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Olympias, Queen of Macedon | Just another WordPress.com weblog | emergent85stage2.wordpress.com Reviews

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Scene 5 of 8, ACT II | Olympias, Queen of Macedon

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Olympias, Queen of Macedon. Scene 5 of 8, ACT II. Note: Scenes 5, 6, and 7 take place all in the same day,. Same place and could possibly run without break, perhaps with only a lighting change. AT RISE: The rampart above, throne area in a courtyard below. TIME: 316 B.C., Late Winter, Before Daybreak. PLACE: Besieged in a castle in Pydna [Modern; Kitros], near the sea. O lord of all the gods, extend your ear to hear my. Plea to quench the vengeful flame! She rules these frosted stones. Of the skene, below...

2

The Themes | Olympias, Queen of Macedon

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Olympias, Queen of Macedon. Olympias’s story is affected more by the agency of the lesser-known, ancient Greek goddesses. The story of Alexander (to come in another drama) will be more influenced by the agency of the major Olympian gods. If Olympias is viewed as a thoroughly reprehensible character, then she is an iniquitous, but pitiable, lead character as the protagonist, representing little positive or ennobling. 8221; (as Kitto says in his discussion of Euripides’ Medea. Pelican Books, 1965, p. 2...

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ON STAGE, The Drama, The Music | Olympias, Queen of Macedon

https://emergent85stage2.wordpress.com/2008/10/30/7

Olympias, Queen of Macedon. ON STAGE, The Drama, The Music. October 30, 2008 at 11:35 pm ( Uncategorized. Queen Olympias on Ancient Coin. Mother of Alexander the Great. Olympias, Script of the Libretto and Drama. Composer: Malcolm J. Hill Librettist John F. Deethardt. The musical composition for the chamber opera,. And the grand opera,. 8220;Human life, which is above all the mystery of undeserved suffering.”. Read the complete text of the drama written for the opera and the theater stage, to be found on...

4

Scene 8 of 8, EPILOGUE | Olympias, Queen of Macedon

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Olympias, Queen of Macedon. Scene 8 of 8, EPILOGUE. AT RISE: A castle hall, before a great door. Level 2b. TIME: 311 B.C. Five years later. PLACE: The Citadel of Amphipolis. Cassander, Glaucias, Alexander IV, Roxanê. SL, followed by Glaucias who carries a. Tray with a flask and two glasses.). Glaucias, you have done well these many years. What. Do you say has brought us to this final gate? Its close will open to us our prospects. Cassander,. We cannot touch Alexander who lies in a tomb in. The boy is tal...

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Scene 4 of 8 | Olympias, Queen of Macedon

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Olympias, Queen of Macedon. Scene 4 of 8. AT RISE: The throne room. TIME: 317 B.C., Late Fall, Mid-afternoon. PLACE: The Palace of Archelaos at Pella. Curtain rises on the throne room at. Pella, late fall, 317 B.C. The Ladies. Are gathered around in a gossiping. Circle. The Gentlemen, except. Hecataeus, make a commotion offstage. And enter excited, trailing behind. Attalus. The Ladies crowd around.). Mighty king, though dead and. Gone to Hades realm, claims another victory! Alexander’s, by proxy! Venerat...

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emergent83medley.wordpress.com emergent83medley.wordpress.com

Diet and Exercise « A Potpourri of Scribbled Notes

https://emergent83medley.wordpress.com/2008/11/01/diet-and-exercise

A Potpourri of Scribbled Notes. An Odd Lot of Jottings. A Verbally Ordered World. On Our Problems of the Southern Border. Persistence, Experience, Dignity. The “-pathies” and Mourning. The Behavioral View: Skill. Eat breakfast like a king:. A half cup of old fashioned Quaker oats, cooked —my gruel, my dog food, since I eat it nearly everyday as you would feed the dog the same everyday. Sprinkled with cinnamon and fructose or xylitol and with ¼ C skim milk. Frac34;cup orange juice. 1 t sea salt. A cup of ...

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CHAUVIN — CENTRAL THEME | OPERA--THE ULTIMATE THEATRICAL ART

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OPERA–THE ULTIMATE THEATRICAL ART. The life of Nicolas Chauvin is the source of the eponym,. Central to the theme is the “appearance” of a second, “spiritual” presence of Nicolas Chauvin, becoming the embodiment of an “ideological” Chauvin (denoted thus: IChauvin). Some of the ideas behind the plays are discussed in the Peroration. Page, which is a general summing up. Last updated on February 16, 2005). 5 Responses to “CHAUVIN CENTRAL THEME”. May 14, 2012 at 2:49 am. June 21, 2012 at 4:25 pm. 😛 And, if ...

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12. Fall Trees | A Poetic Sense

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3 San Paku II. 5 Three Trees Outside My Window. 6 To the poet in everyone…. 7 I had forgotten…. 8 Gangs, and Gangs II. 9 The Fields of Elysium. 10 PC Love, Alice. 11 Sonnet to a Rhyming Couplet. By John F. Deethardt II. Earth With loam, sand, grit and clay. Deep within, a heart of molten rock. Mother earth, Gaia, says,. 8220;Give me your seed,. And offspring you shall have. I love my trees. The roots entwine and seize my breast and suckle life. I mother all. From roots to trunk, and limb to branch,.

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References for Olympias, Chauvin, and Author | OPERA--THE ULTIMATE THEATRICAL ART

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OPERA–THE ULTIMATE THEATRICAL ART. References for Olympias, Chauvin, and Author. Publications; Chauvin, Olympias: details of two dramas, synopses, stories, themes, notes, casts, settings, author, blog and more. Arrian. The Life of Alexander the Great. Trans by Aubrey de Sélincourt. Harmondsworth: Penguin Books, 1958. Champdor, Albert. Babylon. Ancient Cities and Temples Series. [G.P. Putnam’s Sons]. Diodorus Siculus, Diodorus of Sicily [ Library of History. Durant, Will. The Life of Greece. Wilcken. ...

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5. Three Trees Outside My Window | A Poetic Sense

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3 San Paku II. 5 Three Trees Outside My Window. 6 To the poet in everyone…. 7 I had forgotten…. 8 Gangs, and Gangs II. 9 The Fields of Elysium. 10 PC Love, Alice. 11 Sonnet to a Rhyming Couplet. 5 Three Trees Outside My Window. By John F. Deethardt II. Bend to unseen whips from parent sky. And cry with undersides upturned. With fury’s lashes,. Recoil and bend and sway. And sit for further licks;. Then fury’s tears in anguish. Wash the chastened trio. That fills my window frame. I, too, am furious. I&#821...

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9. The Fields of Elysium | A Poetic Sense

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3 San Paku II. 5 Three Trees Outside My Window. 6 To the poet in everyone…. 7 I had forgotten…. 8 Gangs, and Gangs II. 9 The Fields of Elysium. 10 PC Love, Alice. 11 Sonnet to a Rhyming Couplet. 9 The Fields of Elysium. By John F. Deethardt II. This, the road to Elysium. And now the Fields, spring and light, happiness and song. Sip from the River Lethe, and obtain oblivion of the former life. Ah peace, sweet peace, most lovely lapsing of this my soul into the plasm of peace, the core of nothingness.

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Futurism « A Potpourri of Scribbled Notes

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A Potpourri of Scribbled Notes. An Odd Lot of Jottings. A Verbally Ordered World. On Our Problems of the Southern Border. Persistence, Experience, Dignity. The “-pathies” and Mourning. The Behavioral View: Skill. 8220;I am old, Father William.” FINES DOUBLED FOR EXCESSIVES IN THE CONE-ZONES OF LIFE. In that case, given a greater preponderance of that opinion, there will be a retarding influence on the development of secular futurism. My faith is in the ultimate achievement of the secular vision. Any god ...

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Persistence, Experience, Dignity « A Potpourri of Scribbled Notes

https://emergent83medley.wordpress.com/persistence

A Potpourri of Scribbled Notes. An Odd Lot of Jottings. A Verbally Ordered World. On Our Problems of the Southern Border. Persistence, Experience, Dignity. The “-pathies” and Mourning. The Behavioral View: Skill. Persistence, Experience, Dignity. Gerald Heard taught about the response of the Mandarin teacher that tested the sincerity of students who asked a question. With a great explosion of energy, volume and spit in the syllable “HO! Dignity is then achieved in the habit of asserting cortical control ...

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John F. Deethardt II « A Potpourri of Scribbled Notes

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A Potpourri of Scribbled Notes. An Odd Lot of Jottings. A Verbally Ordered World. On Our Problems of the Southern Border. Persistence, Experience, Dignity. The “-pathies” and Mourning. The Behavioral View: Skill. An Exercise Regimen to Accompany a Good (Low Glycemic) Diet. Since retirement, I have continued the routines, except for the basketball I substituted jogging. I should have taken up bicycling, or an elliptical, but ellipticals had not been developed at that time. 1) I use a swimming pool mat.

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CHAUVIN — CAST | OPERA--THE ULTIMATE THEATRICAL ART

https://emergent84stage.wordpress.com/chauvin-—-cast-of-characters

OPERA–THE ULTIMATE THEATRICAL ART. Wednesday, June 21, 1815, three days after Waterloo, mid-morning. The Élysée Palace, Paris, Emperor Napoleon’s throne room. SL is the throne, angled, on four-tiered risers. UC is a balcony and railing, overlooking the courtyard below. A grand entrance arch, curtained in front of large doors, is SR, angled. Napoleon Bonaparte (b. Aug. 15, 1769; general at 24, 1793; d. May 5, 1821, at 51); presently, 46. Lucien, Napoleon’s brother. Joseph, Napoleon’s brother. Other Office...

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OTHER SITES

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Communication | A Special Look at Speech Communication

October 24, 2008 at 7:16 pm ( Communication defined. Systems Analysis of the Internal System for Communication. Herein Lies the Subject Matter of a Whole Curriculum for Communication Education. A contingent sequence of events. Intrapersonal, subjective narratization, called thought. Within an environment of ever changing situations, conditions. Creating shared meaning,. Succeeding in its stated aims, goals, or objectives. Or, failing, if meaning is not created and shared —NOT communication—. Face to face,.

emergent81poetry.wordpress.com emergent81poetry.wordpress.com

A Poetic Sense | The Poetic Sense of John Deethardt II

3 San Paku II. 5 Three Trees Outside My Window. 6 To the poet in everyone…. 7 I had forgotten…. 8 Gangs, and Gangs II. 9 The Fields of Elysium. 10 PC Love, Alice. 11 Sonnet to a Rhyming Couplet. By John F. Deethardt II. As he lies fatally ill in bed, June of 323 B.C., Alexander, in the delirium of his disease, must have envisioned the journey that he was about to take through the underworld of Hades. 8220;The fang,. All have fallen to me in the hunt. I scuffle to hold my ground, to stay on my feet. These...

emergent82teaching.wordpress.com emergent82teaching.wordpress.com

Teaching, Pedagogy | The Didactic Finger Wags and Having Waved Moves On

The Didactic Finger Wags and Having Waved Moves On. Walter Ong has said that a relationship exists between the organization of knowledge and the attainment of knowledge through instruction. Textbooks contain the structures of knowledge and instructional guides to its acquisition. What I present here through the diagrams of system analysis requires the interplay of teaching and learning. You must plug in the special substance of the field to be learned. A system is a collection of functions. Layouts of th...

emergent83medley.wordpress.com emergent83medley.wordpress.com

A Potpourri of Scribbled Notes

A Potpourri of Scribbled Notes. An Odd Lot of Jottings. A Verbally Ordered World. On Our Problems of the Southern Border. Persistence, Experience, Dignity. The “-pathies” and Mourning. The Behavioral View: Skill. Eat breakfast like a king:. A half cup of old fashioned Quaker oats, cooked —my gruel, my dog food, since I eat it nearly everyday as you would feed the dog the same everyday. Sprinkled with cinnamon and fructose or xylitol and with ¼ C skim milk. Frac34;cup orange juice. 1 t sea salt. A cup of ...

emergent84stage.wordpress.com emergent84stage.wordpress.com

OPERA--THE ULTIMATE THEATRICAL ART | THE CHAUVIN PAGES

OPERA–THE ULTIMATE THEATRICAL ART. CHAUVIN — Super Patriot, Progenitor of the Ideology and Eponym, Chauvinism. Posted in Grand Opera. Ideology and Charismatic Authority. On October 27, 2008 by John F. Deethardt II. An Opera Libretto and Full-Evening Play, Original and Unproduced. By John F. Deethardt II. Malcolm J. Hill, Bath, England, Composer of the Opera. To read the play, go to the pages on the blog roll to the right.). 8221; (A twist on a phrase from A Funny Thing Happened…). CHAUVIN — SYNOPSIS.

emergent85stage2.wordpress.com emergent85stage2.wordpress.com

Olympias, Queen of Macedon | Just another WordPress.com weblog

Olympias, Queen of Macedon. ON STAGE, The Drama, The Music. October 30, 2008 at 11:35 pm ( Uncategorized. Queen Olympias on Ancient Coin. Mother of Alexander the Great. Olympias, Script of the Libretto and Drama. Composer: Malcolm J. Hill Librettist John F. Deethardt. The musical composition for the chamber opera,. And the grand opera,. 8220;Human life, which is above all the mystery of undeserved suffering.”. Read the complete text of the drama written for the opera and the theater stage, to be found on...

emergent86personal.wordpress.com emergent86personal.wordpress.com

Personal, Eclectic | Just another WordPress.com weblog

Just another WordPress.com weblog. I Remember Being Born. Bull;October 31, 2008 • 23 Comments. The more dramatic event was the ultimate symbol. It took the form of a nightmare. A very bad dream. Waking up screaming. A real trauma. Momma comforting me. Assuring me. There was a large, menacing white form, akin to a monstrously large polar bear. (Of course, that supposes that I had vision. That may be wrong. Do neonates have any kind of vision? June 30, 2004) Just a coincidence? Posted in Being Born. Blog a...

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Alice Pfeiffer Deethardt- A Yearbook Memorial | Memorializing Alice Pfeiffer Deethardt

Alice Pfeiffer Deethardt- A Yearbook Memorial. Memorializing Alice Pfeiffer Deethardt. This Yearbook for Alice. This Yearbook for Alice. In Memoriam — Alice Pfeiffer Deethardt. August 15, 1922 – April 12, 2012). Written by John F. Deethardt II. NOTICE:THIS BLOG WILL BE TAKEN DOWN IN FOUR WEEKS. (jfd-from today: 3-6-14). I have no answer. Well, I think I can deliver. I want to add here this bit I had written as it was happening. It is now midnight of the 3. She showed up at the door of that great Victoria...

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Bad Habits - The Emergent Abbey

Bad Habits - The Emergent Abbey. Tuesday, February 2, 2010. What is everybody reading now? I'm in the middle of reading 3 different books. A) Karen ARmstrong's The History of God,. B) the Qu'ran (yes, yes, yes, I know. But I do believe it's worth reading. If interested, ask me my thoughts and opinions.), &. C) Graham Green's stuff. Friday, January 1, 2010. Ok, so I'm a busy girl and I'm seeing more and more that our voices need to be heard. How can we make this place a voice in the conversation? If an an...