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The Feast in Film, Philosophy, and Fiction

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Essays by students from Professor Inger Brodey’s CMPL255H. University of North Carolina at Chapel Hill. UNC Digital Commons Project. Provided by the UNC Office of Arts and Sciences Information Services. In collaboration with ibiblio.org.

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The Feast in Film, Philosophy, and Fiction | feast.web.unc.edu Reviews

https://feast.web.unc.edu

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Essays by students from Professor Inger Brodey’s CMPL255H. University of North Carolina at Chapel Hill. UNC Digital Commons Project. Provided by the UNC Office of Arts and Sciences Information Services. In collaboration with ibiblio.org.

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The Feast in Film, Philosophy, and Fiction

http://feast.web.unc.edu/cooper

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Drug Store: A Photographical Analysis of the Relationship between Food and Community in Post-War America. Robert Frank’s post-war photograph of urban America engages directly with the relationship between food-culture and identity. The print is part of a series of 83 photos captured by Frank, a Swiss, Jewish immigrant, entitled The Americans. Like Water for Chocolate. Illustrates exactly what can happen w...

2

The Feast in Film, Philosophy, and Fiction

http://feast.web.unc.edu/frank

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Robert Frank, American, born in Switzerland, Zurich, 1924. Ackland Art Museum, University of North Carolina at Chapel Hill. Austin Cooper, “Drug Store: A Photographical Analysis of the Relationship between Food and Community in Post-War America”. UNC Digital Commons Project. Provided by the UNC Office of Arts and Sciences Information Services. In collaboration with ibiblio.org.

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The Feast in Film, Philosophy, and Fiction

http://feast.web.unc.edu/villers

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Charles Joseph Travies de Villers, French, 1804-1859. The William A. Whitaker Foundation Art Fund. Ackland Art Museum, University of North Carolina at Chapel Hill. Alexis Mutter, “Belshazzar’s Big Night”. UNC Digital Commons Project. Provided by the UNC Office of Arts and Sciences Information Services. In collaboration with ibiblio.org.

4

The Feast in Film, Philosophy, and Fiction

http://feast.web.unc.edu/lancret

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Dance in a Garden. Nicolas Lancret, French, 1690-1743. Conservation treatment for this painting, completed in 2009, was made possible by the generous support of the Tyche Foundation. Ackland Art Museum, University of North Carolina at Chapel Hill. Katie Friedman, “An Escape From the Life of the French Court”. Ariana Lucido and Farhana Ahmed, “Escapism: A Dream or Reality? UNC Digital Commons Project.

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The Feast in Film, Philosophy, and Fiction

http://feast.web.unc.edu/hine

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Meal Time, Tenement, New York City. Lewis Wickes Hine, American, 1874-1940. Ackland Art Museum, University of North Carolina at Chapel Hill. Caitlin Nettleton and Nina Bryce, “Snapshots of Change in American Food Identity and the American Dream”. UNC Digital Commons Project. Provided by the UNC Office of Arts and Sciences Information Services. In collaboration with ibiblio.org.

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The Feast in Film, Philosophy, and Fiction

The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. The Feast in Film, Philosophy, and Fiction. A Virtual Gallery of Images from the Ackland Art Museum. Essays by students from Professor Inger Brodey’s CMPL255H. University of North Carolina at Chapel Hill. UNC Digital Commons Project. Provided by the UNC Office of Arts and Sciences Information Services. In collaboration with ibiblio.org.

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