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Floyd DeWitt is among the most inspired, the most authentic and the most singular of the artists I have met during my career as an art critic. Singular, but without the slightest trace of trendiness or fashionable modernism, he is unshakably himself. He is the one who has liberated himself from the compulsive commercialism that contaminates so much of contemporary art today. The art of Floyd DeWitt invariably employs only the purist means of sculptural expression.

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FLOYD DEWITT

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FLOYD DEWITT

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Floyd DeWitt is among the most inspired, the most authentic and the most singular of the artists I have met during my career as an art critic. Singular, but without the slightest trace of trendiness or fashionable modernism, he is unshakably himself. He is the one who has liberated himself from the compulsive commercialism that contaminates so much of contemporary art today. The art of Floyd DeWitt invariably employs only the purist means of sculptural expression.
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1 about the artist
2 resume
3 video
4 gallery
5 testimonials
6 then and now
7 view gallery
8 innocence
9 the four horsemen
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Home | floyddewitt.com Reviews

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Floyd DeWitt is among the most inspired, the most authentic and the most singular of the artists I have met during my career as an art critic. Singular, but without the slightest trace of trendiness or fashionable modernism, he is unshakably himself. He is the one who has liberated himself from the compulsive commercialism that contaminates so much of contemporary art today. The art of Floyd DeWitt invariably employs only the purist means of sculptural expression.

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1

Professional Resume

http://www.floyddewitt.com/professional-resume

Initial formal art training Missoula, Montana, U.S.A. Minneapolis School of Art Minneapolis, Minnesota, U.S.A. Academy of Fine Arts (Rijksakademie van Beeldende Kunsten) Amsterdam, The Netherlands,. 1959 Kilbrid and Bradly Gallery Minneapolis, Minnesota, U.S.A. 1960 Walker Art Center Minneapolis, Minnesota *. 1961 De Paardenburg Ouderker a/d Amstel, The Netherlands. 1964 Madurodam The Hague, The Netherlands. 1966 Kunsthandel M.L. de Boer Amsterdam, The Netherlands. 1966 Arti et Amicitiae Amsterdam *.

2

Testimonials

http://www.floyddewitt.com/testimonials

Head art historian and chief conservator of contemporary art, employed by the National Bureay of Art History Documentation, located in The Hague, the Netherlands. Sculpture Guide of the Netherlands. Translation of page 117 D19.). Three Donkeys (The Family) 1970. DeWitt is a virtuoso modeler. He bases his work on a unique experience and refinded knowledge of his subjects. His manner reveals a deep respect for the work of the French artist Degas. The force of the DeWitt collection comes from the harmonious...

3

Gallery

http://www.floyddewitt.com/gallery

Portraits can offer us an eternal view of the nature of man: The making of the portrait is an effor. The human being is utterly flawed. Behind the flawed human is the knowledge of our magnifi. As a young American art student in Holland, I asked myself how would I conceive of an equestrian . The Animal as Symbol. An animal beyond the biological is a symbol of what man does to himself and to the natu. Mythological symbols touch and exhilerate centers of life betond the reach of vocabularies of reas.

4

Site Map

http://www.floyddewitt.com/site-map

The requested sitemap does not exits. Within a great tradition of sculpture, DeWitt stands out as an innovator in that he endows all his works, including his portraits, with an inner significance that transcends by far the individuality of the subject. Dr Hans Redeker, renowned Dutch art critic. Floyd T. Dewitt.

5

About the Artist

http://www.floyddewitt.com/about-the-artist

Floyd working in one of his studios in Holland. Floyd working on The Four Horsemen. Studio shot in Holland of Floyd with small monument for Wolf Point. Figure study from nature at the Royal Academy in Amsterdam, Netherlands. Classmates at the Royal Academy in Amsterdam. Studio shot at the Academy in Amsterdam, Netherlands. Portrait study from nature of Dr. J. Knoll in Amsterdam, Netherlands. The beginning of the Three Donkeys in one of his studios in Amsterdam. David M. Salay. US Representative, Montana.

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In His Own Words. Floyd continues his quest to express the spirit of nature in art. He does not attempt to copy nature but studies and interprets it. As in poetry he invites one to linger over subtle nuances and rhythms. A Sculptor for the Ages. The visual poetry that marks the difference between competency and art; DeWitt is one of America’s greatest sculptors. David M. Ratner. Professor Emeritus, Boston University. Demise of the Mighty Casey. The Flight of Fantasy. Edited by professor Jack Kligerman.

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