lettresauvage.com

lettresauvage.blogspot.com

Lettre Sauvage: The hand had stirred her mind.

http://lettresauvage.blogspot.com/2010/07/yma-rays-writing.html

Letterpress, printmaking, paper in the jaws. Monday, July 5, 2010. The hand had stirred her mind. Speaking for the Trees. The sticks of the lemon tree in the riverbed. The trees in the river. The bridge over the rocky path. The scroll is on the cave of the beast. The thousand scrolls of love. Papyrus, frames of fresh bamboo. We can get through all this. We have passed it and know that it is true. Speaking for the trees" reminds me of a book we have called Who Speaks for Wolf. The hand had stirred her mind.

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Lettre Sauvage: July 2012

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Letterpress, printmaking, paper in the jaws. Tuesday, July 24, 2012. Linoleum on the press again! I love the hand-carved, quirky marks that come off of a linoleum block. Last week we had the opportunity to print for a local artist, Leo Debruyn. Leo's wife, crafter Maria Debruyn, brought the linoleum and helped to pick three bold colors and fine, velvety papers to match. The cards are available in their etsy shop, Crafty Mamacita. The cards are shown here before they were folded. Guest Artist, Kevin Carman.

lettresauvage.blogspot.com

Lettre Sauvage: ah ah ah ah ah (ah)

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Letterpress, printmaking, paper in the jaws. Tuesday, July 6, 2010. Ah ah ah ah ah (ah). Fiona’s description of Yma’s discovery of the hand, and hand-writing, recalled to me a single edition published by Allen Ginsberg in 1975 called The Poet’s Hand Book. The place of the hand has often been a contentious one in the history of printing, but the two are more intertwined than is commonly thought. Manuscripts, as Peter Stallybrass. Roman Catholic indulgence, 1521. Labels: history of the book. Lettre Sauvage...

lettresauvage.blogspot.com

Lettre Sauvage: February 2010

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Letterpress, printmaking, paper in the jaws. Friday, February 26, 2010. The newly completed cover of Windfall. Has been the object of much musing. After spending so long with the poems, it's satisfying to see this book come together in a cover that, to me, really covers it. The cuts in the wood seem like little portraits of inexplicable sensations and the reference to a landscape with its struggles and flows is a fitting companion to the poems. Thursday, February 11, 2010. How to Make a Valentine.

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Lettre Sauvage: June 2010

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Letterpress, printmaking, paper in the jaws. Monday, June 14, 2010. Recently I came across a video that had been uploaded and downloaded from YouTube 1000 times. Contrary to popular opinion regarding the “perfect” reproducibility of digital media, the result was heavily distorted, with images and movements rendered thick and abstract, and the videomaker’s voice sounding like it was underwater. Another time I took an image of a film strip from Bruce Conner’s REPORT. And applied a similar technique. Scanni...

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Lettre Sauvage: looks too good to not eat

http://lettresauvage.blogspot.com/2011/01/looks-too-good-to-not-eat.html

Letterpress, printmaking, paper in the jaws. Thursday, January 20, 2011. Looks too good to not eat. These are (to the best of my knowledge) flowers growing in the center of collard greens. They are so exquisitely proportioned and geometrically perfect and my favorite color that I set them up on my window sill and photographed them. There must be millions of tiny flowers in there. That our friend Anne had sent a few years ago. I found it on their site along with several other lovely vegetables.

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Lettre Sauvage: October 2010

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Letterpress, printmaking, paper in the jaws. Monday, October 25, 2010. An interview with Yma Ray Leggett, author of. A collection of stories, games, linoleum cuts, jokes, and poems. The hand-bound book was recently published by Lettre Sauvage in an edition of 90. Genevieve Yue: When did you start working with your mom this way, where you would think some thoughts and tell them to her, and she would write them down? Yma Ray Leggett: Probably when I was about three years old. GY: Do you have a magic pear?

shoutcreations.com

Shout Creations Blog

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805) 669-7171 • info@shoutcreations.com. Posted on October 4, 2010. Shout Creations Business Card. Posted on September 20, 2010. I learned a lot in the process and hopefully it will rub off on some of my future designs. Most important is that measuring and cutting took twice as long as I thought it would. The phrase “measure twice and cut once ” really came into play. The guys over at Lettre Sauvage. It was really cool to jump back-in-time for a day and see how people were printing back in the 30′s...

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Chapbooks | Erin M. Bertram

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Erin M. Bertram. Poet, Teacher, LGBTQ Advocate. From THE VANISHING OF CAMILLE CLAUDEL. Seven Kitchens Press, forthcoming). Dancing Girl Press, 2014). Read an excerpt here. 8220;The lyric meditations of this collection read like prayer, each rooted in fierce and open-hearted attention, each full of longing and ‘words to utter as a stay against the dark.’ I want to quote line after line” Rebecca Wee, author of. Lettre Sauvage, 2010). Winner, 2009 Lettre Sauvage Chapbook Prize. Seven Kitchens Press, 2009).

ezcalligraphy.com

EZ Calligraphy - Invitations

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EZ Calligraphy is your one-stop shop for invitations, computerized and hand calligraphy, and more! See something that you like or already know what you're looking for? If so, please fill out our online Request a Quote. Form for the latest pricing. Please click on a link below to view our. Lettre Sauvage (Letter Press / Custom! Our Customer Service Department is available 24/7 at (516) 909-1616. We will work around. Request a Quote for Calligraphy.