kim-cohen.com

silentlight.blogspot.com

Saccades: Voice Figures

http://silentlight.blogspot.com/2010/11/voice-figures.html

Photophonics • Eyes • Ears. 21 November, 2010. Quite a lot has cropped up on the web about Margaret Watts-Hughes's 'Eidophone' in recent years. The Cymatics crowd talk a lot about it (it kind of is Cymatics, but from the late 19th Century). Louise O'Connor and Nick Laessing have made some and performed with them. What you won't find, however, is any more than a very few images of her 'Voice Figures' - that is to say the ones that were. Quote from Isabel Barrington in The London Spectator,. Media, produce...

silentlight.blogspot.com

Saccades: Two Machines: 2 - Oramics

http://silentlight.blogspot.com/2009/02/two-machines-2-oramics.html

Photophonics • Eyes • Ears. 19 February, 2009. Two Machines: 2 - Oramics. System is currently residing in my workshop, until it gets moved to a permanent home. As you can see, it's in a bit of a sorry state, having had several owners since the passing of Daphne Oram. Why was Oram planning on adding a keyboard element? Hi ROB thats amazing you actually have the oramics machine! I wrote my dissertation on the link between sound and drawing Im on the (BA drawing course at camberwell). We chatted briefly aft...

silentlight.blogspot.com

Saccades: The Haptic Optic

http://silentlight.blogspot.com/2009/07/haptic-optic.html

Photophonics • Eyes • Ears. 18 July, 2009. How do you record an object properly? Is it always pertinent to photograph, or draw something, for example? How about something which is similar to both, but is really neither? Next, will be the contact printer that used to belong to the London Filmmakers' Co-op. Looks beautiful to me, especially the eyes staring at me in the 2nd picture. Though Im not sure how it relates to Daphne Oram. July 25, 2009 at 9:39 AM. Nice to hear from you Mr (Miss?

silentlight.blogspot.com

Saccades: Amber

http://silentlight.blogspot.com/2011/02/amber.html

Photophonics • Eyes • Ears. 19 February, 2011. Like much of my work, the sound and image are generated from the same light sources, and recorded simultaneously. What you see/hear are shop windows along Regent Street in Central London, with their various digital lighting systems buzzing away. The cross-fades in the audio coincide directly with the cross-dissolves in the image, mimicking each other. Was it the particular frequency of the modulations we hear? June 28, 2011 at 11:08 AM.

silentlight.blogspot.com

Saccades: Light Traps

http://silentlight.blogspot.com/2009/05/light-traps.html

Photophonics • Eyes • Ears. 13 May, 2009. It's all been done before in all sorts of ways you know - by the structuralist/materialist film makers in the '70's, people like Guy Sherwin and Liz Rhodes (not that I'd compare myself to them of course), and using video, the Vasulkas amongst others. Nonetheless, it can be satisfying to discover you've made a video that has the camera in it as an explicit and essential ingredient. May 14, 2009 at 9:14 AM. Subscribe to: Post Comments (Atom).

philosophyartconference.org

Artist Keynotes - SBU Philosophy and the Arts Conference

http://www.philosophyartconference.org/artist-keynotes.html

SBU Philosophy and the Arts Conference. 2015 Call for Papers and Works. Artists - Past and Present. On several occasions, Stony Brook University has had the pleasure of hosting an artist at the Philosophy and the Arts Conference to present artworks and provide a lecture on a range of issues concerning art and philosophy. We are honored to have had such distinguished artists from the contemporary world of art speak at our conference. Image by Art21, Inc 2013. Halvorson holds a BFA from The Cooper Union (2...

gdouglasbarrett.com

G DOUGLAS BARRETT | NEWS

http://www.gdouglasbarrett.com/news.html

Aug 11, 2016. My first book,. After Sound: Toward a Critical Music. Will be published by Bloomsbury Academic. Aug 8, 2016. I present a lecture. On my new book. After Sound: Toward a Critical Music. As part of the Darmstadt 48th International Summer Course for New Music. Aug 4-6, 2016. As part of the Darmstadt 48th International Summer Course for New Music. I will co-host a roundtable discussion with Dror Feiler on The Political featuring panelists Chaya Czernowin, Mathias Spahlinger, and Fahim Amir.