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Sitting in my room, too tough to die’ / SUMO STUDIO 2009. Doi Saket’ / SUMO STUDIO 2008. Vibration lake’ / SUMO STUDIO 2008. Vibration Park’ / SUMO STUDIO 2007. Le Pain Perdu’ 2007. Untitled (Double Table)’ 2004. Sanduhr’ (5 hours) 2011. The present (Bahnhof Alexanderplatz)’ 2012. The present (Schönhauser Allee) 2012. To gather together, white loop’ 2012 . video. Der Kontrapunkt, punctus contra punctum, ‘ 2012. WHITE FUNGUS magazine interview. Inevitable frictions’ 2014 . video. The Way Things Go 物 理.

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01 | kuoweilin.net Reviews
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Sitting in my room, too tough to die’ / SUMO STUDIO 2009. Doi Saket’ / SUMO STUDIO 2008. Vibration lake’ / SUMO STUDIO 2008. Vibration Park’ / SUMO STUDIO 2007. Le Pain Perdu’ 2007. Untitled (Double Table)’ 2004. Sanduhr’ (5 hours) 2011. The present (Bahnhof Alexanderplatz)’ 2012. The present (Schönhauser Allee) 2012. To gather together, white loop’ 2012 . video. Der Kontrapunkt, punctus contra punctum, ‘ 2012. WHITE FUNGUS magazine interview. Inevitable frictions’ 2014 . video. The Way Things Go 物 理.
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1 intelligible standpoint’ 2010
2 video
3 e mail info@kuoweilin net
4 view
5 news
6 residency hangar barcelona
7 hangar
8 synesthesia solo
9 opening march 24
10 non berlin
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01 | kuoweilin.net Reviews

https://kuoweilin.net

Sitting in my room, too tough to die’ / SUMO STUDIO 2009. Doi Saket’ / SUMO STUDIO 2008. Vibration lake’ / SUMO STUDIO 2008. Vibration Park’ / SUMO STUDIO 2007. Le Pain Perdu’ 2007. Untitled (Double Table)’ 2004. Sanduhr’ (5 hours) 2011. The present (Bahnhof Alexanderplatz)’ 2012. The present (Schönhauser Allee) 2012. To gather together, white loop’ 2012 . video. Der Kontrapunkt, punctus contra punctum, ‘ 2012. WHITE FUNGUS magazine interview. Inevitable frictions’ 2014 . video. The Way Things Go 物 理.

INTERNAL PAGES

kuoweilin.net kuoweilin.net
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p

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2007 Chiang-Mai, Thailand trees ( tropical ), engine, wire, dimension variable SUMO STUDIO. Vibration Park is a site-specific work plays with the economy of a gesture in response to natural phenomena: the earthquake. Five different varieties of shrubs recreate an unlikely plant. The strangeness of this park is now artificially strengthened by the fact that shrubs are vibrating through the use of electric motor.

2

sanduhr

http://www.kuoweilin.net/kwl/sanduhr.html

2011 Plywood, MDF, plexiglas, sand, stainless steel cable, 200x100x25cm. An hourglass made of wood and in human scale is installed in the space. This 'time instrument' measures an interval of time by the flow of sand. to materialize the time, to confront to the viewer’s body in relation to the actual situation. Sanduhr echoes the actual demolished context in the city center of Luxembourg, questioning the disappearance of the site. Körper des Betrachters in eine Relation zum Ort zu bringen.

3

s

http://www.kuoweilin.net/kwl/s.html

January 2008 Chiang-Mai, Thailand 100 speakers, wire, a sound installation between a hut and a tree SUMO STUDIO. It is a sound installation occupying a fisherman’s hut. It takes the form of a giant spider web created between the hut and the tree and disturbs this space by blocking the access. Within the area are the 100 speakers that broadcast sounds.

4

bokeh

http://www.kuoweilin.net/kwl/bokeh.html

Interview for No One River Flows exhibition. Q: Ron Hanson (WHITE FUNGUS). Q: You are producing a walking sculpture for this exhibition which will involve several people who don’t necessarily have any artistic training or skills. How does this notion of social sculpture differ from traditional sculpture? How much control do you expect to have over your materials? A: The experience of living aboard has a strong impact to my practice. I feel more a foreigner or an alien both in Germany and Taiwan. ...這類似於開...

5

cv

http://www.kuoweilin.net/kwl/cv.html

Lives and works in Berlin and Taipei. 2012 Kunsthochschule Berlin-Weißensee, KHB, Berlin Diplom und Meisterschüler. 2010 Institut für Kunst im Kontext, Universität der Künste, UdK, Berlin. 2007 Chelsea College of Art and Design, London MA Fine Art. 2006 Hochschule für Grafik und Buchkunst, HGB, Leipzig BRFE Bourse de la Région Rhône-Alpes. 2005 École Nationale des Beaux-Arts de Lyon Diplôme National d’Art Plastique. 2016 The Way Things Go 物 理, Taipei Fine Arts Museum, Taipei, Taiwan (Cat.). 2010 Test, Uf...

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Sitting in my room, too tough to die’ / SUMO STUDIO 2009. Doi Saket’ / SUMO STUDIO 2008. Vibration lake’ / SUMO STUDIO 2008. Vibration Park’ / SUMO STUDIO 2007. Le Pain Perdu’ 2007. Untitled (Double Table)’ 2004. Sanduhr’ (5 hours) 2011. The present (Bahnhof Alexanderplatz)’ 2012. The present (Schönhauser Allee) 2012. To gather together, white loop’ 2012 . video. Der Kontrapunkt, punctus contra punctum, ‘ 2012. WHITE FUNGUS magazine interview. Inevitable frictions’ 2014 . video. The Way Things Go 物 理.

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醒吾夜間國文

韓非子說:儒者以文化的承擔者自居,批判政府,導致法律的威信受損。俠客則以其勇氣與技擊能力,義助他人,衝撞法律的規定。對儒與俠兩種身分都加以批評。但儒生卻多被世人所稱揚。 儒生中那些用術取得宰相卿大夫的職位,輔助當代天子,功名都已經被記載在史書之中,大家已經可以透過史書來了解,已經沒有什麼可以多說的了。至於像季次、原憲,是平民百姓,用功讀書,懷抱著人不知亦不悔的心態履行特異的君子的德操,以應不應當作為行事的考慮,不願意為了與大家一樣而調整自己的原則,世俗大眾也不以他們為然,嘲笑其自作自受。所以季次、原憲一生住在簡陋無長物的房子裡,穿著粗布衣服,連粗飯都吃不飽。他們死了四百餘年了,而他們的世代相傳的弟子們,卻不知倦怠地懷念著他們。 世俗人有這樣的說法:“何必去區別仁義與否,已經受利的就是有德。(能夠給我幫助的人就是有德之人。)”所以伯夷(不滿武王以臣下犯上,以暴制暴)義不食周粟,竟餓死在首陽山;而文王和武王卻沒有因此而損害王者的聲譽(因為後代人都得武王的恩澤,視其為有德之人...所以讀書人處在窮困窘迫的情況下,願意托身於他,這難道不就是人們所說的賢能豪俠中間的人嗎?...古代的平民俠客,已經沒...

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Paradis Or Hell

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Gr

What the sign really designates is love. Sunday, February 20, 2005. Jean Genet’s Narcissistic Chora/Prison: A Reading of Our Lady of the Flowers. And Even in Hell, [Narcissus] found a pool to gaze in,. Watching his image in the Stygian water. Ovid Metamorphoses. (73). My stiff penis is caught in my underpants; it is freed by the touch of my hand, strikes against the sheet, and forms a little mound. Darling! And I am alone here. Consciousness, along with moral conscience, will not truly lead us, under the...