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Justin D Burton | Pop Music and Whatnot

Pop Music and Whatnot

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Justin D Burton | Pop Music and Whatnot | justindburton.com Reviews

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Pop Music and Whatnot

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PROFESSIONAL | The High Cut

http://justindburton.com/professional

Bassed Pop Music Analysis. International Association for the Study of Popular Music – US Branch. Co-chair of Program Committee, 2015 National Conference, Louisville, KY. Executive Board (at-large member), March 2013-present. Oral History Project, with Barry Shank, Steve Waksman, Reebee Garofalo, Jason Hanley (March 2013-present). Web Editor, June 2011-May 2013. Curated essay series featuring popular music scholars from around the world. Co-edited print-web crossover special issue of the. Click to share o...

2

PRESENTATIONS | The High Cut

http://justindburton.com/conference-presentations

Bassed Pop Music Analysis. Invited Presentations and Appearances. Guest Speaker, “After Humanisms”. University of Pittsburgh graduate musicology seminar, 17 February 2015. 8220;[insert title here]”. Rider University Faculty Development Day, 21 January 2015. Swang and Swerve: Hydroplaning across Big K.R.I.T.’s Posthuman Flow. Fluidity in Black Popular Music panel at Virginia Tech University, Blacksburg, VA, 3-4 October 2014. Guest, “ OutKasted Conversations #25. 26 27 February 2014. 8220;Cadillactica, by ...

3

TEACHING PHILOSOPHY | The High Cut

http://justindburton.com/teaching-philosophy

Bassed Pop Music Analysis. My goal in the classroom is simple but ambitious: encourage students to understand music and music history from perspectives they have not previously considered. In order to accomplish this, I approach the classroom with four key principles in mind. Scaffold the learning experience. Create a safe, affirming environment. Click to share on Twitter (Opens in new window). Click to email (Opens in new window). Share on Facebook (Opens in new window). EMP: Rae Sremmurd’s Club.

4

Uncategorized | The High Cut

http://justindburton.com/category/uncategorized

Bassed Pop Music Analysis. EMP: Rae Sremmurd’s Club. I’m reading at the EMP Pop Conference today (5:30 Seattle time – come on out! Here’s a link to my paper. And the opening paragraphs. Safe Sex, Pay Checks, and Cracked Voices: Rae Sremmurd’s Disappearing Club. Postwork, like any post term, can mean a number of things, depending on who’s using it and what their conception of the original term–in this case, work–is. Read the. Kathi Weeks, in. The Problem with Work. Weeks’s use of the term postwork society...

5

PUBLICATIONS | The High Cut

http://justindburton.com/publications

Bassed Pop Music Analysis. New York: Oxford University Press (forthcoming August 2017). 8220;Azealia Banks, Seapunk and Atlantis: An Embattled Humanist Mixtape,”. Dancing Silhouettes: The Mobile Freedom of iPod Commercials. Oxford Handbook of Mobile Music Studies. Ed Sumanth Gopinath and Jason Stanyek. New York: Oxford University Press, 2014: 311-36. From Barthes to Bart:. Journal of Popular Culture. Jason Lee Oakes, co-editor,. Oxford Handbook of Hip Hop Music Studies. Journal of Popular Music Studies.

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Justin D Burton | Pop Music and Whatnot

Pop Music and Whatnot. I am a popular music scholar whose interests revolve primarily around hip hop and pop, critical race theory, and theories of gender and sexuality. I'm currently Assistant Professor of Music at Rider University, where I teach in the school's Popular Music and Culture program. My single-author book-length project - Posthuman Pop. Check out the cfp here. Recent publications include an exploration of the Mozart myth as it is presented in Peter Shaffer's Amadeus. And the Roots' Undun.

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