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Film and Genre

17 Ocak 2011 Pazartesi. Andre Bazin's statements about the reality in painting and p. Hotography are based on the "need for the reality and the illusion". In his example of Picasso, he states that Picasso abandoned the need for the reality and takes his place in the realm of modernity. For Bazin, Picasso kept himself away from the "sin" of photography, and also the illusion of the attempt to "reach the reality" performed by Baroque artists. Guernica, by Picasso. In Picasso's painting, the abstracted cubi...

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Film and Genre | filmandgenre.blogspot.com Reviews
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17 Ocak 2011 Pazartesi. Andre Bazin's statements about the reality in painting and p. Hotography are based on the need for the reality and the illusion. In his example of Picasso, he states that Picasso abandoned the need for the reality and takes his place in the realm of modernity. For Bazin, Picasso kept himself away from the sin of photography, and also the illusion of the attempt to reach the reality performed by Baroque artists. Guernica, by Picasso. In Picasso's painting, the abstracted cubi...
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Film and Genre | filmandgenre.blogspot.com Reviews

https://filmandgenre.blogspot.com

17 Ocak 2011 Pazartesi. Andre Bazin's statements about the reality in painting and p. Hotography are based on the "need for the reality and the illusion". In his example of Picasso, he states that Picasso abandoned the need for the reality and takes his place in the realm of modernity. For Bazin, Picasso kept himself away from the "sin" of photography, and also the illusion of the attempt to "reach the reality" performed by Baroque artists. Guernica, by Picasso. In Picasso's painting, the abstracted cubi...

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Film and Genre: 03.Oca.2011

http://filmandgenre.blogspot.com/2011_01_03_archive.html

3 Ocak 2011 Pazartesi. 2006), there are less things about Zidane and there are more things about presentation. Zidane’s personal comments about his past years about the representation of the game through t.v. and comments about the experience of playing in front of an audience are given as subtitles in a composition with the starting music. Mohd Huzairy from MentariWorks.

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Film and Genre: La Société du spectacle, et Histoire(s) du Cinema

http://filmandgenre.blogspot.com/2011/01/la-societe-du-spectacle-et-histoires-du.html

17 Ocak 2011 Pazartesi. La Société du spectacle, et Histoire(s) du Cinema. In the world - which is in reality turned upside down - the true is a moment of false.". The images of the cinema are manipulative. The audience is in pa passive position while watching the screen; the eyes are waiting to follow the imagess passing by frame by frame. So, the images which are projected on the screen are the stories told by the moviemaker, by re-written by unconscious mind. Media shapes the human reception by projec...

3

Film and Genre: 20.Ara.2010

http://filmandgenre.blogspot.com/2010_12_20_archive.html

20 Aralık 2010 Pazartesi. From Bazin's Ontology of the Photographic Image to Baudrillard's Simulacra. Bazin says that “ A very faithful drawing may actually tell us more about the model but despite the promptings of our critical intelligence it will never have the irrational power of the photograph to bear away our faith. Representation can be a tool to tell what is real, however simulation creates false representation. It breaks the structure of the representation and destroys what is represented. From ...

4

Film and Genre: 02.Oca.2011

http://filmandgenre.blogspot.com/2011_01_02_archive.html

2 Ocak 2011 Pazar. Change of filmic experience and quality of films. 3-D films can be count as an announcement to invite audience to cinema halls again. We need to pay our full attention to the film and in order to have that filmic experience we have to go the cinema halls again. However technological innovations let people to have 3D televisions in their halls which prevents them to go to cinema again. Change of filmic experience and quality of films. Mohd Huzairy from MentariWorks.

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Film and Genre: 29.Ara.2010

http://filmandgenre.blogspot.com/2010_12_29_archive.html

29 Aralık 2010 Çarşamba. Two Issues in Serge Daney's Tracking Shot:2. This time Daney compares the “tracking shot” in Kapò. 1959) to the death scene in Ugetsu monogatari. 1953) in which we see barely a death scene. About the fact that the death of the character is not emphasized or dramatized like the way it was done in Kapò. Http:/ sergedaney.blogspot.com/. This blog has the writings, thoughts, interviews and videos about and of Daney, all translated into English. Journey of a "Cine-Son" (excerpt).

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Çoğu zaman olayların çok hızlı geliştiğini söyleriz. Bir hastalığın ya da mutluluğun başlangıcını görmek imkânsızdır. Öyleyse, görebilmek için yavaşlatmak gerekir. Jean-Luc Godard, Sauve qui peut [la vie], 1980. COMD 513 Film and Genre. COMD 516 Turkish Cinema and Modernity. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Good morning, Columbus. Hazırlayan ve sunan: Ahmet Gürata İletişim: ahmetgurata(at)gmail.com. Good morning, Columbus.

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Film and Genre

17 Ocak 2011 Pazartesi. Andre Bazin's statements about the reality in painting and p. Hotography are based on the "need for the reality and the illusion". In his example of Picasso, he states that Picasso abandoned the need for the reality and takes his place in the realm of modernity. For Bazin, Picasso kept himself away from the "sin" of photography, and also the illusion of the attempt to "reach the reality" performed by Baroque artists. Guernica, by Picasso. In Picasso's painting, the abstracted cubi...

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