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jasonmarsh.bandcamp.com

Jason Marsh

Jason Marsh I’ve been building an fairly unique violin-centric style using a computer and foot pedals to create 16 channel live improvised orchestrations as I play. Digital Acoustic Violin, released 18 December 2011 1. Starfire 2. Drowsy Maggie 3. Pachelbel’s Canon 4. Girl That Broke My Heart 5. Preludium 6. Tuning 7. Rollin 8. Not for the Faint I define

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Jason Marsh | jasonmarsh.bandcamp.com Reviews
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Jason Marsh I’ve been building an fairly unique violin-centric style using a computer and foot pedals to create 16 channel live improvised orchestrations as I play. Digital Acoustic Violin, released 18 December 2011 1. Starfire 2. Drowsy Maggie 3. Pachelbel’s Canon 4. Girl That Broke My Heart 5. Preludium 6. Tuning 7. Rollin 8. Not for the Faint I define
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1 digital acoustic violin
2 by jason marsh
3 digital album
4 buy now
5 or more
6 send as gift
7 share
8 embed
9 starfire
10 info
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Jason Marsh | jasonmarsh.bandcamp.com Reviews

https://jasonmarsh.bandcamp.com

Jason Marsh I’ve been building an fairly unique violin-centric style using a computer and foot pedals to create 16 channel live improvised orchestrations as I play. Digital Acoustic Violin, released 18 December 2011 1. Starfire 2. Drowsy Maggie 3. Pachelbel’s Canon 4. Girl That Broke My Heart 5. Preludium 6. Tuning 7. Rollin 8. Not for the Faint I define

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jasonmarsh.bandcamp.com jasonmarsh.bandcamp.com
1

Not for the Faint | Jason Marsh

http://jasonmarsh.bandcamp.com/track/not-for-the-faint

Not for the Faint. From Digital Acoustic Violin. Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. Buy the Full Digital Album. This gets crazy with violin tracks everywhere and more digital processing. Eleven tracks. From Digital Acoustic Violin. Released December 18, 2011. Feeds for this album. Switch to mobile view.

2

Preludium | Jason Marsh

http://jasonmarsh.bandcamp.com/track/preludium

From Digital Acoustic Violin. Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. Buy the Full Digital Album. Bach was well-known as an improviser, so I hope he would approve. I start with an abridged pizzicato rendition of Prelude in C Major for Well Tempered Clavier, and improvise three parts over it. From Digital Acoustic Violin. Released December 18, 2011. Feeds for this album. Switch to mobile view.

3

Tuning | Jason Marsh

http://jasonmarsh.bandcamp.com/track/tuning

From Digital Acoustic Violin. Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. Buy the Full Digital Album. This ballad explores the possibilities of open strings. From Digital Acoustic Violin. Released December 18, 2011. Feeds for this album. I’ve been building an fairly unique violin-centric style using a computer and foot pedals to create 16 channel live improvised orchestrations as I play. Switch to mobile view.

4

Starfire | Jason Marsh

http://jasonmarsh.bandcamp.com/track/starfire

From Digital Acoustic Violin. Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. Buy the Full Digital Album. This piece with rhythmic delay was first performed as an improvisational duet with a dancer named Starfire in 1984. From Digital Acoustic Violin. Released December 18, 2011. Feeds for this album. Switch to mobile view.

5

Drowsy Maggie | Jason Marsh

http://jasonmarsh.bandcamp.com/track/drowsy-maggie

From Digital Acoustic Violin. Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. Buy the Full Digital Album. This traditional Irish fiddle tune opens with a percussion track created on the instrument. I improvise around a bluesy second melody. See it live at marshworks.wordpress.com/2011/09/12/drowsy-maggie-youtube/. From Digital Acoustic Violin. Released December 18, 2011. Feeds for this album. Switch to mobile view.

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