lauraelkinsartist.com

doris-mae.com

January 2015 | doris-mae

http://doris-mae.com/wp/portfolio/january-2015

Portraits of Self as Other. Curator: Thomas Drymon for doris-mae. Hosted by Studio Gallery. As I thought about identity and continued to peruse social media applications, I began to think about portrait painting and pictures artists make of others (much like the photos people share on their pages). Each artist makes unique choices about medium and materials to paint their subjects. Is it an effort to understand themselves, their practice or their world? For over a decade, the subjects in Laura Elkins.

marioncallisfineart.blogspot.com

Marion Callis Fine Art: Gallery talk for Laura Elkins: The First Ladies & Me, 7 pm Thursday 4/23 @ Sixth & I Synagogue

http://marioncallisfineart.blogspot.com/2009/04/gallery-talk-for-laura-elkins-first.html

Marion Callis Fine Art. Gallery talk for Laura Elkins: The First Ladies and Me, 7 pm Thursday 4/23 @ Sixth and I Synagogue. Self As Lady Bird. Acrylic on canvas, . Will give a gallery talk at Sixth and I Historic Synagogue on Thursday, April 23 at 7 pm for. The First Ladies and Me. Exposed to the vagaries of weather and the elements.  Recent work includes . Self as Michelle O. For directions, please see Sixth and I's . For more about Laura Elkins, please visit . Or call (860) 450-6445.

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: Conundrum of Curating

http://thomasdrymonselects.blogspot.com/2010/06/conundrum-of-curating.html

Friday, June 11, 2010. One of the joys and challenges in curating a show with diverse content is finding a common thread in order to tell a compelling story. Such is the case with my next exhibition planned for mid-September with its four female artists. How do I balance the tight technical skills of Joyce Zipperer's sculptural work with the loose hand of Yvette Kraft? And, then, how do I combine the work of all four in a narrative way? That's the conundrum of curating but also the thrill of it.

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: August 2010

http://thomasdrymonselects.blogspot.com/2010_08_01_archive.html

Thursday, August 19, 2010. When I began my visit with Laura, it was a sunny, and surprisingly pleasant, summer day. As our discussion came to an end, the skies had become dark and threatening, promising another of those wild summer storms we’ve seen this year. If we reveal too much, are we then afraid others might see us unhinged? In Laura’s portraits, we seem to find an answer. These paintings are not portraits of Laura—or the first ladies—but portraits of each of us. Subscribe to: Posts (Atom).

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: January 2011

http://thomasdrymonselects.blogspot.com/2011_01_01_archive.html

Tuesday, January 25, 2011. Q&A with a first lady. Laura Elkins’ solo exhibition, “White House Negligee,” is on view through January 30 at The Fridge. On Capitol Hill. The work in the exhibit is an extension of Laura’s First Ladies series that was discussed previously on this site. You’ve continued on with this series for a number of years. Can you tell us what you have learned about the first ladies you portray and yourself as an artist? What have you learned about the audience that views these? The resp...

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: Which came first?

http://thomasdrymonselects.blogspot.com/2010/08/which-came-first.html

Thursday, August 19, 2010. When I began my visit with Laura, it was a sunny, and surprisingly pleasant, summer day. As our discussion came to an end, the skies had become dark and threatening, promising another of those wild summer storms we’ve seen this year. If we reveal too much, are we then afraid others might see us unhinged? In Laura’s portraits, we seem to find an answer. These paintings are not portraits of Laura—or the first ladies—but portraits of each of us. Subscribe to: Post Comments (Atom).

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: July 2010

http://thomasdrymonselects.blogspot.com/2010_07_01_archive.html

Friday, July 30, 2010. Closing in on a theme. The halls of American University’s Katzen Center were nearly empty the summer day I visited Claire Feng in her studio there. The last time I’d been there was during open studios for the graduate class, and with all the hustle and bustle, I didn’t get to spend much time with Claire. This time, though, it was refreshingly cool inside and quiet. By Dorothy Allison and The Ravishing of Lol Stein. For instance, I riffed off of A Day in the Life of Ivan Denisovich.

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: Closing in on a theme

http://thomasdrymonselects.blogspot.com/2010/07/closing-in-one-theme.html

Friday, July 30, 2010. Closing in on a theme. The halls of American University’s Katzen Center were nearly empty the summer day I visited Claire Feng in her studio there. The last time I’d been there was during open studios for the graduate class, and with all the hustle and bustle, I didn’t get to spend much time with Claire. This time, though, it was refreshingly cool inside and quiet. By Dorothy Allison and The Ravishing of Lol Stein. For instance, I riffed off of A Day in the Life of Ivan Denisovich.

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: When do you know?

http://thomasdrymonselects.blogspot.com/2010/05/when-do-you-know.html

Tuesday, May 11, 2010. When do you know? One of the questions abstract artists frequently get asked is "when do you know a painting is done? It's an interesting question that is often simply answered, "I just know." The question came up for me recently with Peter Harper and his work, "Empiria," shown in my recent exhibition, Only what you can carry with you. In the second version, I had created a swooping green rainbow pattern in order to contrast with what I felt was the focal point of the painting (the...

thomasdrymonselects.blogspot.com

Thomas Drymon Selects: A Space Within:

http://thomasdrymonselects.blogspot.com/2010/05/space-within-self-as-landscape.html

Friday, May 7, 2010. Self as Landscape, Landscape as Self. The Morris and Gwendolyn Cafritz Foundation Arts Center at Montgomery College. March 10–April 8, 2010. Review by Joren A. Lindholm. Was arresting for me as I recognized aspects of my own experience, startlingly reflected in the paintings of someone else. Subscribe to: Post Comments (Atom). Thomas drymon selects links. Joren A. Lindholm. Peter E. Harper. When do you know?