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Guide To Drawing

Guide To Drawing

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Guide To Drawing | guidetodrawing.com Reviews
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Guide To Drawing
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1 bill martin's guide
2 to drawing
3 getting started
4 materials
5 basic drawing techniques
6 guidelines
7 angles and proportions
8 silhouette and line
9 basic two dimensional shapes
10 basic three dimensional forms
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bill martin's guide,to drawing,getting started,materials,basic drawing techniques,guidelines,angles and proportions,silhouette and line,basic two dimensional shapes,basic three dimensional forms,exercises,negative forms,contrast,reflected light,texture
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Guide To Drawing | guidetodrawing.com Reviews

https://guidetodrawing.com

Guide To Drawing

INTERNAL PAGES

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1

Getting Started

http://guidetodrawing.com/getting-started

Some Basic Artistic Terms. BASIC SHAPES AND FORMS. Perspective and the Cube. VALUE AND THE ILLUSION OF FORM. Defining the Basic Forms with Value. Creating the Illusion of Distance and Depth. Distinguishing Concave from Convex. Value Contrast and the Quality of Light. Cast Shadows and Three-Dimensional Form. Length and Direction of Cast Shadows. How Light Defines Texture. The Importance of the Light Source. Value and the Reflecting Surface. The Angle of Reflections. Size and Shape of Reflections. Our visu...

2

Angles and Proportions

http://guidetodrawing.com/getting-started/angles-and-proportions

Some Basic Artistic Terms. BASIC SHAPES AND FORMS. Perspective and the Cube. VALUE AND THE ILLUSION OF FORM. Defining the Basic Forms with Value. Creating the Illusion of Distance and Depth. Distinguishing Concave from Convex. Value Contrast and the Quality of Light. Cast Shadows and Three-Dimensional Form. Length and Direction of Cast Shadows. How Light Defines Texture. The Importance of the Light Source. Value and the Reflecting Surface. The Angle of Reflections. Size and Shape of Reflections.

3

Guidelines

http://guidetodrawing.com/getting-started/guidelines

Some Basic Artistic Terms. BASIC SHAPES AND FORMS. Perspective and the Cube. VALUE AND THE ILLUSION OF FORM. Defining the Basic Forms with Value. Creating the Illusion of Distance and Depth. Distinguishing Concave from Convex. Value Contrast and the Quality of Light. Cast Shadows and Three-Dimensional Form. Length and Direction of Cast Shadows. How Light Defines Texture. The Importance of the Light Source. Value and the Reflecting Surface. The Angle of Reflections. Size and Shape of Reflections.

4

Contrast

http://guidetodrawing.com/contrast

Some Basic Artistic Terms. BASIC SHAPES AND FORMS. Perspective and the Cube. VALUE AND THE ILLUSION OF FORM. Defining the Basic Forms with Value. Creating the Illusion of Distance and Depth. Distinguishing Concave from Convex. Value Contrast and the Quality of Light. Cast Shadows and Three-Dimensional Form. Length and Direction of Cast Shadows. How Light Defines Texture. The Importance of the Light Source. Value and the Reflecting Surface. The Angle of Reflections. Size and Shape of Reflections.

5

Basic Three-Dimensional Forms

http://guidetodrawing.com/drawing-the-basic-shapes-and-forms/basic-three-dimensional-forms

Some Basic Artistic Terms. BASIC SHAPES AND FORMS. Perspective and the Cube. VALUE AND THE ILLUSION OF FORM. Defining the Basic Forms with Value. Creating the Illusion of Distance and Depth. Distinguishing Concave from Convex. Value Contrast and the Quality of Light. Cast Shadows and Three-Dimensional Form. Length and Direction of Cast Shadows. How Light Defines Texture. The Importance of the Light Source. Value and the Reflecting Surface. The Angle of Reflections. Size and Shape of Reflections. A cone i...

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About the Artist – Bill Martin Gallery

http://billmartingallery.com/about-bill-martin

Guide to Oil Painting. January 22, 1943 – October 28, 2008. Bill Martin Self Portrait Ink wash on paper 8″ x 10″. Bill Martin, an internationally renowned artist, will forever be associated with the Visionary Art movement. His paintings explored the universe and portrayed it in its most spectacular, beautiful forms. Bill’s intricately-painted images have captured the imagination of millions of people around the world. In the introduction to his book, Lost Legends. Bill’s guides, books and work.

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Oil Painting Supplies - Supplies and Oil Painting Materials

http://guidetooilpainting.com/oilPaintingSupplies.html

Varnish / Retouch Varnish. If is necessary or desirable to reduce your oil painting equipment to a minimum, how little could you get by with? Clearly you would need a surface to paint on, a surface to mix your colors on, something to mix them with, plus something to clean things up. So what gets reduced is the number of brushes and the number of colors. This list is the least I could be happy with. You can view my recommendations on oil painting supplies. And where to purchase them:.

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Oil Painting Brushes - Brushes for Oil Painting

http://guidetooilpainting.com/oilPaintingBrushes.html

Varnish / Retouch Varnish. Good Brushes Make Good Paintings. Brushes are the most important part of your equipment. A good painter will have difficulty painting with bad brushes. A good brush for oils will retain its shape when loaded with paint and will bounce back to its original shape after each stroke. A bad brush will not return to its original shape when loaded with paint or after each stroke. Or worse will not bend at all. Different Brush Hair for Different Purposes. Brushes and Their Strokes.

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Studio / Lighting - Oil Painting Techniques

http://guidetooilpainting.com/paintingStudio.html

Varnish / Retouch Varnish. Where to Paint and the Light You Need. A studio is a space to work where stray paint will cause no harm that has good light and is a safe place to keep wet paintings. The space should be large enough to accommodate you and your easel and have some room to back up and look at the painting. North light over your left shoulder is preferred. (Over your right shoulder if you are left handed.). It is best to paint in light brighter than the light your painting will be shown in.

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Saving Colors - Oil Painting Techniques

http://guidetooilpainting.com/oilPaintingColors.html

Varnish / Retouch Varnish. When You Need to Save a Color. The best way to preserve paint is to put it into an empty paint tube. This is good if you need a lot of a particular color. It will last indefinitely this way. Load the paint from the bottom of the tube. Tamp the tube on the palm of your hand to get out air bubbles and seal the end. Foil packs for smaller amounts of mixed color will preserve a color for years. Seal out the air and label the color.

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Palette - Oil Painting Techniques

http://guidetooilpainting.com/artistPalette.html

Varnish / Retouch Varnish. Put Your Paints on a Palette. A Palette is a flat non-porous surface where the oil paint colors are mixed. The palette can be held in your hand or placed on a neighboring surface. Hand held palettes have thumbholes. Palettes are commonly made of wood, Plexiglas or safety glass. Affiliate link) as the wooden palette of choice. On top is a Plexiglas palette in the middle is a wooden palette and on the bottom is safety glass, (a car window). The hand held palette with the colors i...

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Oil Painting Lessons - Free Oil Painting Lessons and Techniques

http://guidetooilpainting.com/index.html

Varnish / Retouch Varnish. Drawing for Oil Painting. Bill Martin's Guide to Oil Painting was designed and written by the Visionary Art master. The words and images on these pages are his, just as he left them, before his passing on October 28, 2008. Painting has been one of my life's greatest sustaining pleasures. It has enlarged my world. My goal here is to share that pleasure with you and to see painting bring out the world of creativity within you! First learn about the materials.

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Gesso - Oil Painting Techniques

http://guidetooilpainting.com/gesso.html

Varnish / Retouch Varnish. Pre-primed canvas that has been stretched will have small cracks that a new coat of gesso will seal. A crack in the primer can create a discoloration through many layers of paint and leaves the canvas exposed to deterioration. Gesso is bright white and needs be toned down to a light neutral color for most paintings. Acrylic paints are effective toners for the gesso. I recommend Liquitex Acrylic Gessos. Affiliate link) for priming a canvas.

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Mixing Paint Colors - Color Paints, Color Mixing for Oil Painting

http://guidetooilpainting.com/mixingPaintColors.html

Varnish / Retouch Varnish. You Can Mix All Colors From These Colors. A rainbow divides the visible spectrum of light into pure examples of light's component colors. All the colors we see are mixtures of just these 12 colors. If the colors on your palette are the same ones, all other colors can then be mixed. Affiliate link) because their quality is higher than their price. Each of the following examples is the pure color and then that color with an equal amount of white.). Blue: Use French Ultramarine Bl...

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Guide To Drawing

Some Basic Artistic Terms. BASIC SHAPES AND FORMS. Perspective and the Cube. VALUE AND THE ILLUSION OF FORM. Defining the Basic Forms with Value. Creating the Illusion of Distance and Depth. Distinguishing Concave from Convex. Value Contrast and the Quality of Light. Cast Shadows and Three-Dimensional Form. Length and Direction of Cast Shadows. How Light Defines Texture. The Importance of the Light Source. Value and the Reflecting Surface. The Angle of Reflections. Size and Shape of Reflections.

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