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Il golpe e l'uva

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1

Il golpe e l'uva: L'enfance rouge: Trapani - Halq al Waady (Wallace, 2008)

http://ilgolpeeluva.blogspot.com/2008/10/lenfance-rouge-trapani-halq-al-waady.html

Il golpe e l'uva. A Beethoven e Sinatra preferisco l'insalata. Thursday, October 30, 2008. L'enfance rouge: Trapani - Halq al Waady (Wallace, 2008). The overall atmosphere has the charm of remote, millenary trade routes. It evocates the last centuries of a decadent Costantinopolis, a crucible of cultures, dangers and long-lost wealth. Ruthless noise-rock sabre blows, dreary French poetries about galleys. Vapours and flute arabesques. Tombeau pour New York. October 31, 2008 at 3:04 AM. Older Post ►. 9668;...

2

Il golpe e l'uva: The Group: The Feed-back (RCA, 1970)

http://ilgolpeeluva.blogspot.com/2011/11/group-feed-back-rca-1970.html

Il golpe e l'uva. A Beethoven e Sinatra preferisco l'insalata. Saturday, November 12, 2011. The Group: The Feed-back (RCA, 1970). Just as the first "krautrock" lp's were coming out in Germany, in Italy we had a surprisingly similar counterpart: this album. It consists of three long instrumental tracks, somewhere in between psych-rock, avantgarde jazz and funky jams. Franco Evangelisti: keyboard, percussion. Mario Bertoncini: piano, percussion. Walter Branchi: double bass. Bruno Battisti D'Amario: guitar.

3

Il golpe e l'uva: Airportman: Letters (Lizard records, 2008)

http://ilgolpeeluva.blogspot.com/2009/03/airportman-letters-lizard-records-2008.html

Il golpe e l'uva. A Beethoven e Sinatra preferisco l'insalata. Tuesday, March 17, 2009. Airportman: Letters (Lizard records, 2008). Letters" sounds like Talk Talk's "Laughing Stock" denuded of any guise of soul or emotion. What lasts in the music? What's unique to "Letters"? Its homely creakings - a fossil recall of a hospitality which has somehow mutated in a Tortoise-like call for abstraction, made of dub drifts and sparse, cold-blooded electronic heartbeats. Older Post ►. 9668; Newer Post. Ensemble Ha...

4

Il golpe e l'uva: Zu: Igneo (Wide Records, 2002)

http://ilgolpeeluva.blogspot.com/2008/10/zu-igneo-wide-records-2002.html

Il golpe e l'uva. A Beethoven e Sinatra preferisco l'insalata. Monday, October 13, 2008. Zu: Igneo (Wide Records, 2002). Roman band Zu is one of the most renown Italian bands abroad in the field of indipendent rock. They teamed up with such acclaimed artists as Damo Suzuki, Eugene Chadbourne, Mats Gustaffson, Nobukazu Takemura, Iceburn and Dälek. The Elusive Character of Victory. Arbol de la esperanza mantente. Untitled Samba for Kat Ex. Older Post ►. 9668; Newer Post. Subscribe to: Post Comments (Atom).

5

Il golpe e l'uva: Rondò veneziano: La Serenissima (Baby Records/BMG, 1981)

http://ilgolpeeluva.blogspot.com/2011/10/rondo-veneziano-la-serenissima-baby.html

Il golpe e l'uva. A Beethoven e Sinatra preferisco l'insalata. Friday, October 28, 2011. Rondò veneziano: La Serenissima (Baby Records/BMG, 1981). I don't want to deny this. Rondò veneziano are definitely kitsch: a perfectly conceived form of extreme kitsch. And that's precisely why they deserve your esteem. Take Vivaldi, Albinoni or any other notable Venetian composer of the baroque era, make it a bit more sugary, add some drums and bass guitar with a mild disco-music touch, and there you are. At times ...

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[music:] Gustoforte, Gustoforte (1985) | Anni di piombo, anni di paillettes.

https://laltritalia.wordpress.com/2009/08/31/music-gustoforte-gustoforte-1985

Anni di piombo, anni di paillettes. Music from a country on the verge of a nervous breakdown. Music:] Gustoforte, Gustoforte (1985). This self-titled album released by Rat Race label early in 1985 with liner notes by Ado Scaini of The Great Complotto. And clangs in unison with the noises of contemporary experimental rock outfits such as, just to name one, Black Dice, or catastrophic dub suppliers of Excepter’s caliber. Here is the tracklist:. 01, s Antony Chain. 02, Steel Walk. 04, Assembly Line. Laquo; ...

stizzablog.blogspot.com stizzablog.blogspot.com

lo stizzablog: 04/01/2008 - 05/01/2008

http://stizzablog.blogspot.com/2008_04_01_archive.html

Ora, ok che questo blo non lo tango tanto da conto, ed è vero anche che non ce ne sono altri tenuti meglio, ma credo proprio sia chiaro il mio orientamento politico, no? Il cinema che tutto il mondo ci invidia. Per la serie le cose utili del sabato mattina. Non ho niente da dire. Pero' sul buon vecchio fffound. Ho trovato questo, e mi esalta non poco. Ole ole. Che tra l'altro è una bella canzone dei Figli di madre ignota. Ah, e nel fratempo Wago ha fatto questo. Ecco Cosa non si fa per non studiare.

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[requests, music:] AA. VV., Pordenone/The Great Complotto (1980) | Anni di piombo, anni di paillettes.

https://laltritalia.wordpress.com/2009/04/15/requests-music-aa-vv-pordenonethe-great-complotto-1980

Anni di piombo, anni di paillettes. Music from a country on the verge of a nervous breakdown. Requests, music:] AA. VV., Pordenone/The Great Complotto (1980). The sleep of province produces monsters. And remember: Pordenone could be London, but London can’t be Pordenone. Here is the tracklist:. Lato A (“A side”). 01, Mess, Paraguay. 02, Fhedolts, Stimolation. 03, Sexy Angels, La beat. 04, Andy Warhol Banana Technicolor, I’m in love with my computer. 05, Mind Invaders, Individual therapy. Edit August 23rd...

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[music:] Maurizio Monti, Diavolo custode (1976) | Anni di piombo, anni di paillettes.

https://laltritalia.wordpress.com/2009/09/05/music-maurizio-monti-diavolo-custode-1976

Anni di piombo, anni di paillettes. Music from a country on the verge of a nervous breakdown. Music:] Maurizio Monti, Diavolo custode (1976). Promise is debt. So here comes the long-time lost second solo album by Maurizio Monti,. 8220;guardian devil”). For those who fell in love with his debut full-length,. Posted here some time ago. 8216;s evil spirit; and while. 8216;s signature sound was that of both acoustic and electric piano, most of the tracks in. Here is the tracklist:. Get it: Maurizio Monti,.

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[music:] Claudio Rocchi, Suoni di frontiera (1976) | Anni di piombo, anni di paillettes.

https://laltritalia.wordpress.com/2008/10/20/music-claudio-rocchi-suoni-di-frontiera-1976

Anni di piombo, anni di paillettes. Music from a country on the verge of a nervous breakdown. Music:] Claudio Rocchi, Suoni di frontiera (1976). Sometimes a failure is far more intriguing and challenging than a masterpiece. Claudio Rocchi has often cited. 8220;frontier sounds”) as one of his favourite albums, and me too, i’m a little obsessed by this inconclusive, naive attempt in experimental electronics which, together with his twin. L miele dei pianeti le isole le api. 8230; By the way, “Lila&#8...

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[guests, music:] Maurizio Monti, L’amore (1973) | Anni di piombo, anni di paillettes.

https://laltritalia.wordpress.com/2009/03/06/guests-music-maurizio-monti-lamore-1973

Anni di piombo, anni di paillettes. Music from a country on the verge of a nervous breakdown. Guests, music:] Maurizio Monti, L’amore (1973). When a man loves a woman. Is a kind of a strange concept album about every possible shade of a sentimental relationship from falling in love to betrayal and separation, from frenzy to happiness and despair as investigated by a talented pop songwriter. And, incidentally, an unexplored mine of rare grooves. Singer and main songwriter for Baustelle. By, exactly,.

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[music:] Mauro Pelosi, Mauro Pelosi (1977) | Anni di piombo, anni di paillettes.

https://laltritalia.wordpress.com/2008/02/24/music-mauro-pelosi-st-1977

Anni di piombo, anni di paillettes. Music from a country on the verge of a nervous breakdown. Music:] Mauro Pelosi, Mauro Pelosi (1977). In 1977, the students and workers’ movement in Italy reached a peak of violence and defy. People from Autonomia Operaia, one of the most important leftist groups, used to parade with real guns in their hands; policemen not only had guns as well, but were eager to use them. As a result, many demonstrations ended up in gunfights, sometimes with dead people. It seemed he h...

italiajin.blogspot.com italiajin.blogspot.com

WAKAGE NO ITARI - 若気の至り: December 2009

http://italiajin.blogspot.com/2009_12_01_archive.html

Monday, December 7, 2009. Posted by mucho.sugoi. Links to this post. Subscribe to: Posts (Atom). All images and music belong to their rightful owners. They are posted here for PROMOTIONAL PURPOSES ONLY. Please SUPPORT THE ARTIST buy their records. Additionally, we don’t host material, we only link to other websites. Nonetheless, if you own the rights to any of these images, videos or music and do not wish them to appear on the site please CONTACT US, and they will be promptly removed. Wedding in the Langa.

italiajin.blogspot.com italiajin.blogspot.com

WAKAGE NO ITARI - 若気の至り: November 2009

http://italiajin.blogspot.com/2009_11_01_archive.html

Monday, November 23, 2009. The Lysergic Acid Diethylamide experience. Leave comments if you download it. MuchoSugoi - The Lysergic Acid Diethylamide mix. Recorded live@The Albert Hofmann Lounge Nov. 2009. The Trip: The Tune In - Dr. Timothy Leary (1967). A - Reagenz (1994). Once I fell. - Josh Wink (1996). Train By The Autobahn (Part 1) - The Black Dog (2008). Floatilla - Spacetime Continuum (1994). Static emotion - B12 (1993). Basic Emotion - B12 (1993). Home Enterambient (Caya Dub) - Carl Craig (2005).

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WAKAGE NO ITARI - 若気の至り: Inedia - Bass Starvation

http://italiajin.blogspot.com/2010/03/inedia-bass-starvation.html

Tuesday, March 23, 2010. Inedia - Bass Starvation. An awesome Dubstep mix from the Italian boys Inedia. Image courtesy of http:/ ffffound.com. Posted by mucho.sugoi. March 31, 2010 at 8:18 AM. Subscribe to: Post Comments (Atom). Now Playing on my iPod. The day we lost SOUL. Inedia - Bass Starvation. There was an error in this gadget. Bar and Osteria Nico, Bar Organico. Kim Harrington's food blog. Opt1mo - We love your ears. Wedding in the Langa. Il golpe e l'uva. There was an error in this gadget.

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Il golpe e l'uva

Il golpe e l'uva. A Beethoven e Sinatra preferisco l'insalata. Saturday, November 12, 2011. The Group: The Feed-back (RCA, 1970). Just as the first "krautrock" lp's were coming out in Germany, in Italy we had a surprisingly similar counterpart: this album. It consists of three long instrumental tracks, somewhere in between psych-rock, avantgarde jazz and funky jams. Franco Evangelisti: keyboard, percussion. Mario Bertoncini: piano, percussion. Walter Branchi: double bass. Bruno Battisti D'Amario: guitar.

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