jonvener.com

Jon Vener – Director, Animator

September 10, 2013. September 10, 2013. Mickey Mousing If you look at early animation from the 1920’s and 1930’s, you’ll see a lot of what came to be known as Mickey Mousing. Characters were mostly animated […]. July 13, 2013. September 10, 2013. Rhythm Rhythm is everywhere. There’s rhythm in the music you listen to. There’s a rhythm to the way you talk, and the way you move. The motor in your car […]. June 12, 2013. June 12, 2013. May 4, 2013. May 5, 2013. Concepts in Fight Choreography. April 10, 2013.

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Jon Vener – Director, Animator | jonvener.com Reviews

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September 10, 2013. September 10, 2013. Mickey Mousing If you look at early animation from the 1920’s and 1930’s, you’ll see a lot of what came to be known as Mickey Mousing. Characters were mostly animated […]. July 13, 2013. September 10, 2013. Rhythm Rhythm is everywhere. There’s rhythm in the music you listen to. There’s a rhythm to the way you talk, and the way you move. The motor in your car […]. June 12, 2013. June 12, 2013. May 4, 2013. May 5, 2013. Concepts in Fight Choreography. April 10, 2013.

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Jon Vener – Director, Animator | jonvener.com Reviews

https://jonvener.com

September 10, 2013. September 10, 2013. Mickey Mousing If you look at early animation from the 1920’s and 1930’s, you’ll see a lot of what came to be known as Mickey Mousing. Characters were mostly animated […]. July 13, 2013. September 10, 2013. Rhythm Rhythm is everywhere. There’s rhythm in the music you listen to. There’s a rhythm to the way you talk, and the way you move. The motor in your car […]. June 12, 2013. June 12, 2013. May 4, 2013. May 5, 2013. Concepts in Fight Choreography. April 10, 2013.

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jonvener.com

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Jon – Jon Vener

http://www.jonvener.com/author/admin

Mickey Mousing If you look at early animation from the 1920’s and 1930’s, you’ll see a lot of what came to be …. Rhythm Rhythm is everywhere. There’s rhythm in the music you listen to. There’s a rhythm to the way you talk, and the …. There’s a recurring conversation in this country about the relationship between violent imagery in our entertainment and violent behavior in our society. …. Concepts in Fight Choreography. Mocap is not the Devil. Let the Technique be your Teacher. Striking Fundamentals part 3.

2

Mocap is not the Devil – Jon Vener

http://www.jonvener.com/mocap-is-not-the-devil

Mocap is not the Devil. April 10, 2013. Lucifer from Dante’s Inferno (2010). Every time a new technology comes along, people get scared. If that technology promises any sort of labor savings the fright takes a slightly different course: people fear losing their jobs to a machine. Add to that the notion that the machine is replacing an artistic job and you’ll get an even more visceral response from the Haters. Those of us who animate primarily in the computer know this is a bunch of nonsense. Sure, you.

3

Rhythm for Animators – Jon Vener

http://www.jonvener.com/rhythm-for-animators

September 10, 2013. What I’m going to talk about in this post are mostly approaches to plan and break up your timing. But always keep in mind what you’re trying to communicate with a character. If you want to communicate a relentless action, maybe a constant rhythm makes sense. Think about Ravel’s Bolero. [1]. Take a look at this clip from Jackie Chan’s Rumble in the Bronx (Golden Harvest, 1995). There’s a nice combination of long and short, usually as groups of two with each exchange finishing on one bi...

4

animation – Jon Vener

http://www.jonvener.com/tag/animation

Concepts in Fight Choreography. I’ve been writing a lot about Striking from the point of view of application as an animator. But I want to back …. Mocap is not the Devil. Every time a new technology comes along, people get scared. If that technology promises any sort of labor savings the fright takes …. Striking Fundamentals part 3. In Part 2, I showed the little diagrams I’ve been using to clarify in my own mind the components of striking, and …. Striking Fundamentals part 2. A Process Driven Life.

5

Concepts in Fight Choreography – Jon Vener

http://www.jonvener.com/concepts-in-fight-choreography

Concepts in Fight Choreography. May 4, 2013. Jet Li and Anthony De Longis in. I’ve been writing a lot about Striking from the point of view of application as an animator. But I want to back up in the process a little and examine the choices available before you get into performing that fight in animation or on camera. Where does the character come from doesn’t just mean geography. The recent series of Jason Bourne movies. If you’re doing a science fiction or fantasy project, or anything else without hist...

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Jon Vener – Director, Animator

September 10, 2013. September 10, 2013. Mickey Mousing If you look at early animation from the 1920’s and 1930’s, you’ll see a lot of what came to be known as Mickey Mousing. Characters were mostly animated […]. July 13, 2013. September 10, 2013. Rhythm Rhythm is everywhere. There’s rhythm in the music you listen to. There’s a rhythm to the way you talk, and the way you move. The motor in your car […]. June 12, 2013. June 12, 2013. May 4, 2013. May 5, 2013. Concepts in Fight Choreography. April 10, 2013.

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