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Jonathon Coleman

English artist living and working in London, UK. His work predominantly explores form, line and shape, following and building on the tradition of working from the human figure. Relief Sculpture – A Definition. T: 07813 826 984.

http://www.jonathoncoleman.com/

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Jonathon Coleman

Sycamo●●●●●●se (D)

Lo●●on , London, SW4 0JY

GB

44.7●●●●6984
co●●●●●●●●●●●●●●@gmail.com

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Jonathon Coleman

Sycamo●●●●●●se (D)

Lo●●on , London, SW4 0JY

GB

44.7●●●●6984
co●●●●●●●●●●●●●●@gmail.com

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Jonathon Coleman | jonathoncoleman.com Reviews
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English artist living and working in London, UK. His work predominantly explores form, line and shape, following and building on the tradition of working from the human figure. Relief Sculpture – A Definition. T: 07813 826 984.
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1 artist statement
2 biography
3 portfolio
4 commissioning an artwork
5 on twitter
6 navigation
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8 also of interest
9 contact details
10 e jonathon@jonathoncoleman com
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Jonathon Coleman | jonathoncoleman.com Reviews

https://jonathoncoleman.com

English artist living and working in London, UK. His work predominantly explores form, line and shape, following and building on the tradition of working from the human figure. Relief Sculpture – A Definition. T: 07813 826 984.

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jonathoncoleman.com jonathoncoleman.com
1

Biography | Jonathon Coleman

http://www.jonathoncoleman.com/biography

JONATHON COLEMAN, MA. Artist working in London, UK. Born 1970 HOLT, NORFOLK, UK. Educated at Goldsmiths College, University of London, 1992. And Norwich School of Art 1994. Classical meets Modernism: The 1930s and 40s in Bas and Alto Relievio panels. The subject of Jonathon Coleman’s work is figurative with a 1930’s influence reminiscent of the Lalique glass work with elegant, stylised line and modelled surface defining the form. 8216;Spring’ (2010). Lalique ‘Bachantes’ Vase, (1927). Jonathon Coleman has...

2

Commissioning an Artwork | Jonathon Coleman

http://www.jonathoncoleman.com/commissioning-an-artwork

After the initial conversation, an analytical site meeting is held between the artist and the client, regarding the location of the piece, the size, scale and material that is required, the subject matter, and a general assessment of the property as to what would work and what would be the most suitable and imaginative approach. Using this basic composition the shapes are removed from the clay bed and modelled up into the Alto Rilievo. The clay-work is covered in rubber and a fibreglass ‘jacket’ is made ...

3

Artist Statement | Jonathon Coleman

http://www.jonathoncoleman.com/about-jonathon-coleman

Am interested in producing work around ideas based on the interplay between people, their relationships and in understanding the dynamic between family, friends and strangers. Elationships as described by me using the paired down and stylised male and female body as the image of Mankind and through the simplicity of line, form and shape. I am interested in understanding and asking those questions regarding how and where you exist within your family and friendship group. Tanding, dancing, leaning, lying.

4

Lead Crystal | Jonathon Coleman

http://www.jonathoncoleman.com/portfolio/lead-crystal

Having made work based on Manet’s ‘Dejeuner Sur l’Herbe’ in 2006, I wanted to revisit and explore the compositional elements of three paintings: two by Eduard Manet and one by the High Renaissance painter Georgioni where they portray three differing versions of the female nude. English artist living and working in London, UK. His work predominantly explores form, line and shape, following and building on the tradition of working from the human figure. Relief Sculpture – A Definition. T: 07813 826 984.

5

Love, Control and Power | Jonathon Coleman

http://www.jonathoncoleman.com/love-control-and-power

Love, Control and Power. I am currently producing two different pieces of work based on the inter-relationship of power that exists within personal relationships. Taking the concept of maternal love I have produced a wax version ( before it is cast in to the Lead -Crystal glass) called ‘Three Nudes on a Bed’ . The image shows a mother reaching her arms out towards the two female daughters as if in an act of love, friendship and protection. When you put this against the other piece of work which is based ...

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