gabrieleevertz.com
Gabriele Evertz6 x 18 feet / 183 x 549cm.
http://www.gabrieleevertz.com/
6 x 18 feet / 183 x 549cm.
http://www.gabrieleevertz.com/
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Gabriele Evertz
Gabriele Evertz
153 Ber●●●●●●●lace #3
Bro●●●lyn , NY, 11217
UNITED STATES
View this contact
Gabriele Evertz
Gabriele Evertz
153 Ber●●●●●●●lace #3
Bro●●●lyn , NY, 11217
UNITED STATES
View this contact
Gabriele Evertz
Gabriele Evertz
153 Ber●●●●●●●lace #3
Bro●●●lyn , NY, 11217
UNITED STATES
View this contact
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Gabriele Evertz | gabrieleevertz.com Reviews
https://gabrieleevertz.com
6 x 18 feet / 183 x 549cm.
gabrieleevertz.com
Gabriele Evertz
http://www.gabrieleevertz.com/index.htm
6 x 18 feet / 183 x 549cm.
Biography
http://www.gabrieleevertz.com/Biography.htm
American, born in Berlin, Germany, lives and works in Brooklyn, New York and Greenport, New York. Gabriele Evertz: The Gray Question, Minus Space, Brooklyn, NY. Gabriele Evertz: Optic Drive, David Richard Gallery, Santa Fe, NM. Gabriele Evertz: The Geometry of Color, ART SITES, Riverhead, NY. Gabriele Evertz: RAPTURE, Minus Space, Brooklyn, NY. Ann Kolb Gallery, Easthampton, NY. Ann Kolb Gallery, Easthampton, NY. Drawings, Art Sites, Greenport, NY. Yearseley Spring Gallery, Philadelphia, PA. Hard-Edge Ab...
Gallery
http://www.gabrieleevertz.com/archive.html
72 x 72 inches. Gabriele Evertz .uses the periodic structure of the stripe as her primary vehicle . In her paintings, linear bands of color intersect at carefully calibrated intervals to create shifting and vibrating optical mixtures. In. Optic Nerve, exhibition catalog. Columbus Museum of Art, Ohio ". Acrylic on Canvas over Panel. 12 x 12 inches. Acrylic on Canvas over Panel. 12 x 12 inches. 72 x 108 inches. Motion Parallax, I. 16 x 16 inches. 144 x 12 x 12 inches. 84 x 192 inches. 96 x 204 inches.
Gallery
http://www.gabrieleevertz.com/2009_2010.htm
19 x 24 inches / 48.26 x 60.96cm. 19 x 24 inches / 48.26 x 60.96cm. Acrylic on Canvas over wood panel. 30 x 30 inches. 6 x 18 feet / 183 x 549cm. 6 x 18 feet / 183 x 549cm. From left to right). Red: Contrasts and Assimilations. Acrylic on Canvas over wood panel. 18 x 18 inches. Acrylic on Canvas over wood panel. 18 x 18 inches. Acrylic on Canvas over wood panel. 12 x 12 inches. 72 x 90 inches. Blue: Contrasts and Assimilations. Acrylic on canvas over wood panel. 24 x 24 inches / 60 x 60cm.
Color Study
http://www.gabrieleevertz.com/Color_Study.htm
Gabriele Evertz Paints a Color Study. Gabriele Evertz Paints a Color Study.
TOTAL PAGES IN THIS WEBSITE
15
The Perceptual Observer: Op Out of Ohio; D. Wigmore Fine Art, New York, NY, through July 9, 2010
http://opptg.blogspot.com/2010/06/op-out-of-ohio-d-wigmore-fine-art-new.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Tuesday, June 15, 2010. Op Out of Ohio; D. Wigmore Fine Art, New York, NY, through July 9, 2010. The Anomina Group (Ernst Benkert, Francis Hewitt, and Edwin Mieczkowski),Richard Anuszkiewicz Julian Stanczak. The first exhibition highlighting the work of the Anomina Group in some time, with catalog by Joe Houston. For images of exhibition. Posted by q2222@earthlink.net.
The Perceptual Observer: Sabine Laidig, "Chroma," dr. julius | ap, Berlin, Germany, May 10-June 24, 2012
http://opptg.blogspot.com/2012/05/sabine-laidig-chroma-dr-julius-ap.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Monday, May 28, 2012. Sabine Laidig, "Chroma," dr. julius ap, Berlin, Germany, May 10-June 24, 2012. An extremely disciplined, rigid, and self critical painter from Berlin. She is highly influenced by music and an admirer of Agnes Martin, nevertheless her paintings are distinctly her own. Scheme 2011th, Acrylic on wood, 31.5 x 31.5 x 1 cm. Posted by q2222@earthlink.net.
Farbmalerei Color Painting: Gabriele Evertz
http://www.farbmalerei.org/evertz.html
Gabriele Evertz, New York / www.gabrieleevertz.com. Red the Spectrum, 2008. Acrylic on canvas, 152 x 152 cm. Four Yellows Gray, 2008. Acrylic on canvas, 91 x 91cm, courtesy: Cynde Adler Gallery, San Francisco, CA. Four Reds and Iceblue, 2008,. Acrylic on canvas, 365 x 274 cm,. Four Blues, Two Yellows, 2003, Acrylic on Canvas,. 182 x 182 cm. Fear and Trembling: RYB, 2005, Acrylic on Canvas, 243 x 518 cm,. Motion Parallax, 1998, 182 x 182 cm, Columbus Museum of Art,.
Michael Berube
http://michaelberube.net/links.html
Friend and artist Jonn Alex Gonzalezs website. I know you will enjoy it. This is the website of one of my mentors and professors from my college years. One of my great professors who I learned much from in my studies. She has a beautiful website. A friend who I went to school with whose work I admire. The website of a professor who I had the honor to be a teachers assistant for during my final semester in graduate school. Another artist that I went to school with whose work I find amazing.
The Perceptual Observer: Material Tak, Panepinto Galleries, Jersey City, NJ, June 8-July 15, 2012
http://opptg.blogspot.com/2012/07/material-tak-panepinto-galleries-jersey.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Tuesday, July 10, 2012. Material Tak, Panepinto Galleries, Jersey City, NJ, June 8-July 15, 2012. Mark Dagley, Anne Sherwood Pundyk, Kati Vilim, Jsun Lailberte, and Peter Fox. Mark Dagley, White Blue Orb, 2007, mixed media on distressed canvas, 64 inches x 64 inches. Posted by q2222@earthlink.net. Subscribe to: Post Comments (Atom). Robert S. Mattison. Robert C. Morgan.
The Perceptual Observer: "New Materials, New Approaches," D.Wigmore Fine Art, Inc, New York, NY,
http://opptg.blogspot.com/2012/05/new-materials-new-approaches-dee.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Monday, May 28, 2012. New Materials, New Approaches," D.Wigmore Fine Art, Inc, New York, NY,. Mon Levinson, Julian Stanczak, and Leroy Lamis. Oil on plastic, 36" x 36". Leroy Lamis, Construction No. 159, (1968), red and white Plexiglas, 16" x 16" x 8". Mon Levinson, Positive Moving Planes IV,. 1965) Plexiglas and mixed media, 24 inches x 24 inches x 3 inches. Bos, René van den.
The Perceptual Observer: CLE OP: Cleveland Op Art Pioneers,, Cleveland Museum of Art, April 9, 2011-February 16, 2012
http://opptg.blogspot.com/2012/06/cle-op-cleveland-op-art-pioneers.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Sunday, June 17, 2012. CLE OP: Cleveland Op Art Pioneers, Cleveland Museum of Art, April 9, 2011-February 16, 2012. Richard Anuskiewicz, Frank Hewitt, Julian Stanczak, Ernst Benkert, and Edwin Mieszkowski. Posted by q2222@earthlink.net. Subscribe to: Post Comments (Atom). Robert S. Mattison. Robert C. Morgan. Art That Attacks the Eye," 1964 article from Time Magazine.
The Perceptual Observer: Sight and Sound; Music and Abstraction in Australian Art, The Arts Center, Melbourne, Austrailia
http://opptg.blogspot.com/2010/06/sight-and-sound-music-and-abstraction.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Tuesday, June 15, 2010. Sight and Sound; Music and Abstraction in Australian Art, The Arts Center, Melbourne, Austrailia. John Aslanidis, Yvonne Audette, Ludwig Hirschfeld Mack, Roger Kemp, Donald Laycock, Roy de Maistre and Robert Owen, Michael Graeve. Music and Abstraction in Australian Art. Posted by q2222@earthlink.net. Subscribe to: Post Comments (Atom). Bos, René van den.
The Perceptual Observer: Hartmut Böhm: Graphic Systems, Prints 1965-1975, MINUS SPACE project space, Brooklyn, NY, May 8 – June 12, 2010
http://opptg.blogspot.com/2010/06/hartmut-bohm-graphic-systems-prints.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Tuesday, June 15, 2010. Hartmut Böhm: Graphic Systems, Prints 1965-1975, MINUS SPACE project space, Brooklyn, NY, May 8 – June 12, 2010. For the website of Hartmut Böhm. Posted by q2222@earthlink.net. Subscribe to: Post Comments (Atom). Robert S. Mattison. Robert C. Morgan. Art That Attacks the Eye," 1964 article from Time Magazine. Bos, René van den. De Joode, Ger.
The Perceptual Observer: Emergence and Structure, Grossman Gallery, Lafayette College, Easton, Pennsylvania, March 20-April 21, 20012
http://opptg.blogspot.com/2012/06/emergence-and-structure-grossman.html
The Perceptual Observer is a timeline devoted to perceptually or optically based art. Comments may be sent to q2222@earthlink.net. Sunday, June 17, 2012. Emergence and Structure, Grossman Gallery, Lafayette College, Easton, Pennsylvania, March 20-April 21, 20012. John Aslanidis, Angie drakopoulos, Mary Hambleton, Daniel Hill, Robin Hill, Nene Humphrey, Ron Janowich, Mary Judge, Ed Kerns, David Mann, Kate Nichols, David Row, Owen Schuh, Barbara Takenaga, Jim Toia, Robert Yasuda. Robert S. Mattison.
TOTAL LINKS TO THIS WEBSITE
19
Hey! It's Gabby!
See, that’s what the app is perfect for. Wahhhh, I don’t wanna. My own personal blog. :). Health Benefits of Chocolates. DARK, DARK, DARK. Mar 28th, 2014. Photographer Documents Wild Cheetah’s Personal Visit To Their Safari Vehicle In the Serengeti. Mar 28th, 2014. The littlest Bravest Warriors. Did y’all check out Dimension Garden? Mar 27th, 2014. Create and share your own Bravest Warriors adventure on the newly launched toonhero.com. Check out the awesomeness at www.toonhero.com. Mar 26th, 2014. DEMENT...
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Gabriele Euchner, Dipl.Kfm.(MBA). 8220;The real voyage of discovery consists not in seeing new landscapes, but in having new eyes! 8220;Be strong, you never know who you are inspiring” (unknown). 8220;People who are crazy enough to think they can change the world are the ones who do.” (Apple “Think Different”). People cannot discover new lands until they have the courage to lose sight of the shore. (André Gide). A ship in a port is safe, but that is not what ships are built for . (William Shedd).
insanelight | ★ Gabriele Fabbri's Sketchbook
Gabriele Fabbri's Sketchbook. Second set of pages from my personal Moleskine. You can take a look at the first set here. All drawings are made with mechanical pencil on 13’x21′ Moleskine Sketchbook. A small set of sketches from my personal moleskine. For some of them I have used photographs as reference, but I am not always able to find out their origin and the respective photographers. Curing the Original Sin. The Evil is inside each of us at birth. By ages, Men are trying to cure it through useless...
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Benvenuto sul mio sito! Gli amici del jazz. Musica di fondo: "cammina per me". La mente è come un giardino, terra fertile per il pensiero.". Vieni a trovarmi su. E' uscito "Acoustic", il mio 7 cd autoprodotto! Nuovi esempi nella sezione didattica:Improvvisazione e contrappunto jazz. Esempi di figurazioni ritmiche d'accompagnamento. Esempi di be-bop su II-V-I. Chord Melody Solos by Barry Galbraith. Intervista a Pat Metheny. Seguimi su Google Plus. Via Emilia Est n 885 MODENA. Cose nuove ogni giorno.".
