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Phosphene Meme | Highly dubious ephemera | kmvb.wordpress.com Reviews
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Highly dubious ephemera
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February | 2011 | Phosphene Meme
https://kmvb.wordpress.com/2011/02
Monthly Archives: February 2011. Of Barthes and Mermaids. February 20, 2011. Barthes, you’re pretty alright, but sometimes I feel like this is the extent of your process for reading images:. Transmission / Circulation / Receiver. February 1, 2011. Back (b)log post #2: From the Hyphen to the Splice: Navigating the Body’s Spatio-Temporal Binds in Sakamoto’s Super Metroid. On This station is…now…. On Debris / Noise / Archive. On Of Barthes and Mermaids. Jacob Riley on Of Barthes and Mermaids.
This station is…now…operational | Phosphene Meme
https://kmvb.wordpress.com/2012/01/18/this-station-is-now-operational
Debris / Noise / Archive. Time and Gestell →. This station is…now…operational. January 18, 2012. Today’s light post mixes At the Drive-In with Descartes to explore how Descartes’ concept of humanism is learned through his interaction with the technology of writing. ATDI’s One Armed Scissor (the video above) presents an interesting platform for cutting into Descartes’. And suturing composition with post-humanism. Amid a post-hardcore barrage of post-human imagery. While this is an admittedly brief run-dow...
April | 2011 | Phosphene Meme
https://kmvb.wordpress.com/2011/04
Monthly Archives: April 2011. April 4, 2011. For my entry this week, I’ve opted to post about Ian Bogost’s Unit Operations. Grounded in object oriented programming and theory, Bogost’s work takes unit operations to mean any object or character that performs a function within a specific set … Continue reading →. Back (b)log post #2: From the Hyphen to the Splice: Navigating the Body’s Spatio-Temporal Binds in Sakamoto’s Super Metroid. On This station is…now…. On Debris / Noise / Archive.
Text and Silence | Phosphene Meme
https://kmvb.wordpress.com/2012/02/22/text-and-silence
Conversion Errors →. February 22, 2012. Today I want to address Andy Clark’s. Through Zach Gage’s text chat program, “Can We Talk? 8221; The premise of “Can We talk? Are silence and uncertainty no longer valued forms of violence and resistance in the posthuman canon? This entry was posted in Uncategorized. Conversion Errors →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
March | 2011 | Phosphene Meme
https://kmvb.wordpress.com/2011/03
Monthly Archives: March 2011. No Caption Needed pt. 1. March 19, 2011. Hariman and Lucaites’ No Caption Needed studies the ideological framework underpinning some of the most iconic photographs circulating in Americans’ cultural memory. Hariman and Lucaites write that every iconic image is transversed by ideological patterns, but in some photos they … Continue reading →. Back (b)log post #2: From the Hyphen to the Splice: Navigating the Body’s Spatio-Temporal Binds in Sakamoto’s Super Metroid.
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Westby Happenings | local gallery openings, art, and updates on Rowan University's art department
Local gallery openings, art, and updates on Rowan University's art department. The NOT-so-long to Westby Happenings. December 13, 2010. I’ve had the pleasure of interviewing people I had always wanted to know better, attend a variety of gallery’s, and spread my experiences to the cyber world. I hope through the months, and potentially years to come I can branch out and continue to experience even more. As the semester concludes, I’ve decided to continue maintaining my blog with new goals in mind. I also ...
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Phosphene Meme | Highly dubious ephemera
March 28, 2012. Will return to this later today. The cover, of course, chooses to dramatize the new neighbor by placing the machine. Back (b)log post #2: From the Hyphen to the Splice: Navigating the Body’s Spatio-Temporal Binds in Sakamoto’s Super Metroid. March 22, 2012. I’m thinking of building this post into my paper for the seminarhope this isn’t a problem! Specifically, I’m interested in the posthuman/glitch literacy patterns that. How We Became Posthuman. Geography of Immob. The text splits in...
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