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kristinmariani.blogspot.com

Kristin Mariani

Material Becomes the Thing: Works in Cloth. At Space 900/ 1042 Wesley Ave / Evanston / November 11-13, 2016. Thread, cloth and leather. 2016 24" x 30" Photo: Bill Burlingham. My practice is an ongoing discourse between art and design. I acknowledge the unstable distinctions between the two disciplines, and my investigations unfold in this unstable territory, continually questioning how the body is figured through fashion, place, and labor. How can I build coherent relationships from disparate parts?

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Kristin Mariani | kristinmariani.blogspot.com Reviews
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Material Becomes the Thing: Works in Cloth. At Space 900/ 1042 Wesley Ave / Evanston / November 11-13, 2016. Thread, cloth and leather. 2016 24 x 30 Photo: Bill Burlingham. My practice is an ongoing discourse between art and design. I acknowledge the unstable distinctions between the two disciplines, and my investigations unfold in this unstable territory, continually questioning how the body is figured through fashion, place, and labor. How can I build coherent relationships from disparate parts?
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1 kristin mariani
2 solo exhibition
3 aron packer projects
4 image
5 toile iii
6 armscyes
7 orphaned fragments
8 bill burlingham
9 chicago
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kristin mariani,solo exhibition,aron packer projects,image,toile iii,armscyes,orphaned fragments,bill burlingham,chicago,saic,second hand skins,dallas,redshift,stephen lapthisophon,loop value,shop,records of use,evanston art center,frock talk wr apping
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Kristin Mariani | kristinmariani.blogspot.com Reviews

https://kristinmariani.blogspot.com

Material Becomes the Thing: Works in Cloth. At Space 900/ 1042 Wesley Ave / Evanston / November 11-13, 2016. Thread, cloth and leather. 2016 24" x 30" Photo: Bill Burlingham. My practice is an ongoing discourse between art and design. I acknowledge the unstable distinctions between the two disciplines, and my investigations unfold in this unstable territory, continually questioning how the body is figured through fashion, place, and labor. How can I build coherent relationships from disparate parts?

INTERNAL PAGES

kristinmariani.blogspot.com kristinmariani.blogspot.com
1

Kristin Mariani: Frock Talk: Wr)apping

http://kristinmariani.blogspot.com/2011/07/wrapped-ruptures.html

Holding a place where the clusters of activity and records of ruptures can rest. Sound piece by artist Alex Inglizain. See below for more information. Museum of Contemporary Art. RedShift Collaboration Erica Mott.

2

Kristin Mariani: March 2011

http://kristinmariani.blogspot.com/2011_03_01_archive.html

Cotton fabric and thread. 5 x 7 " each. Subscribe to: Posts (Atom). Museum of Contemporary Art. RedShift Collaboration Erica Mott.

3

Kristin Mariani: A Slip of the Handling

http://kristinmariani.blogspot.com/2013/07/a-slip-of-handling.html

A Slip of the Handling. Photo Credit Day Still. A Slip of the Handling. Is a table top styling session that animates the thoughts, gestures, and feelings that go into my design process for RedShift. Revisiting the designed objects, the table top becomes a playground where materials come within reach of hand and eye again, and the things made go through a blurry process of valuation. How might the object’s use and value change post-production? RedShift for db12, Volume 2. Photo Credit Day Still.

4

Kristin Mariani: Loop Value

http://kristinmariani.blogspot.com/2012/05/loop-value.html

RedShift at Chicago Architecture Foundation. See more photos here. Loop Value: The How Much Does It Cost? Is a quasi pop-up store that reveals the far reaching impact our habits of consumption have on the world around us. Visual displays act as educational tools to raise awareness and offer options to remediate these habits. For this exhibit I created for RedShift a series of dresses covered in mass market slogans, combining details from a number of thrift store garments. Photos by Day Still.

5

Kristin Mariani: December 2010

http://kristinmariani.blogspot.com/2010_12_01_archive.html

RedShift at Body Implement. Photos by James Prinz. I created RedShift Party Hats in leather and feather for "Body Implement" at Nick Cave's. Sound Suit Shop in Chicago's South Loop, November 2010. There's a narrative behind these hats which begins 13 years ago with a magazine tear sheet and the performance "Mercuria" by Lynn Book and Theo Bleckmann at "Here". In New York. I designed the costumes for these two vocalists who embodied more content than I've ever cloaked. Please see the clip.

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Sustenance: August 2010

http://sustenanceexhibition.blogspot.com/2010_08_01_archive.html

An exhibition of site specific installations opening September 11, 2010, at 337 Singleton Blvd., Dallas TX 75212. Organized by Stephen Lapthisophon and Anne Lawrence. Tuesday, August 31, 2010. Matt Hanner sent this new image for the blog. Lou Mallozzi one of the artists in Sustenance will be coming from Chicago to install his sound piece and then perform in Denton next saturday night:. Lou Mallozzi: turntables, CDs, microphones, mixer. Denton, TX 76209. Saturday, Sept. 4. 9PM, 2 sets. Untitled Study, 2010.

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Material Becomes the Thing: Works in Cloth. At Space 900/ 1042 Wesley Ave / Evanston / November 11-13, 2016. Thread, cloth and leather. 2016 24" x 30" Photo: Bill Burlingham. My practice is an ongoing discourse between art and design. I acknowledge the unstable distinctions between the two disciplines, and my investigations unfold in this unstable territory, continually questioning how the body is figured through fashion, place, and labor. How can I build coherent relationships from disparate parts?

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