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Finetuned - Creative, Curatorial, Technical: Latest news on our Amok Dispatch & George Boole projects, Zeppelin centenaries, featuring commissioned work from Graham Harman, Valentina Vuksic, Angus Carlyle, Lawrence English…

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Finetuned - Home | finetuned.org Reviews

https://finetuned.org

Finetuned - Creative, Curatorial, Technical: Latest news on our Amok Dispatch & George Boole projects, Zeppelin centenaries, featuring commissioned work from Graham Harman, Valentina Vuksic, Angus Carlyle, Lawrence English…

INTERNAL PAGES

finetuned.org finetuned.org
1

Finetuned - Work

https://www.finetuned.org/work.html

Deep in the woods to deep space. Take a walk with George Boole. Semiconductor - ArtScience Museum. Reprojecting space from every angle. Not for Human Consumption. Human ears on the periphery. Creative Research into Sound Arts Practice. Exploring the rich complexities of sound. Semiconductor - Jerwood Commission. Taking on 16-bit DOS Software. An Act of Memory. Ten artists' work with sound under three themes : Pianos, archives and voices exhibited in a rolling programme over four weeks. 44 (0)203 086 8025.

2

Finetuned - Clare Gasson

https://www.finetuned.org/clare-gasson.html

The Ballad of Albatross Way. The Ballad of Albatross Way. The Ballad of Albatross Way. These manifold movements disrupt the interiority of the ballad whilst reinforcing those aspects of the narrative that increase psychological pressure as the tale reaches its turning point. Is an artist who lives in London. Her exhibitions include a solo show at Parker's Box, New York, proposed, as part of the sound exchange pr oject, with The Showroom, London. Bevis Bowden production manager/camera. 44 (0)203 086 8025.

3

Finetuned - Not for Human Consumption

https://www.finetuned.org/not-for-human-consumption.html

Not for Human Consumption. An online exhibition conceived and curated by Finetuned. Http:/ nfhc.crisap.org. From the inaudible to the barely registered, the overheard to the impossibly loud, Not for Human Consumption presents a collection of sonic phenomena, tests, by-products and compositions that challenge our, self-given, position at the centre of sonic events. Curated by Julian Weaver, Not for Human Consumption is the fourth in a series of web exhibitions commissioned by CRiSAP. In which he critiques...

4

Finetuned - Giles Drayton

https://www.finetuned.org/giles-drayton-index.html

Index explores the division of our lives proclaimed by tintinabulant indicators - the ticking of wristwatches, wake up alarms, school and church bells - through the construction of a full scale church bell composed of over one hundred circular sheets of wood. As with previous works by Drayton a recognisable form has been taken and the meaning dissected and translated through its means of production. The work explores this act of pointing and our understanding of the relationship between form and sound&#4...

5

Finetuned - About

https://www.finetuned.org/about.html

Balancing openness and expertise. Finetuned is a creative, technical and curatorial company that works with a broad range of research institutions, artists, galleries, micro-enterprises and corporates. We provide solutions across a range of conceptual, digital and technical domains including technical consultancy, web development and application design, content management systems and desktop software. We also curate and produce projects focusing. Resulting in exhibition, event and publication. After thre...

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LINKS TO THIS WEBSITE

listeningacrossdisciplines.net listeningacrossdisciplines.net

Laura P. Gracia - Listening Across Disciplines

http://listeningacrossdisciplines.net/people/laura-p-gracia

Laura P. Gracia. PhD student at CRiSAP, London College of Communication, UAL. Laura P. Gracia. 44 (0)20 7514 6617. X74;en.senilpicsidssorcagninetsil null. X40;ofni. London College of Communication. University of the Arts London.

listeningacrossdisciplines.net listeningacrossdisciplines.net

People - Listening Across Disciplines

http://listeningacrossdisciplines.net/people

Mark P. Wright. Laura P. Gracia. 44 (0)20 7514 6617. X74;en.senilpicsidssorcagninetsil null. X40;ofni. London College of Communication. University of the Arts London.

crisap.org crisap.org

Home - CRiSAP

http://www.crisap.org/index.php?about

CRiSAP is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice. Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised. Sign up to our mailing list. Join our Mailing List. Event: Cathy Lane at Sonologia Conference. 22nd November 2016 - 25th November 2016. 44 (0)20 7514 6617.

crisap.org crisap.org

Home - CRiSAP

http://www.crisap.org/index.php?index

CRiSAP is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice. Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised. Sign up to our mailing list. Join our Mailing List. Event: Cathy Lane at Sonologia Conference. 22nd November 2016 - 25th November 2016. 44 (0)20 7514 6617.

listeningacrossdisciplines.net listeningacrossdisciplines.net

Resources - Listening Across Disciplines

http://listeningacrossdisciplines.net/resources

Interview with Cheryl Tipp Curator of Wildlife and Environmental Sounds at the British Library. Composing with sounds that are ordinarily imperceptible or in some way absent. Interview with Caroline Devine composer and sound artist whose practice investigates the boundary between sound and music. Sonic Rupture, a means for introducing sounds into urban spaces. How would I begin to describe the qualities of the sound of thousands of worker wood ants moving across a woodland floor? 44 (0)20 7514 6617.

listeningacrossdisciplines.net listeningacrossdisciplines.net

Listening to Bodies and Materialities - Listening Across Disciplines

http://listeningacrossdisciplines.net/events/listening-to-bodies-and-materialities

Listening to Bodies and Materialities. This second network event was staged at Southampton University on the 15 16 September 2016. The focus of the meeting was social and medical as well as anthropological and forensic listening. Listen back to Resonance FM radio shows documenting this event. Organised across two days and hosted by the Institute of Sound and Vibration Research. As part of the event we visited the anechoic and reverberant chambers. The particular emphasis on materialities and bodies focus...

listeningacrossdisciplines.net listeningacrossdisciplines.net

Listening to Language, Culture and Artefacts - Listening Across Disciplines

http://listeningacrossdisciplines.net/events/listening-to-language-culture-and-artefacts

Listening to Language, Culture and Artefacts. This third network event will be staged at the London College of Communication, UAL on the 15 16 December 2016. The focus of the meeting is on speech and language, technology, museology and curation. Listen to documentation of this event broadcast on Resonance FM on Wednesdays at 3pm. After broadcast, each episode will be available online to listen back. The first two meetings brought a focus on language, and emphasised the need for a shared terminology and d...

listeningacrossdisciplines.net listeningacrossdisciplines.net

Listening to the Environment - Listening Across Disciplines

http://listeningacrossdisciplines.net/events/listening-to-the-environment

Listening to the Environment. This first network event was staged at the London College of Communication, UAL, on the 23. 24. June 2016. The focus of the meeting was ecological, geological, architectural and spatial concerns. Listen back to Resonance FM radio shows documenting this event. Among the questions we hoped to consider were:. What sound is to different professions/ tasks/ disciplines? How different disciplines listen / record sound? How the listened to is evaluated, communicated and applied?

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