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Fiona Mill | artist and printmaker

artist and printmaker

http://www.fionamill.com/

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Fiona Mill | artist and printmaker | fionamill.com Reviews

https://fionamill.com

artist and printmaker

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1

painting – Fiona Mill

http://www.fionamill.com/gallery-2/painting

One drawing at a time. Uphill, 2016;15x15cm; pastel on canvas board. Still life, 2016; 15x 15xm, acrylic on canvas board *SOLD*. The pathless wood, 2015, 75cm x 37cm, pastel. Rocks west, 2014, acrylic & oil. Craigowl, 2014, watercolour & acrylic. Cyclamen, 2014, 20x30cm, ink and watercolour. River meadow, 2012, mixed media. Click to share on Tumblr (Opens in new window). Click to share on Facebook (Opens in new window). Click to share on Pinterest (Opens in new window). 16th October to Novemebr 2016.

2

Exhibitions June/July 2015 – Fiona Mill

http://www.fionamill.com/exhibitions-junejuly-2015

One drawing at a time. Over the winter, I spent some time trying to force a reconciliation between the work I do as a printmaker and the work I do as a painter. Both start from direct observation and resultant sketchbook work. But then they diverge. I have work in exhibitions in three countries this summer. Very exciting, and great to be able to connect with other artists both locally and elsewhere. In Bormingham, on show until 12th July. 8216;river meadow’, mixed media. In Brooklyn, NY. Click to share o...

3

printmaking – Fiona Mill

http://www.fionamill.com/gallery-2/printmaking

One drawing at a time. Fieldwork 1, 10x10cm, 2016, multi-layer reduction linocut. Fieldwork 2, 10x10cm, 2016, multi-layer reduction linocut. Fieldwork 3, 10x10cm, 2016, multi-layer reduction linocut. 8216;Becky’s garden’, 10 x 10cm, 3 block linocut, 2015. Reflections1, 2015, 10 x 10cm; linocut. Reflections2, 2015, 10 x 10 cm; linocut. Reflections3, 2015, 10 x 10cm; linocut. Urban reflections, 2015, 21x21cm, linoprint. Oystercatchers, 2014, 15 x 15cm, woodcut. Hillscape1, 2014, 21 x 28cm, monoprint *SOLD*.

4

urban reflections – Fiona Mill

http://www.fionamill.com/urban-reflections

One drawing at a time. 1) A miserable rainy day, but drawn to the reflections, I stop to make a few notes in my sketchbook and take a photo. I realise that I have an idea for a print. Photo of reflections of some brick buildings and fire escapes on the Birmingham and Fazeley canal in central Birmingham. 2) When I get back I sort through the information I’ve gathered but influenced by the smells, the dampness and the grey day , I decide to work on another print. Key block printed onto cartridge paper.

5

blog – Fiona Mill

http://www.fionamill.com/fionas-blog

One drawing at a time. After some time on the canal, I’m spending this month travelling around in the van, fitting in family events along the way. I’ll be sketching as I go, so will hopefully be posting as I can, or more likely. Click to share on Tumblr (Opens in new window). Click to share on Facebook (Opens in new window). Click to share on Pinterest (Opens in new window). Click to share on Google (Opens in new window). Click to share on Twitter (Opens in new window). July 9, 2016. July 12, 2016. Click...

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SILENT EPIDEMIC | sheila de rosa

https://sheiladerosa.wordpress.com/2015/06/28/silent-epidemic/comment-page-1

Art Reviews and News from my Studio. June 28, 2015. June 28, 2015. I read this week that eating disorders are on the rise again among girls. They are starving themselves in a tragic, tormented attempt to achieve perfection. It’s been dubbed the ‘silent epidemic’, and is a disease that creeps silently through the country’s schools, colleges, universities and is devastating families. We must use everything we have to counteract this pressure by meeting each ‘perfect’ image with another ‘real’ image of what...

sheiladerosa.wordpress.com sheiladerosa.wordpress.com

June | 2015 | sheila de rosa

https://sheiladerosa.wordpress.com/2015/06

Art Reviews and News from my Studio. June 28, 2015. June 28, 2015. I read this week that eating disorders are on the rise again among girls. They are starving themselves in a tragic, tormented attempt to achieve perfection. It’s been dubbed the ‘silent epidemic’, and is a disease that creeps silently through the country’s schools, colleges, universities and is devastating families. We must use everything we have to counteract this pressure by meeting each ‘perfect’ image with another ‘real’ image of what...

sheiladerosa.wordpress.com sheiladerosa.wordpress.com

November | 2014 | sheila de rosa

https://sheiladerosa.wordpress.com/2014/11

Art Reviews and News from my Studio. November 24, 2014. January 23, 2016. States of Contradiction 1 – Conviction. Free Standing Lead Glass Sculpture. Approx 60 x 45 cms. My work is often concerned with the relationship between two opposites. In States of Contradiction 1 3 three screen-printed and slumped glass works weave text and image in a warp and weft of what is said and what is done in war. This work was selected for exhibition at the 2004 Greenbelt Festival ‘Freedom/Bound’ at Cheltenham Racecourse.

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Gallery | Clare Wassermann Art

https://clarewassermannart.com/gallery

Art in acrylic, oil and stitch or embroidery. 8220;Sati” 40″ x 30″ acrylic on canvas. 8220;In Paradisum” 50″ x 40″. 8220;Glasshouse Flowers” 8″ x 12″. 8220;Building A Community” 10″x 14″. 8220;Living Free” 30″x 40″. 8220;Night Garden” 12″x 12″ SOLD. 8220;In My Arms My Infant Gently Slumbers” 10″ x 14″. 8220;Uplifted” 40″ x 30″ acrylic on canvas. 8220;Dance Like Never Before” 12″ x 12″ acrylic on box canvas. 8220;A Kind Of Dream” SOLD 40″ x 30″ acrylic on canvas. 8220;Wild Horses” 8″ x 8″. By The Pool SOLD.

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sheila de rosa | Art Reviews and News from my Studio | Page 2

https://sheiladerosa.wordpress.com/page/2

Art Reviews and News from my Studio. March 9, 2015. March 9, 2015. Images are established onto pre-coated, light-sensitive metal plates by placing photographic acetates onto a plate and exposing it to sunlight or ultra-violet light. Photocopies of artwork, photos or drawings on acetate film work best with good contrasting opaque blacks, and this can be achieved by applying ‘Posterize’ filter under Image-Adjust tool in Photoshop software. DETAILS OF THE PROCESS. 8211; like leaves, fabric, string, paper et...

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March | 2015 | sheila de rosa

https://sheiladerosa.wordpress.com/2015/03

Art Reviews and News from my Studio. March 9, 2015. March 9, 2015. Images are established onto pre-coated, light-sensitive metal plates by placing photographic acetates onto a plate and exposing it to sunlight or ultra-violet light. Photocopies of artwork, photos or drawings on acetate film work best with good contrasting opaque blacks, and this can be achieved by applying ‘Posterize’ filter under Image-Adjust tool in Photoshop software. DETAILS OF THE PROCESS. 8211; like leaves, fabric, string, paper et...

sheiladerosa.wordpress.com sheiladerosa.wordpress.com

A VIEW OF MY STUDIO | sheila de rosa

https://sheiladerosa.wordpress.com/2014/12/18/a-view-of-my-studio

Art Reviews and News from my Studio. A VIEW OF MY STUDIO. December 18, 2014. Last weekend I organised a little pre-Christmas gathering at my studio. Five other artists joined me in displaying their works on my walls and we invited friends and fans to come and look at the work whilst enjoying a glass of mulled wine, some mince pies and convivial conversation. MARLENE DUMAS: The Image as Burden. 2 thoughts on “ A VIEW OF MY STUDIO. December 21, 2014 at 10:17 am. Liked by 1 person. Leave a Reply Cancel reply.

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sheiladerosa | sheila de rosa

https://sheiladerosa.wordpress.com/author/sheiladerosa

Art Reviews and News from my Studio. May 10, 2016. I have been a contemporary artist/printmaker for over twenty years with a studio in Tring, Hertfordshire. My work is driven by political and cultural concerns covering issues from Maternal/Female Subjectivity, Eating Dysmorphia and Memory to the Civil War in Syria; it is therefore conceptual and photographic in influence. My Blog https:/ cyberslog.wordpress.com/. I have written about Art theory especially Feminism and Psychoanalysis in Art and have been ...

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MARLENE DUMAS: The Image as Burden | sheila de rosa

https://sheiladerosa.wordpress.com/2015/02/10/marlene-dumas

Art Reviews and News from my Studio. MARLENE DUMAS: The Image as Burden. February 10, 2015. February 10, 2015. You seldom see portrait paintings by contemporary artists these days and Dumas’. The Eyes of the Night Creatures. There is a tiny worm of sky blue on the mouth teasingly taking the eye down to the shaded lower portion of her face and the set of her mouth. Is the artist conveying something here that can’t be spoken about? Martha – Sigmund’s Wife,. This painting is all blue, the eponymous grandmot...

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One drawing at a time. Currently out and about sketching…. Orchard Garden, Ludstone Hall, Shropshire; acrylic and pastel. Click to share on Tumblr (Opens in new window). Share on Facebook (Opens in new window). Click to share on Pinterest (Opens in new window). Click to share on Google (Opens in new window). Click to share on Twitter (Opens in new window). Click to email this to a friend (Opens in new window). More sketching en plein air. Sketching en plein air. RBSA Prize Exhibition 2015.

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Fiona Millar

Writer, journalist, school governor, campaigner on education issues. Follow me on Twitter. Subscribe to RSS feed. Who runs our schools – no choice for parents. Almost 40 years ago the then Prime Minister Jim Callaghan made a controversial speech on education. Delivered at Ruskin College in Oxford, it was widely seen as a challenge to the secret garden of the education world; a place inhabited by unaccountable teachers, a nebulous curriculum and most definitely off limits for the political […]. Most peopl...

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Brisbane Clinical Psychologist , Gold Coast psychologist. Welcome - Brisbane and Gold Coast Clinical Psychologist. The appointment arrangements made for the psychological consultation with Fiona Millar will last for. Approximately 1 hour duration. To make an appointment you can contact me on my mobile telephone on 0409 334 382, or leave a message on the voicemail if I am unavailable. New Gold Coast Address. Suite 6, 14 Carrara Street. Consulting rooms are also located at:. Aspley Village Medical Centre.

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Administrative support for the Fiona Miller web site is provided by Peter Williams.