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Agustín Fernández's programme notes

Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Wednesday, 27 August 2014. Para clarinete y piano. La idea de esta obra es cultivar la constancia y hacer de ella el argumento principal. La gran mayoría de los músicos veneramos a Bach. Yo en particular estudié su contrapunto con gran interés en los años setenta, y quise absorber la influencia tonificante de su técnica sin límites. Obras de esa época, como Misa de Corpus Christi. Hoy resultan quizás ...

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Agustín Fernández's programme notes | fernandeznotes.blogspot.com Reviews
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Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Wednesday, 27 August 2014. Para clarinete y piano. La idea de esta obra es cultivar la constancia y hacer de ella el argumento principal. La gran mayoría de los músicos veneramos a Bach. Yo en particular estudié su contrapunto con gran interés en los años setenta, y quise absorber la influencia tonificante de su técnica sin límites. Obras de esa época, como Misa de Corpus Christi. Hoy resultan quizás ...
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Agustín Fernández's programme notes | fernandeznotes.blogspot.com Reviews

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Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Wednesday, 27 August 2014. Para clarinete y piano. La idea de esta obra es cultivar la constancia y hacer de ella el argumento principal. La gran mayoría de los músicos veneramos a Bach. Yo en particular estudié su contrapunto con gran interés en los años setenta, y quise absorber la influencia tonificante de su técnica sin límites. Obras de esa época, como Misa de Corpus Christi. Hoy resultan quizás ...

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1

Agustín Fernández's programme notes: Munirando II

http://www.fernandeznotes.blogspot.com/2014/03/munirando-ii.html

Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Tuesday, 4 March 2014. This work builds on the. For clarinet and piano (Park Lane Group commission 1995), implying the development of a series of pieces under this title, for a solo instrument with piano. The approach in both pieces is virtuosic and based on the persistence of one type of flow, relying on regular and persistent rhythmic motion. The obvious model in this respect is Bach. The technical ...

2

Agustín Fernández's programme notes: March 2009

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Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Saturday, 28 March 2009. Danza de la loma. Compuse esta pieza a pedido de la orquesta de Guildhall School of Music and Drama de Londres en 1986, cuando yo iniciaba un doctorado en la universidad City de la misma ciudad. Después de su estreno, bajo el título inicial de Just a Dance (or Two). Las danzas muchas veces alternan para poder registrarse en la percepción del oyente, y a medida que se acercan a...

3

Agustín Fernández's programme notes: August 2010

http://www.fernandeznotes.blogspot.com/2010_08_01_archive.html

Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Thursday, 19 August 2010. I pruebas de fuego. Ii claro de luna. Iii cambios de forma. El primer movimiento, titulado “pruebas de fuego” rescata ideas de mi obra. 1987), llevándolas en una dirección muy distinta. El fuego de 1987 era opresivo y político, mientras que el fuego de. Es un fuego que envuelve, prueba el temple, destruye lo débil y consagra lo fuerte, transforma y da energía. 8220;cambios de...

4

Agustín Fernández's programme notes: Wounded Angel

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Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Sunday, 21 February 2010. The title is borrowed from that of a painting by the Finnish painter Hugo Simberg (1873-1917), in which two peasant children are depicted carrying an injured angel on a stretcher. The music was conceived as a prelude to the picture, in which I attempt to explore the inexplicable: what happened just before the scene Simberg depicts? And by Stefan Östersjö on dB (.

5

Agustín Fernández's programme notes: String Quartet No. 1, Montes'

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Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Monday, 22 February 2010. String Quartet No. 1, Montes'. String Quartet No 1, ‘Montes’. Gate of the Moon. Thus, ‘City of Silence’ evokes the hieratic starkness of the eponymous painting. ‘Gate of the Moon’ explores an idea suggested by the painting – where a silver light radiates from the centre outward – and builds on material from ‘mooncast’ from my. 169; Agustín Fernández. String Quartet No. 1.

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A Northumbrian Diary: A different night

http://northumbriandiary.blogspot.com/2012/09/a-different-night_27.html

Does Google’s Current Moon Phase gadget take account of your location? You would expect it to, since it knows who you are, and where you are. And yet, at this time in this place I should be seeing a Waxing Gibbous 95 percent of full, whereas in reality the dog and I, on our nightly outing, were only able to observe a hidden glow, with no discernible moon as such behind the clouds. Subscribe to: Post Comments (Atom). Programme notes / Notas de programa. Full moon in Northumberland. View my complete profile.

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A Northumbrian Diary: December 2010

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Yes, as everybody knows, we are snowed in in Northumberland. It happened last winter, and at the time the local council explained away its not coping, assuring us that next time they would be better prepared for extreme weather. Well, this winter came early and is much worse than the last, but relief is less in evidence. Subscribe to: Posts (Atom). Programme notes / Notas de programa. View my complete profile.

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A Northumbrian Diary: May 2011

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Drought, rain, colours, smell. There has been the longest spell without rain I can remember. Last week, for the first time the canine walks ended with the dog's paws and my wellies as dry as they had been at the start. Dry! Having trodden on grassy soil! Inconceivable, but true. Less kind readers may say that my middle-aged senses are tricking me with mirages of childhood. I contend that the weather is changing so much that some phenomena that used to occur only in southern latitudes are now taking p...

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A Northumbrian Diary: Sheep

http://northumbriandiary.blogspot.com/2013/05/yes-sheep-but-we-havent-turned-into.html

Subscribe to: Post Comments (Atom). Programme notes / Notas de programa. View my complete profile.

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A Northumbrian Diary: September 2009

http://northumbriandiary.blogspot.com/2009_09_01_archive.html

Bob Johnson, Delilah and Miranda before the last-named was left on her own. Does she feel any sense of bereavement? Is loneliness an issue for a hen? I haven’t read enough to know if her species counts among the social animals who need companionship in order to survive. But this one is certainly surviving and, if it’s not too cruel towards the deceased to say so, she is thriving. Subscribe to: Posts (Atom). Programme notes / Notas de programa. View my complete profile.

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A Northumbrian Diary: Sun

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For much of the last year or so, Northumberland has looked like the land the gods wanted to destroy: ceaseless rain, thunder, floods, landslides, unseasonal cold and lashing winds; a varied arsenal of destructive forces was mercilessly discharged on us. Subscribe to: Post Comments (Atom). Programme notes / Notas de programa. View my complete profile.

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Agustín Fernández's performance listing: October 2014

http://fernandezgigs.blogspot.com/2014/10/october-2013.html

Agustín Fernández's performance listing. Wednesday, 1 October 2014. Kathryn Tickell and The Side. Bristol, BS1 5RR. Tel: 0845 40 24 001. 2 October at St David's Hall, South Petherton 01460 240340. 3 October Farnham Maltings 01252 745444. 4 October Lighthouse Poole 0844 406 8666. 5 October Tavistock Wharf 01822 611166. Kathryn Tickell and The Side. Subscribe to: Post Comments (Atom). Conducting Orquesta Sinfónica de El Alto. Photo by Grover Hinojosa. BBC Radio 3 Freethinking Festival. Das Lied von der Erde.

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Agustín Fernández's performance listing: June 2015

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Agustín Fernández's performance listing. Thursday, 25 June 2015. 15 October 2015 at 1900. Gala Theatre, Durham. Words by Sean O'Brien). Commissioned by Durham Book Festival. Voices of Hope, directed by Simon Fidler. Britten, Hymn to St Cecilia. Mahler, three movements from Das Lied von der Erde. Das Lied von der Erde. Hymn to St Cecilias Day. Saturday, 6 June 2015. King's Hall, Newcastle University. Ana Fernández, voice. Venera Vojkova, piano. Catherine Dalzell, voice. Venera Vojkova, piano. String Quart...

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Agustín Fernández's performance listing: November 2014

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Agustín Fernández's performance listing. Friday, 31 October 2014. Sábado 1 de Noviembre. Misa de Corpus Christi. Coro de los Niños Cantores del Valle. Coro Juvenil del Instituto Laredo. Orquesta Juvenil del Instituto Laredo. Augusto Guzmán, director. Judith Carmona, directora coral. Wednesday 5 November at 2000. Hall Two, Sage Gateshead. Domingo 9 de noviembre. Templo de Santa Ana de Cala Cala. Misa de Corpus Christi. Por el mismo elenco que el 1 de Noviembre. Sábado 22 de noviembre. Das Lied von der Erde.

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Agustín Fernández's performance listing: October 2015

http://fernandezgigs.blogspot.com/2015/04/october-2015.html

Agustín Fernández's performance listing. Thursday, 25 June 2015. 15 October 2015 at 1900. Gala Theatre, Durham. Words by Sean O'Brien). Commissioned by Durham Book Festival. Voices of Hope, directed by Simon Fidler. Britten, Hymn to St Cecilia. Mahler, three movements from Das Lied von der Erde. Das Lied von der Erde. Hymn to St Cecilias Day. Subscribe to: Post Comments (Atom). Conducting Orquesta Sinfónica de El Alto. Photo by Grover Hinojosa. BBC Radio 3 Freethinking Festival. Coro Infantil de la OFGC.

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Agustín Fernández's programme notes

Agustín Fernández's programme notes. For the use of concert promoters and students. © Agustín Fernández. Wednesday, 27 August 2014. Para clarinete y piano. La idea de esta obra es cultivar la constancia y hacer de ella el argumento principal. La gran mayoría de los músicos veneramos a Bach. Yo en particular estudié su contrapunto con gran interés en los años setenta, y quise absorber la influencia tonificante de su técnica sin límites. Obras de esa época, como Misa de Corpus Christi. Hoy resultan quizás ...

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