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Monday, March 8, 2010. Here’s a fairly typical poem by Lisa Olstein, who, according to the Poetry Foundation, has been associate director of the MFA program at the University of Massachusetts Amherst, and who won the Copper Canyon Press Hayden Carruth award. You take the mortar; I’ll take the pestle,. The weight we laid five years before the door. You take the door, its flank and hollow. You take the hollow morning we set out,. I’ll take the conch shell, the sea. Their rough edges, their eyes. Then what&...

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greenfuse | greenefuse.blogspot.com Reviews

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Monday, March 8, 2010. Here’s a fairly typical poem by Lisa Olstein, who, according to the Poetry Foundation, has been associate director of the MFA program at the University of Massachusetts Amherst, and who won the Copper Canyon Press Hayden Carruth award. You take the mortar; I’ll take the pestle,. The weight we laid five years before the door. You take the door, its flank and hollow. You take the hollow morning we set out,. I’ll take the conch shell, the sea. Their rough edges, their eyes. Then what&...

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1 greenfuse

2 negotiation

3 posted by

4 richard greene

5 no comments

6 very chinese

7 every day

8 soft again

9 and hers

10 lovely lovely

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greenfuse | greenefuse.blogspot.com Reviews

https://greenefuse.blogspot.com

Monday, March 8, 2010. Here’s a fairly typical poem by Lisa Olstein, who, according to the Poetry Foundation, has been associate director of the MFA program at the University of Massachusetts Amherst, and who won the Copper Canyon Press Hayden Carruth award. You take the mortar; I’ll take the pestle,. The weight we laid five years before the door. You take the door, its flank and hollow. You take the hollow morning we set out,. I’ll take the conch shell, the sea. Their rough edges, their eyes. Then what&...

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greenefuse.blogspot.com

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greenfuse

http://greenefuse.blogspot.com/2010/03/email-i-sent-to-friend-after-telling.html

Sunday, March 7, 2010. Email I sent to a friend after telling her her comments on a poem I'd sent her were in themselves a poem, and she asked me if she should try writing poetry:. You don't need to try. You've already done it, written a poem and a good one. If you want to write more, it's simple, at least it is for me. I start from a feeling and say what I need to to evoke it for a reader. Here's the poem I sent her:. Inching up on the Equinox. It comes a couple of minutes closer. Where the sun rises,.

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greenfuse

http://greenefuse.blogspot.com/2010/02/i-think-one-important-reason-for-small.html

Friday, February 26, 2010. If journals and publishers are interested in increasing the audience for poetry they would do well to try to find out what the educated general reader who isn’t impressed by the products of post-modernism likes, instead of relying on reviewers and editors who are in thrall to the cult. Subscribe to: Post Comments (Atom). This will be a poetry blog. Ill post my own poems. Some Early Reactions to My Book, Explorations Ric. Kay Ryan’s cloud, reverse alchemy: a wonderful exa.

3

greenfuse

http://greenefuse.blogspot.com/2010/03/heres-fairly-typical-poem-by-lisa.html

Monday, March 8, 2010. Here’s a fairly typical poem by Lisa Olstein, who, according to the Poetry Foundation, has been associate director of the MFA program at the University of Massachusetts Amherst, and who won the Copper Canyon Press Hayden Carruth award. You take the mortar; I’ll take the pestle,. The weight we laid five years before the door. You take the door, its flank and hollow. You take the hollow morning we set out,. I’ll take the conch shell, the sea. Their rough edges, their eyes. Then what&...

4

greenfuse: February 2010

http://greenefuse.blogspot.com/2010_02_01_archive.html

Friday, February 26, 2010. If journals and publishers are interested in increasing the audience for poetry they would do well to try to find out what the educated general reader who isn’t impressed by the products of post-modernism likes, instead of relying on reviewers and editors who are in thrall to the cult. Links to this post. Thursday, February 18, 2010. On the overuse of enjambment. Try reading the following poem, by Kay Ryan, our current poet laureate, pausing at each line break. To another, a.

5

greenfuse

http://greenefuse.blogspot.com/2010/02/this-will-be-poetry-blog_10.html

Wednesday, February 10, 2010. This will be a poetry blog. I'll post my own poems, links to poems that I like, usually by not well-known poets, and comments on poetry. Here are a few samples of my poetry. You can find more on my website at http:/ www.greenepage.net/. And in my recently published book, "Explorations", available at http:/ www.antrimhousebooks.com/. Apple, blueberry, cherry, peach,. Coconut custard, banana cream,. Boyhood’s soft-focus dreams. I used to stop at the bakery. Forbade me them,.

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Welcome to the Antrim House Seminar Room. Click on the appropriate link below. Down by the Riverside Ways. Searching for the Northern Lights. Carol A. Armstrong. Everything WaitsTo Be Noticed. Emily H. Axelrod. CALLED The Making and Unmaking of a Nun. At the Flower's Lip. The Uncommon Nativity of Common Things. A Wilderness of Chances. Barbarians in the Kitchen. The Unparalleled Beauty of a Crooked Line. Toward the Hanging Tree. How Much of Love. Down to the Waters. Ankle Deep and Drowning. Paul Petrie: ...

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greenefuse.blogspot.com

greenfuse

Monday, March 8, 2010. Here’s a fairly typical poem by Lisa Olstein, who, according to the Poetry Foundation, has been associate director of the MFA program at the University of Massachusetts Amherst, and who won the Copper Canyon Press Hayden Carruth award. You take the mortar; I’ll take the pestle,. The weight we laid five years before the door. You take the door, its flank and hollow. You take the hollow morning we set out,. I’ll take the conch shell, the sea. Their rough edges, their eyes. Then what&...

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