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FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST

FORM CODE in Design, Art, and Architecture. 7 x 85 inches (17.8 x 21.6 cm). Paperback, 176 pages. The nature of form in the digital age is trapped in the invisible realm of code. Form Code makes that world visible to the community that stands to gain the most from it: artists and designers. Elegant as an algorithm, clear as a program, and as enthralling as a video game, Form Code is a powerful tool, both as a tutorial and as an in-depth analysis of the aesthetics of the information age. Everyware (Yunsil...

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FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST | formandcode.com Reviews
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FORM CODE in Design, Art, and Architecture. 7 x 85 inches (17.8 x 21.6 cm). Paperback, 176 pages. The nature of form in the digital age is trapped in the invisible realm of code. Form Code makes that world visible to the community that stands to gain the most from it: artists and designers. Elegant as an algorithm, clear as a program, and as enthralling as a video game, Form Code is a powerful tool, both as a tutorial and as an in-depth analysis of the aesthetics of the information age. Everyware (Yunsil...
<META>
KEYWORDS
1 casey reas
2 chandler mcwilliams
3 lust
4 code examples
5 contents
6 bibliography
7 links
8 errata
9 princeton architectural press
10 buy the book
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FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST | formandcode.com Reviews

https://formandcode.com

FORM CODE in Design, Art, and Architecture. 7 x 85 inches (17.8 x 21.6 cm). Paperback, 176 pages. The nature of form in the digital age is trapped in the invisible realm of code. Form Code makes that world visible to the community that stands to gain the most from it: artists and designers. Elegant as an algorithm, clear as a program, and as enthralling as a video game, Form Code is a powerful tool, both as a tutorial and as an in-depth analysis of the aesthetics of the information age. Everyware (Yunsil...

INTERNAL PAGES

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1

FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST

http://www.formandcode.com/links

FORM CODE in Design, Art, and Architecture. If you find a broken link, please write to. Charles A. Csuri. Everyware (Yunsil Heo and Hyunwoo Bang). John F. Simon, Jr. Kenneth A. Huff. MIT Media Lab Personal Robotics Group. Skidmore Owings and Merrill. Testa and Weiser Architects. Toyo Ito and Associates Architects. Gaming, Graphics, and Video. For the Younger Ones.

2

FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST

http://www.formandcode.com/code-examples/simulate-particles

FORM CODE in Design, Art, and Architecture. This basic particle system is created by making multiple copies of a simple particle. Each particle stores some information about itself: its position in space, velocity, and acceleration. At each step in the simulation, every particle calculates its next location using its current position, velocity, and acceleration. Finally, each particle is drawn to the screen and the process repeats. From Form Code in Design, Art, and Architecture. 1024, 768); smooth.

3

FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST

http://www.formandcode.com/code-examples/visualize-superformula

FORM CODE in Design, Art, and Architecture. The superformula was first described by Johan Gielis in 2003 as a way to mathematically generate a wide variety of forms found in nature. The form generated by the equation can be controlled by setting the values of a few key parameters. The verdict is still out as to whether the superformula actually describes processes in nature or simply produces a good imitation of them. From Form Code in Design, Art, and Architecture. Princeton Architectural Press, 2010.

4

FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST

http://www.formandcode.com/code-examples/repeat-recursive-tree

FORM CODE in Design, Art, and Architecture. From Form Code in Design, Art, and Architecture. By Casey Reas, Chandler McWilliams, and LUST. Princeton Architectural Press, 2010. This program is based on Context Free program. Foggy Tree by Chris Coyne:. Http:/ www.contextfreeart.org/gallery/view.php? This code was written for Processing 1.2. Get Processing at http:/ www.processing.org/download. DotSize = 9; float. 900, 600); noStroke. 1); / Redraw the tree once a second. 50); / Convert 50 degrees to radians.

5

FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST

http://www.formandcode.com/code-examples/transform-landscape

FORM CODE in Design, Art, and Architecture. Photographic images can be a rich source of data, and transcoding can be used to interpret this data from a different perspective. Image extrusion is a visually appealing transcoding technique that creates depth from a 2-D picture. From Form Code in Design, Art, and Architecture. By Casey Reas, Chandler McWilliams, and LUST. Princeton Architectural Press, 2010. This code was written for Processing 1.2. Get Processing at http:/ www.processing.org/download. Trans...

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Devon Elliott | devonelliott.net

https://devonelliott.net/author/museumetrics

Devon Elliott, PhD Candidate, Western University. Author Archives: Devon Elliott. February 6, 2015. Here’s an image of a recent project:. It’s an old telegraph sounder seated in a wooden resonator. Underneath it, I’ve added a small board with electronics so that the telegraph can tap out messages from Twitter. Locally, a historic roundhouse. The results bridge those time periods through the technologies used. The telegraph sounder was used as the starting point and is the output of the device. To...Was u...

katrinamclaughlin.com katrinamclaughlin.com

Learning Processing; coding and more | Katrina Mclaughlin

https://katrinamclaughlin.com/2015/04/07/learning-processing-coding-and-more

Learning Processing; coding and more. April 7, 2015. The idea of learning processing was a daunting experience. I had never learnt any form of coding before and as an artist the possibility of using code to create art and design work is an existing world to discover. The processing website: https:/ processing.org/. It teaches you the basics and shows the beginning possibilities what processing can do. Has a range of examples that you can play around with. Size (800,800);. Fill (220,0,0);. Stroke(255,0,0);.

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3D | GRAVITRON [notes]

http://gravitron.com.au/notes/3d

Power of 1 Voice. Double clicking on a tweet shifts the focus and zooms the view to its proximity. Double clicking in space resets the view. Single clicking a tweet highlights it and others by the author. Clicking the time marker on the left of the screen reveals a histogram of the tweet stream. Dragging the time marker to a new position changes the focal depth to the tweets within the chosen time band. The main 3D effect (scaling and parallax scrolling) comes courtesy of CSS 3D transforms. But the evolu...

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December | 2010 | My Studies at RMIT

https://rmitdfa.wordpress.com/2010/12

My Studies at RMIT. It is the documentation of my DFA study in RMIT. Monthly Archives: December 2010. Where the Action Is. December 21, 2010. Dourish, Paul. Where the Action Is: The Foundations of Embodied Interaction. Cambridge, Massachusetts: MIT Press, 2001. Tangible and Social Approaches to Computing. Again, it (social computing) encompasses a range of different activities that are more or less aligned. One set of activities involves incorporating social understandings into the design of interact...

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My Studies at RMIT | It is the documentation of my DFA study in RMIT. | Page 2

https://rmitdfa.wordpress.com/page/2

My Studies at RMIT. It is the documentation of my DFA study in RMIT. Newer posts →. Form Code in Design, Art, and Architecture. December 8, 2010. Form Code in Design, Art, and Architecture. New York: Princeton Architectural Press, 2010. The structure of code as reflected in creative art. The book website is formandcode.com. Y2K and the Millennium Butterflies. December 8, 2010. World Wide Video Festival. 18th World Wide Video Festival Catalog. Amsterdam: Stichting World Wide Video Festival, 2000. The plan...

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P&A LAB: 十二月 2013

http://pandalabccc.blogspot.com/2013_12_01_archive.html

Please Click on HD to Vimeo for Larger size video. A Little Bit Processing Tutorials. Since there will be more users using Processing,. Just open a door for you to come in for learning with. Really really really really BASIC processing tutorials. Because its really basic, . So I dont provide all the sketches, . Just only total 5 sketches for these tutorials:. The rest of the codes,. 160;you can easily code them yourselves. By following the tutorials. 訂閱: 文章 (Atom). 2D/3D Graphic simulation Summary.

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P&A LAB: Showreel (Graphic Coding): 2010-2014+

http://pandalabccc.blogspot.com/2015/05/showreel-graphic-coding-2010-2014.html

Showreel (Graphic Coding): 2010-2014. A showreel by P&A LAB, Jia-Rey Chang as a short period of summary . Collecting majority of the previous experimental projects on visual graphical/architectural/interactive 2D/3D simulation from 2010 to 2014 . Special Thanks for the music, a little chess, by E.S.O.a.C. From their first album: quarrel. Each individual video listed under:. 01 00:08 = 3D Spirograph:. Http:/ pandalabccc.blogspot.nl/2015/05/retro-3d-spirograph.html. 02 00:18 = PhotoForm:. Http:/ pandalabcc...

pandalabccc.blogspot.com pandalabccc.blogspot.com

P&A LAB: 三月 2015

http://pandalabccc.blogspot.com/2015_03_01_archive.html

InteractiveBody workshop 4.0. What is its motions respond to the human involved in? When and what kind of new relationship between space and human will establish? Should be explored and attempt to answer through the workshop. The workshop also tries to reverse the conventional spatial notion of static and passive environment into dynamic and aggressive surroundings. A space with Pro-activeness will take place in such a condition. 訂閱: 文章 (Atom). 2D/3D Graphic simulation Summary. Simple範本. 由 Blogger.

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FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST

FORM CODE in Design, Art, and Architecture. 7 x 85 inches (17.8 x 21.6 cm). Paperback, 176 pages. The nature of form in the digital age is trapped in the invisible realm of code. Form Code makes that world visible to the community that stands to gain the most from it: artists and designers. Elegant as an algorithm, clear as a program, and as enthralling as a video game, Form Code is a powerful tool, both as a tutorial and as an in-depth analysis of the aesthetics of the information age. Everyware (Yunsil...

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FORM+CODE in Design, Art, and Architecture

FORM CODE in Design, Art, and Architecture. Japanese edition of Form Code seen in the wilds of Tokyo. Posted 5 years ago. Casey speaking at the Eyeo Festival in June ». Posted 7 years ago. Chandler speaking at USC ». Posted 7 years ago. Review in Eye Magazine ». Posted 7 years ago. Interview with Casey and Chandler in Digimag ». Posted 7 years ago. Form Code named one of the top design books of the year by FastCoDesign ». Posted 7 years ago. Great review on furtherfield.org by Rob Myers ».

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Welcome to Wende Reid Studio. We re busily expanding our product offering. Working on new projects and getting ready for. A new online shopping experience. In the meantime we re pleased to present this online edit. Of some of our classic works in all three areas of endeavour,. Design and building projects, lighting design, and furniture design. Please get in touch for more images and information. About the diverse range of design services we provide. Credit cards and phone orders accepted. PAIR OF ORIGIN...