inbound.co.jp
1. 陶芸旅行のススメ-有限会社インバウンド
http://www.inbound.co.jp/category/agent/susume
現在、世界の旅行トレンドは、ただ 観光 するだけのものから、 体験 学習 要素を多く含んだ旅行にシフトしています。 陶芸はまさにこの 体験 学習 要素に適した旅行素材と言えます。 お客様自身が粘土を触ってうつわを作ったり、また窯元や作家の工房を見学することで 粘土 が うつわ に変わる行程を学んだりすることができます。
inbound.co.jp
2. 陶芸の基礎知識-有限会社インバウンド
http://www.inbound.co.jp/category/agent/basic
陶器は 粘土 を主成分とする原料から作られ、一方、磁器は 陶石 とうせき という石の粉末を主成分とする原料から作られる焼きものです。
inbound.co.jp
会社概要-有限会社インバウンド
http://www.inbound.co.jp/category/aboutus
twelvegoodreasons.wordpress.com
Reason No. 2 – The Clay | Twelve Good Reasons
https://twelvegoodreasons.wordpress.com/2012/08/08/reason-no-2-the-clay
Twelve good reasons to go to Japan. Irises on Japanese Fabric. Jean Hall. 2012. Reason No. 2 – The Clay. August 8, 2012. Okay, I grant you this may be an odd title but one of the reasons I would really love to go to Japan is to see what are referred to as the Seven Ancient Kiln Sites. Ahem – this may need a little bit of explanation and I warn you now it is a little geeky. Reason No.1 – The Art. Reason No.3 – The Painting →. One thought on “ Reason No. 2 – The Clay. October 2, 2012 at 06:54. Reason No...
raices-musicales.blogspot.com
Raíces musicales: octubre 2009
http://raices-musicales.blogspot.com/2009_10_01_archive.html
Un blog de ceramica negra(blackware pottery), con útiles herramientas y link. Entra al Facebook de la empresa. 161;¡¡¡ Bienvenidos! Solo espero sea el paso por mi blog un buen momento de tu agrado. ¡Estas en tu casa! Por lo cual puedes leer y comentar lo que quieras, también escuchar o apagar la música, haciendo doble click sobre la mascota puedes jugar con ella. Si deseas comprar algún cuenco u obsequio, puedes enviarme un mail. O llamarme al 1565039230 /1536948894 / 42146503. Obras en Raku 4. Suscribir...
mcgyakimono.blogspot.com
Introduction to Japanese Ceramics: Japanese-Inspired Glazes
http://mcgyakimono.blogspot.com/2010/09/japanese-inspired-glazes.html
Introduction to Japanese Ceramics. Saturday, September 4, 2010. Several glazes in the MCG studio are inspired by traditional Japanese glazes. The first and foremost is our Gold Shino. Which is an Americanized version of the traditional Shino glazes from Japan. Varieties that are so popular with American potters. Temmoku, or Tenmoku. Deb's Red is another iron-rich glaze in our studio which is inspired by the Japanese classics kaki and tessha. Which are very similar. According to The Potter's Dictionary.
mcgyakimono.blogspot.com
Introduction to Japanese Ceramics: Tomimoto Kenkichi
http://mcgyakimono.blogspot.com/2011/02/tomimoto-kenkichi.html
Introduction to Japanese Ceramics. Sunday, February 6, 2011. 1886-1963) is celebrated as the greatest Japanese ceramic artist of the 20th century. In contrast to the popular Japanese "folk style" pottery, which is defined by it's sturdy appearance and simple decoration, Tomimoto's pottery. Appears delicate with ornate designs. He preferred porcelain and made use of overglaze enamels. As well as gold and silver lustre. Posted by Urban Jeff. Subscribe to: Post Comments (Atom). Robert Yellin Yakimono Gallery.
mcgyakimono.blogspot.com
Introduction to Japanese Ceramics: October 2013
http://mcgyakimono.blogspot.com/2013_10_01_archive.html
Introduction to Japanese Ceramics. Monday, October 21, 2013. An Interview with Toshiko Takaezu. From D.B.Long. Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an influential American potter, an artist, and a teacher. Born in Hawaii to Japanese parents, she studied traditional ceramics in Japan, which continued to inform her work throughout her career. Learn more about Toshiko at www.toshikobook.com. Posted by Urban Jeff. Check out the amazing recreation of a Muromachi period. Posted by Urban Jeff.
mcgyakimono.blogspot.com
Introduction to Japanese Ceramics: Keshiki - The Landscape of a Pot
http://mcgyakimono.blogspot.com/2010/10/keshiki-landscape-of-pot.html
Introduction to Japanese Ceramics. Tuesday, October 12, 2010. Keshiki - The Landscape of a Pot. In order to talk about pottery, the Japanese found it useful to go so far as to create names for various attributes of a pot. According to e-yakimono.net. The vocabulary that deals with the surface of a pot is known as keshiki. Two of the most common keshiki (ones you may see on works created in the MCG studio) are: yubi ato —. Finger marks that show where the potter held the pot during glazing, and hima.
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