eyeosphere.com
Kevin ReidBurdlife Burdlife is a 12-page sequence of poems that takes its inspiration from both Scottish birdsong and Ivor Cutler. Published by Tapsalteerie, June 2017.
http://www.eyeosphere.com/
Burdlife Burdlife is a 12-page sequence of poems that takes its inspiration from both Scottish birdsong and Ivor Cutler. Published by Tapsalteerie, June 2017.
http://www.eyeosphere.com/
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Kevin Reid
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Kevin Reid
68 Lor●●●●●● Drive
Kir●●●uir , Angus, DD8 4LF
United Kingdom
View this contact
Kevin Reid
68 Lor●●●●●● Drive
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United Kingdom
View this contact
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Kevin Reid | eyeosphere.com Reviews
https://eyeosphere.com
Burdlife Burdlife is a 12-page sequence of poems that takes its inspiration from both Scottish birdsong and Ivor Cutler. Published by Tapsalteerie, June 2017.
eyeosphere.com
>erasure ii | Kevin Reid
https://eyeosphere.com/erasure-2/erasure-ii
Links to Published Work. Words written and unwritten. Source text – “Lying Lips” by William Le Queux. Erasures – Kevin Reid. Added text – George Szirtes and Jo Bell. Illustrations, photographs and merged images – Sonja Benskin Mesher, Dean Pasch,. Michael Powell, Dave Kirkwood and Kevin Reid. For the first time, in the form of framed original pigment prints on German Etching Fine Art paper,. A selection of the online project erasure ii will be exhibited as a part of Scotland’s StAnza Poetry Festival.
Wordless | Kevin Reid
https://eyeosphere.com/wordless
Links to Published Work. A collaboration of images and text. Kevin Reid and George Szirtes. Wordless is now availabie from. Knives, Forks and Spoons. Create a free website or blog at WordPress.com. Follow “Kevin Reid ”. Get every new post delivered to your Inbox. Join 38 other followers. Build a website with WordPress.com.
Anagrams | Kevin Reid
https://eyeosphere.com/anagrams
Links to Published Work. In he a man of riddles. Ok, sand her bow. Muse, Sir. Ok, lens. It’s clock mode. Bend elbow, pose! Hokey Pokey Old Street. Create a free website or blog at WordPress.com. Follow “Kevin Reid ”. Get every new post delivered to your Inbox. Join 38 other followers. Build a website with WordPress.com.
For now… | Kevin Reid
https://eyeosphere.com/for-now
Links to Published Work. Create a free website or blog at WordPress.com. Follow “Kevin Reid ”. Get every new post delivered to your Inbox. Join 38 other followers. Build a website with WordPress.com.
Links | Kevin Reid
https://eyeosphere.com/links
Links to Published Work. Poets, Writers, Artists, Photographers…. 8211; Artist. Photographer, Filmaker. 8211; Artist – Illustrator. 8211; Artist, Poet/Writer. 8211; Artist, Poet. 8211; Poet and Translator. Blog at WordPress.com. Follow “Kevin Reid ”. Get every new post delivered to your Inbox. Join 38 other followers. Build a website with WordPress.com.
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COMMENTS – Gillian Prew
https://gprew.wordpress.com/reviews/comments
A WOUND’S SOUND. THROATS FULL OF GRAVES. Gillian Prew’s Three Colours Grief fashions a new syntax of empathy, a ‘beautiful black language /wild in the air’. Updating John Clare’s empathetic vision of the animal world for the age of factory-farming, these are poems of urgent moral intelligence and jagged elegance, lingering in the memory long after they ‘dissolve beautiful and haunted.’ - David Wheatley. 8211; Tim Buck. Enter your email address to follow this blog and receive notifications of new posts by...
Zoomorphic – Gillian Prew
https://gprew.wordpress.com/2015/05/05/zoomorphic
A WOUND’S SOUND. THROATS FULL OF GRAVES. Gillian Prew’s Three Colours Grief fashions a new syntax of empathy, a ‘beautiful black language /wild in the air’. Updating John Clare’s empathetic vision of the animal world for the age of factory-farming, these are poems of urgent moral intelligence and jagged elegance, lingering in the memory long after they ‘dissolve beautiful and haunted.’ - David Wheatley. May 5, 2015. May 24, 2015. Share on Facebook (Opens in new window). 2 thoughts on “ Zoomorphic. You ar...
A Wound’s Sound – Gillian Prew
https://gprew.wordpress.com/a-wounds-sound
A WOUND’S SOUND. THROATS FULL OF GRAVES. Gillian Prew’s Three Colours Grief fashions a new syntax of empathy, a ‘beautiful black language /wild in the air’. Updating John Clare’s empathetic vision of the animal world for the age of factory-farming, these are poems of urgent moral intelligence and jagged elegance, lingering in the memory long after they ‘dissolve beautiful and haunted.’ - David Wheatley. A Wound’s Sound. A Wound’s Sound. Review by David McLean. This poem has blood in its ears/. From the b...
Scene from July – Gillian Prew
https://gprew.wordpress.com/2015/07/05/scene-from-july
A WOUND’S SOUND. THROATS FULL OF GRAVES. Gillian Prew’s Three Colours Grief fashions a new syntax of empathy, a ‘beautiful black language /wild in the air’. Updating John Clare’s empathetic vision of the animal world for the age of factory-farming, these are poems of urgent moral intelligence and jagged elegance, lingering in the memory long after they ‘dissolve beautiful and haunted.’ - David Wheatley. July 5, 2015. July 5, 2015. Pink wall of glum sun with its birdsong blush. Numb, like a cement bloom;.
Meeting Buddha in Dumbarton | nikkimagennis
https://nikkimagennis.com/short-stories/meeting-buddha-in-dumbarton
Just another WordPress.com site. Meeting Buddha in Dumbarton. Asymp; 7 Comments. Tis the season of giving, when people make small acts of kindness to light up the dark. In that spirit, I’ve got two copies of my poetry pamphlet, Meeting Buddha in Dumbarton, to give away. Just leave a comment and tell me the name of a stranger you’d like to send love to this year. (In the friendly, peaceful sense of the word). I’ll pick names on the shortest night of the year. Larr; Previous post. Forgot to add it’s ...
Throats Full of Graves – Gillian Prew
https://gprew.wordpress.com/throats-full-of-graves/covertfga
A WOUND’S SOUND. THROATS FULL OF GRAVES. Gillian Prew’s Three Colours Grief fashions a new syntax of empathy, a ‘beautiful black language /wild in the air’. Updating John Clare’s empathetic vision of the animal world for the age of factory-farming, these are poems of urgent moral intelligence and jagged elegance, lingering in the memory long after they ‘dissolve beautiful and haunted.’ - David Wheatley. Throats Full of Graves. Leave a Reply Cancel reply. Enter your comment here. Address never made public).
REVIEWS – Gillian Prew
https://gprew.wordpress.com/reviews
A WOUND’S SOUND. THROATS FULL OF GRAVES. Gillian Prew’s Three Colours Grief fashions a new syntax of empathy, a ‘beautiful black language /wild in the air’. Updating John Clare’s empathetic vision of the animal world for the age of factory-farming, these are poems of urgent moral intelligence and jagged elegance, lingering in the memory long after they ‘dissolve beautiful and haunted.’ - David Wheatley. In the Broken Things. Michael Mc Aloran, author of. The years are collecting themselves into a lifetime.
BLOG – Gillian Prew
https://gprew.wordpress.com/blog
A WOUND’S SOUND. THROATS FULL OF GRAVES. Gillian Prew’s Three Colours Grief fashions a new syntax of empathy, a ‘beautiful black language /wild in the air’. Updating John Clare’s empathetic vision of the animal world for the age of factory-farming, these are poems of urgent moral intelligence and jagged elegance, lingering in the memory long after they ‘dissolve beautiful and haunted.’ - David Wheatley. Haiku for a bird. November 12, 2016. November 12, 2016. She was made of air. Sky a bitten blue. I am d...
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Kevin Reid
Doodle, Pic & Haiku. Links to Published Work. Is a 12-page sequence of poems that takes its inspiration from both Scottish birdsong and Ivor Cutler. Published by Tapsalteerie,. Burdlife is produced in a highly limited edition of 90 hand-numbered copies. Create a website or blog at WordPress.com.
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