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Emerson´s transformation愛默生藝文轉譯推進站 我們正處於二十一世紀新的啟蒙時代 文化與藝術還可以如何與生命生活擁抱在一起？
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愛默生藝文轉譯推進站 我們正處於二十一世紀新的啟蒙時代 文化與藝術還可以如何與生命生活擁抱在一起？
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Emerson´s transformation | emersonwang.blogspot.com Reviews
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愛默生藝文轉譯推進站 我們正處於二十一世紀新的啟蒙時代 文化與藝術還可以如何與生命生活擁抱在一起？
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Emerson´s Note: 07/01/2004 - 08/01/2004
https://emersonwang.blogspot.com/2004_07_01_archive.html
Friday, July 30, 2004. I want to convince life that it is stage managed, and convince theatre that it wouldn't get by without life." Christoph Schlingensief, Director. 素有德國藝術界「壞男孩」之稱的詩林根錫夫（Christoph Schlingensief）竟然在去前受邀執導今年第93屆拜魯特藝術節（Bayreuther Festspiele）的開幕歌劇。一個是在劇場界玩出不同新花樣的42歲壞小子；另一邊是極為保守卻又享有盛名的華格納歌劇盛典，兩者都想要多一些新嘗試，於是去年底一拍即合。 開幕當天可謂冠蓋雲集，每位觀眾都是響叮噹叫得出名字的大人物，同時涵蓋政、經、藝術界。拜魯特藝術節的票根本是比登天還難，即使你一年前就開始預訂還不一定輪到你入場觀賞。藝術節已經成了華格納甚至是德語歌劇的一個標記。 詩林根錫夫果然是有勇氣且願意接受挑戰的藝術家，他所執導的這齣歌劇是華格纳的封卷之作「 帕西法爾. Monday, July 26, 2004.
Emerson´s Note: 08/01/2013 - 09/01/2013
https://emersonwang.blogspot.com/2013_08_01_archive.html
Friday, August 16, 2013. 12300;仲夏夜之夢」（. A Midsummer Night's Dream. 65289;幾百年來不斷在全世界各地上演，尤其是在歐洲的夏日餘暉中演出，更顯現了劇場的魅力；西洋歌劇的動人情節與催人熱淚的詠嘆調彷彿甜蜜的魔咒，召喚觀眾夜夜進入歌劇院跟著劇中的主角悲喜。威爾第（. Giuseppe Fortunino Francesco Verdi. 65289;的《阿伊達》（. 65289;與《茶花女》（. 65289;、普契尼（. 65289;的《杜蘭朵公主》與《托斯卡》（. 65289;、莫札特（. 65289;的《費加洛婚禮》（. Le nozze di Figaro. 65289;與《魔笛》（. 65289;、比才（. 65289;的《卡門》（. 65289;不論是王公貴族或者平民百姓都將進欣賞歌劇視為必要的社交與休閒活動，因此也造就了許多經典歌劇院建築。 年一場表演途中，因為支架受損而墜落發生意外，導致一位婦女身亡。這個事故的發生卻成就了當今最著名的音樂劇. 12300;歌劇魅影」（. Le Fantôme de l'Opéra. 65289...
Emerson´s Note: 10/01/2011 - 11/01/2011
https://emersonwang.blogspot.com/2011_10_01_archive.html
Sunday, October 16, 2011. Michael Elmgreen and Ingar Dragset 麥可．艾姆葛林與因戈爾．德瑞葛斯特. 來自丹麥的麥可．艾姆葛林（Michael Elmgreen）出生於1961年；來自挪威的因戈爾．德瑞葛斯特（Ingar Dragset）出生於1968年，自1995年兩人開始合作，1997年起於柏林共組工作室創作，成為當前最知名的藝術雙人組合，以充滿詼諧幽默的方式，挪用現成藝術予以轉化改變探討當今世俗文化與流行風潮。 2007年敏斯特特雕塑大展艾姆葛林與德瑞葛斯特的作品「戲劇天后」（Drama Queens）將藝術史上有名的雕塑作品（布朗庫西、捷克梅第、亨利摩爾、傑夫昆斯等藝術家的作品）都搬到了舞台上，讓這些雕塑自己說話演出一段三十分鐘的戲劇。2009年於西班牙萊昂當代美術館（MUSAC - Museo de Arte Contemporáneo de Castilla y Leó...Saturday, October 15, 2011. Yehudit Sasportas 尤迪特．薩絲波塔絲. 1969年出生於以色列的尤迪特．薩...
Emerson´s Note: 07/01/2007 - 08/01/2007
https://emersonwang.blogspot.com/2007_07_01_archive.html
Thursday, July 19, 2007. Contemporary art in Korea. 韓國是一個在各方面轉變極為快速的國家，不論是政治、經濟、文化、社會或者是藝術都有著令人驚訝的躍變活力，自早前中國的藩屬、日本的殖民痛苦經驗、一直到韓國國內的政治局勢，1948年大韓民國成立，1950-1953年爆發戰爭、光州事件、學生標舉民主的抗爭，血淚的揮灑幾乎成了韓國人日記裡無法抹滅的印記。1993年金泳三代表民自黨在競選中提出「穩定中推進改革」、「清廉的政治」、「強有力的政府」等口號，獲得民眾空前的支持，韓國開始邁向一個新的紀元。 韓國因為奧林匹克運動會一夕成為世界目光的焦點，金泳三當選總統後主張的「世界化」，以及2002年的世界杯足球賽，都將韓國與世界拉起了綿密的關係，不僅政治經濟的改變，文化藝術與世界的交流更是蓬勃，首都首爾幾乎變了另一個模樣，年輕人不再如老一輩對傳統充滿了愛卻又缺乏自信的畏縮，展現出來的是與世界平起平坐的驕傲。 西方於1970年代大興「後現代主義」，韓國於1980年代中期僅是報紙與藝術雜誌偶爾提及的新名詞，1990年起...不過短短的十幾年時間，韓國當代藝術的...
Emerson´s Note: 10/01/2009 - 11/01/2009
https://emersonwang.blogspot.com/2009_10_01_archive.html
Tuesday, October 13, 2009. Harald Falckenberg, born in 1943, is an attorney who began buying art in the 1990s. Following an increasingly international trend, the Falckenberg collection has gradually broadened and progressed from its concentration on Californian and German artists of recent years, to encompass works by the up-and-coming generation. Within a decade, the number of individual acquisitions has risen to more than 1600. 2006 Contemporary Magazine, London. Monday, October 12, 2009. 從八百多個玻璃色澤中...
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168;Kaô Kabecilê¨ Emerson Waner (Pesquizador e Produtor Cultural). UM POUCO A MEU RESPEITO:. ORIXÁS DO BATUQUE GAUCHO. Segunda-feira, 12 de novembro de 2012. CARNAVAL DO BRASIL ESTA DE LUTO! Em comunicado oficial, a Mangueira informou, no fim da manhã desta segunda-feira, a morte de Mestre Delegado, presidente de honra da Verde-e-rosa. Nascido Hélio Laurindo da Silva, ele estava internado na Clínica Santa Branca, em Duque de Caxias, na Baixada Fluminense. Delegado ficou dez dias no CTI. Emerson Waner de ...
Emerson´s transformation
愛默生藝文轉譯推進站 我們正處於二十一世紀新的啟蒙時代 文化與藝術還可以如何與生命生活擁抱在一起？ 星期一, 1月 22, 2018. 都忘歲月移 — 蔡明亮訴說的生命現實. 2006年蔡明亮從世界各地候選的200多位導演中應羅浮宮之邀成為該館典藏電影的首部作品。電影《臉》構思長達三年，應該以何種形式回應羅浮宮讓蔡明亮感到十足的焦慮，他不斷在館內欣賞作品，甚至潛入羅浮宮地底的秘密水道，從一般大眾最熟悉的美術館展場到即使連工作人員都不一定知道的角落，經過多次尋訪，最後決定以珍藏於羅浮宮內的達文西畫作《聖施洗約翰》以及畫作背後的故事「莎樂美」成為劇本的發想起點。 65289;的女主角芬妮·亞當（Fanny Ardant）與台灣演員李康生、陸弈靜、楊貴媚、陳湘琪在台北與巴黎之間穿梭，一張張的臉孔在緩慢的鏡頭下與老歌成為串連當代與過往時間及空間的媒介。 動態的影像在蔡明亮的作品中僅只是時間的延展，實則處處顯露出沈寂與靜止，包括被觀眾認為毫無意識的無意義長達5到10分鐘的重複動作或靜默都像是生命的延續與無可避免的輪迴，當這些畫面被切割暫停時，繪畫的成分卻明顯...也因為蔡明亮每一部單獨電影作品的不具連貫性A...
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