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References of Note | tvkilledthecelluloidstar
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TV, RMIT and everything inbetween. Comments on Other Blogs. Andrejevic, M 2004, “Reality TV: The Work of Being Watched”,. Copeman, E 2007, ‘Informing a Distracted Audience: News Narratives In Breakfast Television’,. The University of Sydney. Blundell, G 2011, ‘The Past is Another Century’,. Http:/ www.theaustralian.com.au/news/opinion/the-past-is-another-country/story-e6frg8qo-1225991177193. Butche, R 2003, ‘Broadcast News Era: End at Hand’,. Vol 17, pp. 7-17. Los Angeles Review of Books,. McKee, A 2007,...
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Showcase Post: Real-Life Dramas | tvkilledthecelluloidstar
https://tvkilledthecelluloidstar.wordpress.com/2012/10/01/real-life-dramas
TV, RMIT and everything inbetween. Comments on Other Blogs. Showcase Post: Real-Life Dramas. October 1, 2012. In this week’s lecture, we asked “What is reality TV? 8221; On the surface, it’s a pretty straightforward question, and one that conjures up images of Sarah-Marie doing the Bum Dance on Big Brother. But when you’re pressed to think about it, the concept is harder to pin down than first thought. Q: So, it’s TV shows that are about real people? Q: So some of it can be scripted? Describes, “a ...
taylagentle.wordpress.com
SHOWCASE POST: Week 8, ‘Big Love and Narrative Complexity’ | taylagentle
https://taylagentle.wordpress.com/2012/10/05/showcase-post-week-9-big-love-and-narrative-complexity
The Deal (about me). SHOWCASE POST: Week 8, ‘Big Love and Narrative Complexity’. October 5, 2012. The soap opera: a staple viewing delight on our television screens since the advent of the boob tube. She is a fine, bosomy woman, a friend to every stressed housewife, sweet indulgence for the elderly and a naughty pleasure for the self-respecting man. In his piece,. Lost: Quality Television, Melodrama and Culturally Complex,. Six Feet Under,. Bold and the Beautiful. Young and the Restless. But all grown up.
vannguyen1989.wordpress.com
BIG LOVE – | Behind The Scene
https://vannguyen1989.wordpress.com/2012/09/19/big-love
COMM 1073 TV Culture. September 19, 2012. BIG LOVE –. As Kackman (2010) presents in his article, melodrama a set of subgenres that remain close to the heart to hearth and emphasize a register of heightened emotionalism and sentimentality, is an important component in ‘quality’ TV because ‘. Melodrama’s investment in its immediate cultural environs, that is to say, not just its formal play, but its engagement of cultural tensions, instabilities, and anxieties. Kackman also cites ‘. It is hard to think of ...
vannguyen1989.wordpress.com
MAD MEN – Messy stories | Behind The Scene
https://vannguyen1989.wordpress.com/2012/09/25/mad-men-messy-stories
COMM 1073 TV Culture. September 25, 2012. MAD MEN – Messy stories. Outside HBO, there are many ‘quality TV’ with various narrative on other cable networks. It shows that ‘quality TV’ as a trend in TV culture. This week we discussed about MAD MEN an American drama series on the American cable network AMC. The pilot focuses on the stories in an American advertising agency in 1960s as well as the changes of American society in 1960s. Are we ever going to see Sal again? 2012) Heather Marcovitch and Nacy Batty.
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How real is Reality Shows? | Behind The Scene
https://vannguyen1989.wordpress.com/2012/10/09/how-real-is-reality-shows
COMM 1073 TV Culture. October 9, 2012. How real is Reality Shows? Or ‘Am I watching something true or is it being made up for me? I had considered about that when I was watching BEAUTY AND THE GEEK AUSTRALIA last week. The story is true? Beauty and The Geek Australia. Makeover Television: Realities Remodelled Dana Heller (ed) 2007. How real is Reality TV: essays on presentation and truth Escoffery David 2006. Laquo; Reality TV. Leave a Reply Cancel reply. Enter your comment here. BIG LOVE –.
vannguyen1989.wordpress.com
The age of ‘Narrative Complexity’ Television | Behind The Scene
https://vannguyen1989.wordpress.com/2012/09/10/the-age-of-narrative-complexity-television
COMM 1073 TV Culture. September 10, 2012. The age of ‘Narrative Complexity’ Television. Like other industries, consumers/ audiences are the lifeblood of television industry. Mittell asserted that the audiences lacked the weekly consistency to traditional TV programs. How to keep the audiences or viewers coming back everyday/ every week? I think TV programs should have bigger story and connect to the viewers. And for this function, ‘complex narrative’ television has been successful. Indeed, narratively co...
taylagentle.wordpress.com
taylagentle | taylagentle
https://taylagentle.wordpress.com/author/taylagentle
The Deal (about me). October 10, 2012. Http:/ latenighttvblog.wordpress.com/2012/09/27/for-petes-sake/#comments. Http:/ tvisthenewfilm.wordpress.com/2012/09/12/week-7-response/#comments. Http:/ katherinetelevisioncultures.wordpress.com/2012/09/26/its-a-mad-world/. SHOWCASE POST: Week 8, ‘Big Love and Narrative Complexity’. October 5, 2012. In his piece,. Lost: Quality Television, Melodrama and Culturally Complex,. Six Feet Under,. Bold and the Beautiful. Young and the Restless. But all grown up. That was...
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Vampires and Webisodes – a True Blood Tangle | tvkilledthecelluloidstar
https://tvkilledthecelluloidstar.wordpress.com/2012/08/14/vampires-and-webisodes-a-true-blood-tangle
TV, RMIT and everything inbetween. Comments on Other Blogs. Vampires and Webisodes – a True Blood Tangle. August 14, 2012. At the end of every episode of Channel Ten’s. And yes, I watch it, and yes, I am ashamed there’s this uncomfortably transparent plug for something called The Nurses . Come online, the voiceover tells me. Come online to find out what the nurses get up to when Nina’s not around. I was also interested in investigating real-world examples of my own that illustrate Max Dawson’s argument.
