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DR. INKE ARNS | Curator and AuthorInke Arns – Curator / Kuratorin
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http://en.inkearns.de/
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DR. INKE ARNS | Curator and Author | en.inkearns.de Reviews
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Inke Arns – Curator / Kuratorin
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Articles in Periodicals | DR. INKE ARNS
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Juries & Committees. Essays in Books, Catalogues. Inke Arns, Der Algorithmus und wir. Über die Partizipation nicht-menschlicher Akteure. No 240, June/July 2016, pp. 132-147 ( online, in German. Inke Arns, Schlachtfeld Historie. Künstlerische Reenactments als partizipative De-Konstruktion von Geschichte”. No 240, June/July 2016, pp. 78-87. Arns, Inke 2015. Games on Morel’s Hill and Kievy Gorki. On the Social Formattings of the Individual in the Work of KwieKulik and the Collective Actions Group. Inke Arns...
Radio Broadcasts | DR. INKE ARNS
http://en.inkearns.de/home/curatorial-practice/radio-programs
Juries & Committees. Essays in Books, Catalogues. Der Preis von Neuland. Kommentar zur Verleihung des Friedenspreises des Deutschen Buchhandels an den Microsoft-Mitarbeiter Jaron Lanier, 5 Min., WDR3. Ab 18:05 in der Sendung “Gutenbergs Welt”, 19. Oktober 2014, http:/ www.wdr3.de/literatur/verybigdata100.html. On the Inauthenticity and Uncanniness of Speaking. By Inke Arns and Ingo Kottkamp, Deutschlandradio Kultur. Feature (premiere), in the framework of the series The second voice. Das Neue Funkkolleg ...
Lectures | DR. INKE ARNS
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Juries & Committees. Essays in Books, Catalogues. Ars Electronica 2008, Linz. 8220;Undisciplined Curating , panel Transdisciplinary Curating, Sailing under False Colours? Conference, PACT Zollverein / medienwerk.nrw, Essen. 8220;There is no such thing as repetition”, There is a Crack in the Museum of History. Is That How the Future Gets in? 8220;Technology as an Acting Subject”, Pixel Lab, La Gaité Lyrique, Paris. 19 April, 2015. Curating (in) a Post-digital/Post-media/Post-Internet World , Lecture as pa...
Teaching | DR. INKE ARNS
http://en.inkearns.de/home/teaching
Juries & Committees. Essays in Books, Catalogues. 8220;Now I am helping myself” – The 100 most amazing online video tutorials. Seminar der Fakultät für Kulturreflexion der Universität Witten/Herdecke, summer semester 2014 (preparing the eponymous exhibition at HMKV, 5 July – 31 August 2014). History Will Repeat Itself: Reenactment as cultural practice. Gastdozentin am Piet Zwart Institute (Media Design), Willem de Kooning Akademie, Rotterdam. Gastdozentin an der Fachhochschule Dortmund. Sound and Vision&...
Editing | DR. INKE ARNS
http://en.inkearns.de/home/publications/editing
Juries & Committees. Essays in Books, Catalogues. Böse Clowns (Evil Clowns). Ed by Inke Arns, HMKV. With contributions by Inke Arns, Mark Dery, Judith Funke, Emmanuelle Jardonnet, John Law, Marie Lechner, Oliver Pohlisch, Al Ridenour [DE/EN]. Bönen: Kettler, 1.1.2016 more information (Kettler). His Master’s Voice. Ed by Inke Arns, Franck Bauchard, La Panacée. With contributions by Inke Arns, Franck Bauchard, Bojana Kunst, Thibaut de Ruyter, Katarina Zdjelar, Liesbeth de Mol (in French). Berlin: Revolver ...
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Gallery
http://www.pilproject.net/gallery
Is the first manifestation of agorama and the product of a collaboration between Juan Crespo, Enrique Tutor and amaCollective. It consists of a website that takes the form of a virtual institution. PIL Project on Facebook. It is a London-based curatorial collective comprised of Alejandro D. Ball (1983, Lima), Miriam La Rosa (1988, Palermo) and Amy E. Brown (1986, Aberdeen). They are currently involved in a research project contemplating the notion of Dialogue, taking the form of an exploratory process of...
COLLECTION - PIL Project
http://www.pilproject.net/collection
Is the first manifestation of agorama and the product of a collaboration between Juan Crespo, Enrique Tutor and amaCollective. It consists of a website that takes the form of a virtual institution. PIL Project on Facebook. It is a London-based curatorial collective comprised of Alejandro D. Ball (1983, Lima), Miriam La Rosa (1988, Palermo) and Amy E. Brown (1986, Aberdeen). They are currently involved in a research project contemplating the notion of Dialogue, taking the form of an exploratory process of...
REPOSITORY - PIL Project
http://www.pilproject.net/repository
Is the first manifestation of agorama and the product of a collaboration between Juan Crespo, Enrique Tutor and amaCollective. It consists of a website that takes the form of a virtual institution. PIL Project on Facebook. It is a London-based curatorial collective comprised of Alejandro D. Ball (1983, Lima), Miriam La Rosa (1988, Palermo) and Amy E. Brown (1986, Aberdeen). They are currently involved in a research project contemplating the notion of Dialogue, taking the form of an exploratory process of...
COLLECTION - PIL Project
http://www.pilproject.net/index
Is the first manifestation of agorama and the product of a collaboration between Juan Crespo, Enrique Tutor and amaCollective. It consists of a website that takes the form of a virtual institution. PIL Project on Facebook. It is a London-based curatorial collective comprised of Alejandro D. Ball (1983, Lima), Miriam La Rosa (1988, Palermo) and Amy E. Brown (1986, Aberdeen). They are currently involved in a research project contemplating the notion of Dialogue, taking the form of an exploratory process of...
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DR. INKE ARNS | Curator and Author
Juries & Committees. Essays in Books, Catalogues. Afro-Tech and the Future of Re-Invention. HMKV at Dortmunder U (level 3), 20 Oct 2017 – 22 April 2018;. The Storming of the Winter Palace: Forensics of an Image. HMKV at Dortmunder U (level 6), 25 Nov 2017 – 8 April 2018;. HMKV at Dortmunder U (level 6), 25 Nov 2017 – 8 April 2018; Dan Perjovschi:. HMKV at Dortmunder U (levels 0-7), until Nov 2018. Awards: In 2017 HMKV receives the ADKV-ART COLOGNE Award for Art Associations. At ART COLOGNE in 2013. Link:...
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