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Freja Bäckman

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| Freja Bäckman | frejabackman.wordpress.com Reviews

https://frejabackman.wordpress.com

Freja Bäckman

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1

Wir Spielen: Inverse Institution |

https://frejabackman.wordpress.com/2013/08/02/wir-spielen-at-inverse-institution-flutgraben

Wir Spielen: Inverse Institution. We were editing the WIR SPIELEN acts at Flutgraben. Project space, as part of Inverse Institution. August 2, 2013. Act 5 of WIR SPIELEN (WE PLAY): Zyklische Gesellschaftsreise. InStructions for EMMA →. Confession of an artist and other actors of the art field. I was told I chop wood as a ballet dancer – wood: session 2. I was told I chop wood as a ballet dancer – wood: session 1. Suomen taidepoliittinen käsikirja (Finnish art policy handbook). 9B – 2H. Strike a Pose #2.

2

Act 5 of WIR SPIELEN (WE PLAY): Zyklische Gesellschaftsreise |

https://frejabackman.wordpress.com/2013/07/26/zyklische-gesellschaftsreise

Act 5 of WIR SPIELEN (WE PLAY): Zyklische Gesellschaftsreise. July 26, 2013. Zyklische Gesellschaftsreise with YES! For Act 5 of WIR SPIELEN (WE PLAY). Invited us on a cyclical trip on the Berlin Ringbahn. We traveled collectively and engaged in our desire to make sense of today through looking, moving, conversing, and reading aloud. Landscape is an Invisible Language. Wir Spielen: Inverse Institution →. Confession of an artist and other actors of the art field. Reading: WIR SPIELEN (WE PLAY). Die Hollyw...

3

AYE / NAY / ABSENT – A COLLECTION OF REALITIES |

https://frejabackman.wordpress.com/2013/11/15/aye-nay-absent-a-collection-of-realities

AYE / NAY / ABSENT A COLLECTION OF REALITIES. November 15, 2013. Photo: Ari Karttunen / EMMA. AYE / NAY / ABSENT A COLLECTION OF REALITIES. 13 November 2103 2 March 2014. AYE / NAY / ABSENT A Collection of Realities features the everyday life of the EMMA art collection. The exhibition team has studied what kind of a relationship the people of Espoo have to their art collection and the meaning of a public art collection why and for whom is art collected, who encounter it and how? AYE / NAY / ABSENT A COLL...

4

WIR SPIELEN (WE PLAY) / The Peoplemover 1968 – A demonstration poem |

https://frejabackman.wordpress.com/2013/12/15/wir-spielen-we-play-the-peoplemover-1968-a-demonstration-poem

WIR SPIELEN (WE PLAY) / The Peoplemover 1968 – A demonstration poem. December 15, 2013. The Publication. Photo: Merja Hannikainen. WIR SPIELEN (WE PLAY). What would ‘we’ do? Is collective work still a political standpoint? A necessity for our survival? How would a demonstration poem look like today? AYE / NAY / ABSENT A COLLECTION OF REALITIES. Land-Insitut in Puerto Williams – A Failed Attempt →. Confession of an artist and other actors of the art field. Reading: WIR SPIELEN (WE PLAY). Wir Spielen: Inve...

5

InStructions for EMMA |

https://frejabackman.wordpress.com/2013/11/14/instructions-for-emma

November 14, 2013. Photo: Ari Karttunen / EMMA. A set of instructions written by the workgroup Wir Spielen to be used as part of the exhibition AYE / NAY / ABSENT a collection of realities. In EMMA (Espoo Museum of Modern Art) curated by a group from the CUMMA – masterprogram at the Aalto University. The works created in workshops, or otherwise, by using the instructions are published on InStrucions for EMMA. Follow the instruction (some or all). Wir Spielen: Inverse Institution. 9B – 2H. Strike a Pose #2.

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2011 november 3., csütörtök. Az elet egy nagy utazas, ahol nem a kezdöpont es a vegcel a fontos hanem maga az ut a felfedezes a tapasztalat. Az ut talan ott kezdödik mikor ket sejt talalkozik es megtörtenik a csoda, egy elet keletkezik, az anyamehben eltöltött kilenc honap, felkeszules az utazasra, az a hely ami ov, ved de mikor eljön az idö utnak indit. Ezutan meg hosszasan voltunk összebujva, szopizva. Bennem olyan szerelem gyult, ami szerintem egy eletre elkiser. 2011 augusztus 14., vasárnap. Szoval a...

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www.frejabackman.org

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| Freja Bäckman

I was told I chop wood like a ballet dancer. June 16, 2017. A loner melting in to their surroundings. Invisible for the one not knowing what to look for. Chopping wood out of pure enjoyment. Growing in the light. They have made it their world. Under covers they spend their week. Lingering in the threes they find each other. The rhythmic beating brings them together. The experience is one they can only have alone. Filtering through the foliage. June 2nd until June 8th 2017. February 28, 2017. The radical ...

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Freja Beha

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