alicewilliamson.co.uk
projects - alice williamson
http://www.alicewilliamson.co.uk/projects.html
LIMINAL BEINGS - REBIRTH. 8203;Alice's work and photograph featured in. VOGUE ITALIA Dec 2016. Art campaign commissioned by FREED OF LONDON. Direction photography Alice Williamson. 8203;dress Designed by Alice. Https:/ www.youtube.com/watch? Artistic interpretations of medical theories. In collaboration with practitioner. Marie- Sophie von Bockum - Dolffs. Artistic direction and photography. COVER - danza and danza. Words, dresses, art movement direction, photography Alice Williamson.
dancinginaturningworld.com
dancing in a turning world: November 2014
http://www.dancinginaturningworld.com/2014_11_01_archive.html
Thursday, 20 November 2014. My grandmother, Raden Ayu Catherine Ismadillah, in costume for the Bedoyo. Ketawang dance. The Sultan chose her for this sacred dance at the court of. Jogjakarta. I always stick this photo up at my dressing table in the theatre - a. Constant reminder of a family legacy. Learning my grandmother's art with respected Javanese classical dance teacher Bu Rusini at her studio in Solo, 2012. My sister and I with our 'famous uncle' W.S. Rendra, in Jakarta around 1993.
dancinginaturningworld.com
dancing in a turning world: October 2014
http://www.dancinginaturningworld.com/2014_10_01_archive.html
Thursday, 30 October 2014. Me, aged around 10, with my teacher Valerie Jenkins. Today, the best word to describe my body was ‘discombobulated’. My right hip feels like it’s up by my ear, my ankles feel like they need a good spritz of WD40, and the entire left side of my torso appears to have been left behind in the USA, from where we have just returned after an outrageously successful tour of Graeme Murphy’s Swan Lake. Leonardo da Vinci's Vitruvian Man. Maestro Cecchetti and Anna Pavlova.
dancinginaturningworld.com
dancing in a turning world: the survival instinct
http://www.dancinginaturningworld.com/2014/12/the-survival-instinct.html
Friday, 12 December 2014. I often ponder the blissfully ignorant life of our house rabbit, Sadie, with not a care or concern in the world apart from: “. Where’s my food? Where are you, humans? An outward display of symptoms indicates that the ailment has reached a critical point. The rabbit so toughly persists through the pain until it may be too late. Is the human animal so different? Don’t show your weakness, lest you become the targeted prey. Now do I comprehend. That belies the outward composure.
dancinginaturningworld.com
dancing in a turning world: August 2015
http://www.dancinginaturningworld.com/2015_08_01_archive.html
Saturday, 15 August 2015. Photo by Jo Duck. I am very proud to be standing here right now. It has been a long held dream to dance in my second home, my mother’s country, Indonesia, and after visiting our family here for most years of my life, it feels surreal to finally be dancing here. A conversation begins: teaching the art of ballet to ten promising young students in Jakarta. photo by Kyle Burnett. Well, this time I will be on the grand Ciputra Theatre stage, dancing one of my favourite roles, Giselle.
dancinginaturningworld.com
dancing in a turning world: heritage
http://www.dancinginaturningworld.com/2014/11/heritage.html
Thursday, 20 November 2014. My grandmother, Raden Ayu Catherine Ismadillah, in costume for the Bedoyo. Ketawang dance. The Sultan chose her for this sacred dance at the court of. Jogjakarta. I always stick this photo up at my dressing table in the theatre - a. Constant reminder of a family legacy. Learning my grandmother's art with respected Javanese classical dance teacher Bu Rusini at her studio in Solo, 2012. My sister and I with our 'famous uncle' W.S. Rendra, in Jakarta around 1993.
dancinginaturningworld.com
dancing in a turning world: March 2015
http://www.dancinginaturningworld.com/2015_03_01_archive.html
Monday, 23 March 2015. Photo by Jo Duck. But it was a little too much. There came the inevitable crisis of confidence, and the perennial pull of resistance within, when you know you’re so far behind that you just … give up. For months, I felt that I was in a holding pattern. Circling ‘round and ‘round and ‘round, awaiting further instruction. Conditions outside were fine, but cloudy. There was almost a breakdown. The magical, beautiful, illuminated moment had passed. Read my articles on.
dancinginaturningworld.com
dancing in a turning world: May 2015
http://www.dancinginaturningworld.com/2015_05_01_archive.html
Thursday, 14 May 2015. Photo by Jo Duck. My body and mind are restless. The restlessness is only at ease when I’m on the edge; of where I’m comfortable and satisfied, of what I thought I knew – ah, discovery! The edge and beyond - full of boundless possibility. Of Graeme Murphy’s imagining, also in Sydney, was earlier this year. I had been waiting 11 years to dance that role. Encouraged by the promise of the glorious reward of delayed gratification, I had no idea that both dances would be q...I felt in m...
dancinginaturningworld.com
dancing in a turning world: December 2014
http://www.dancinginaturningworld.com/2014_12_01_archive.html
Friday, 12 December 2014. I often ponder the blissfully ignorant life of our house rabbit, Sadie, with not a care or concern in the world apart from: “. Where’s my food? Where are you, humans? An outward display of symptoms indicates that the ailment has reached a critical point. The rabbit so toughly persists through the pain until it may be too late. Is the human animal so different? Don’t show your weakness, lest you become the targeted prey. Now do I comprehend. That belies the outward composure.
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