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Eli Kabir

February 23, 2018. I was recently profiled in Essay’d, by art historian Nadja Rottner. June 1, 2017. June 16 – August 26: “Round in Circles,” group exhibition, opening reception June 16 at N’Namdi Center for Contemporary Art. July 8-9: performing “Border Crossings,” at Festival Der Regionen. October: curating “Feels” in collaboration with Chris Reilly. At the Ford Gallery, University of Easter Michigan — presenting guest speaker Jennifer Doyle. June 10, 2016. Performing Braced at Rapid Pulse. Our week of...

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Eli Gold

106 B●●●●●on Pl

It●●ca , New York, 14850

United States

607-●●●●7224
el●●●●●●@gmail.com

View this contact

Eli Gold

106 B●●●●●on Pl

It●●ca , New York, 14850

United States

607-●●●●7224
el●●●●●●@gmail.com

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Eli Kabir | elikgold.com Reviews
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February 23, 2018. I was recently profiled in Essay’d, by art historian Nadja Rottner. June 1, 2017. June 16 – August 26: “Round in Circles,” group exhibition, opening reception June 16 at N’Namdi Center for Contemporary Art. July 8-9: performing “Border Crossings,” at Festival Der Regionen. October: curating “Feels” in collaboration with Chris Reilly. At the Ford Gallery, University of Easter Michigan — presenting guest speaker Jennifer Doyle. June 10, 2016. Performing Braced at Rapid Pulse. Our week of...
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Eli Kabir | elikgold.com Reviews

https://elikgold.com

February 23, 2018. I was recently profiled in Essay’d, by art historian Nadja Rottner. June 1, 2017. June 16 – August 26: “Round in Circles,” group exhibition, opening reception June 16 at N’Namdi Center for Contemporary Art. July 8-9: performing “Border Crossings,” at Festival Der Regionen. October: curating “Feels” in collaboration with Chris Reilly. At the Ford Gallery, University of Easter Michigan — presenting guest speaker Jennifer Doyle. June 10, 2016. Performing Braced at Rapid Pulse. Our week of...

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Eli Gold | Home

http://elikgold.com/home

June 10, 2016. Performing Braced at Rapid Pulse. This spring I performed in Rapid Pulse. Performance art festival at Defibrillator gallery in Chicago. It was an awesome experience in a beautiful gallery with a diverse and loving community. At this festival I performed. April 3, 2016. My March performance The Monkey Chase The Weasel (How Did I Get Here) is now viewable here on the website. Check it out! October 20, 2015. April 28, 2015. April 8, 2015. Full Time Discussion Panel. March 23, 2015. Who was pe...

2

Eli Gold | About

http://elikgold.com/about

I never begin a piece I am sure about. Every performance and every installation must be difficult enough that I enter into it with uncertainty. The difficulty of execution validates the process and in this unsureness I find the sincerity that makes art worth doing. 2014: MFA in Metalsmithing and Jewelry, University of Kansas, Lawrence, KS. 2009: Bachelor’s of Science in Fine Arts, Skidmore College, Saratoga Springs, NY. 2015: Ox-Bow: Fall Artists’ Residency (4 weeks), Saugatuck, Michigan. 2013-14: Outdoo...

3

Eli Gold | Works

http://elikgold.com/works

Click thumbnails for more hi-res images. I support a slab of concrete weighing over 300lbs at an angle for as long as I am able, when I am no longer able to support it I allow it to fall. When the slab splits open a viscous black fluid leaks out staining the white cloth below. I try to pull the cloth over the surface of the slab but it is too small and the oil soaks through. The Monkey Chase The Weasel (How Did I Get Here? 8220;The Problems With You”. This performance work was developed, and executed dur...

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Eli K Gold's Page - Contemporary Performance Network

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A Resource for Performing Artists, Scholars and Audiences. Top Members - Day. Top Members - Week. Top Members - Month. 0 members like this. Eli K Gold's Apps. Eli K Gold's Likes. Eli K Gold's Page. Is now a member of Contemporary Performance Network. Apr 18, 2015. Http:/ www.elikgold.com. You need to be a member of Contemporary Performance Network to add comments! Join Contemporary Performance Network. Or sign in with:. 2016 Created by Caden Manson (Network Curator).

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Info - Brian Hawkins

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Contact: brianhawkins.art@gmail.com. In addition to creating our own records, we interpret and interact with those provided by others. I am fascinated by ragtime, a musical form that preceded jazz and was developed in my home state of Missouri. While many ragtime composers remain relative mysteries, they have left a wealth of physical artifacts in the form of early records and sheet music. À la Poupée and the Chine-Collés.

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February 23, 2018. I was recently profiled in Essay’d, by art historian Nadja Rottner. June 1, 2017. June 16 – August 26: “Round in Circles,” group exhibition, opening reception June 16 at N’Namdi Center for Contemporary Art. July 8-9: performing “Border Crossings,” at Festival Der Regionen. October: curating “Feels” in collaboration with Chris Reilly. At the Ford Gallery, University of Easter Michigan — presenting guest speaker Jennifer Doyle. June 10, 2016. Performing Braced at Rapid Pulse. Our week of...

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