter is actually our waveguide-mounted 1" aluminum dome HF transducer. (Try to say that five times fast.) The logarithmic waveguide works with the tweeter to en...Ideal...

studiomonitors.blogspot.com

studio monitors: JBL

http://studiomonitors.blogspot.com/2008/04/jbl.html

Enter your search terms. JBL Control 1 Pro. JBL Control 5™. 12" Linear Spatial Reference Powered Subwoofer. 12" Powered Studio Subwoofer System. 525" Bi-Amplified Studio Monitor. 8" Reference Bi-amplified Studio Monitor. 12" Studio Monitor System. Subscribe to: Post Comments (Atom). Subscribe in a reader. JBL Control 1 Pro. JBL Control 5™. KRK V4 Series 2. KRK V6 Series 2. KRK V8 Series 2. KRK V12S Series 2. M-Audio Studiophile AV 20. M-Audio Studiophile AV 30. M-Audio Studiophile AV 40.

studiomonitors.blogspot.com

studio monitors: Mackie MR8

http://studiomonitors.blogspot.com/2008/04/mackie-mr8.html

Enter your search terms. Power and Performance, at an Unbelievable Price. Our MR Series monitors achieve their transparent sound quality thanks to these key design elements:. Our Reputation Speaks for Itself. Go hear the difference for yourself at a dealer today. Studio monitor with true Active design. Precision Class A/B amplifiers with Active protection circuits: 100W for LF / 50W for HF. HF and LF acoustic controls for room correction. Balanced XLR, TRS and unbalanced RCA inputs. Magnetically shielded...

studiomonitors.blogspot.com

studio monitors: JBL Control 1 Pro

http://studiomonitors.blogspot.com/2008/04/jbl-control-1-pro.html

Enter your search terms. JBL Control 1 Pro. JBL Control 1 Pro. 150 Watts Continuous Power Handling. Professional Drivers and Crossover Network. Transparent and Faithful Sonic Performance. SonicGuard™ Overload Protection. Available in Black or White Finishes. 80 Hz to 20 kHz. 177; 3 dB). I00 Hz - 18 kHz. 87 dB SPL, 1 W, 1 m (3.3 ft). 108 dB continuous, 114 dB peak. Full-range SonicGuard™ power limiting to protect network and transducers. 135 mm (5.25 in) low. 19 mm (.75 in) polycarbonate. 18 kg (4 lb).

studiomonitors.blogspot.com

studio monitors: Mackie MR5

http://studiomonitors.blogspot.com/2008/04/mackie-mr5.html

Enter your search terms. Power and Performance, at an Unbelievable Price. Our MR Series monitors achieve their transparent sound quality thanks to these key design elements:. Our Reputation Speaks for Itself. Go hear the difference for yourself at a dealer today. Studio monitor with true Active design. Precision Class A/B amplifiers with Active protection circuits: 55W for LF / 30W for HF. HF and LF acoustic controls for room correction. Balanced XLR, TRS and unbalanced RCA inputs. Magnetically shielded ...

studiomonitors.blogspot.com

studio monitors: JBL LSR6325P-1

http://studiomonitors.blogspot.com/2008/04/jbl-lsr6325p-1.html

Enter your search terms. 525” Bi-Amplified Studio Monitor. High Performance bi-amplified design with proprietary JBL transducer technology. Titanium composite high-frequency transducer. LSR Linear Spatial Reference technology ensures neutral off-axis response for greater clarity at the mix position. User-selectable Boundary Compensation restores accurate response when speaker is positioned near a wall or on a work surface. Front Panel Volume and Power Controls. Shielded for use next to Video Monitors.

studiomonitors.blogspot.com

studio monitors: JBL LSR4328P

http://studiomonitors.blogspot.com/2008/04/jbl-lsr4328p.html

Enter your search terms. 8” two-way system. Advanced Linear Spatial Reference design ensures flatter-off-axis response for greater clarity at the mix position. RMC™ Room Mode Correction provides electronic control of room modes. Integrated bi-amplification with factory calibrated sensitivities. Silk dome transducer with Elliptical Oblate Spheroidal waveguide for precise pattern control. Magnetically shielded transducers minimize interference when used in close proximity to video monitors. 106 dB / 112 dB.

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Historia de los Instrumentos Electronicos

Historia de los Instrumentos Electronicos. 8220;La vida de antaño se basaba en el silencio. En el siglo 19 con la invención de la maquinaria, el ruido había nacido. Hoy, el ruido reina y triunfa supremo sobre las sensibilidades del hombre.” Luigi Russolo, 1913. Lunes, 30 de agosto de 2010. Historia de la música electrónica. Historia de los instrumentos electrónicos. 1759 - El Clavecine Électrique o el Electric Clave. Es uno de los primeros instrumentos electrónicos documentado. Fue inventado por Jean...

electroinstruments.blogspot.com

electronic instruments

Keyboards, synthesizers, samplers and drum machines. 48kb memory for 1.2 seconds of sample time. 27,500 Hz Sample Rate. 8 velocity sensing pads. 24 samples in ROM. Two videos of a fan recreating C.R.E.A.M and Ex Girl to Next Girl instrumentals. Launched as grey body. Black body re-issue in 1997. 26,040 Hz Sample Rate. 8 velocity sensing pads. 384 Kbytes sample ROM. 10 seconds sample time. On Madvillainy, Madlib is holding a SP1200 in his hands on the back cover. Albums produced using SP1200. Da Beatminer...

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