lifeafterwartime.com

Life After Wartime

In 1998 Ross Gibson and Kate Richards began collaborating on a suite of works, known collectively as Life After Wartime. In a range of different media, the suite of works responds to an archive of crime scene photographs from Sydney, 1945-60. The latest project in this suite is Bystander. It has recently been exhibited at Performance Space. Bystander story on ABC Sunday Arts. Download here. The two minute project documentation (10MB). Flash 7 or later]. Bystander - project documentation (1'43").

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Life After Wartime | lifeafterwartime.com Reviews

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In 1998 Ross Gibson and Kate Richards began collaborating on a suite of works, known collectively as Life After Wartime. In a range of different media, the suite of works responds to an archive of crime scene photographs from Sydney, 1945-60. The latest project in this suite is Bystander. It has recently been exhibited at Performance Space. Bystander story on ABC Sunday Arts. Download here. The two minute project documentation (10MB). Flash 7 or later]. Bystander - project documentation (1'43).

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2 view flash version

3 view non flash version

4 download pdfs

5 email kate richards

6 wwwkaterichards net

7 email ross gibson

8 bystander abc's

9 sunday arts

10 coupons

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Life After Wartime | lifeafterwartime.com Reviews

https://lifeafterwartime.com

In 1998 Ross Gibson and Kate Richards began collaborating on a suite of works, known collectively as Life After Wartime. In a range of different media, the suite of works responds to an archive of crime scene photographs from Sydney, 1945-60. The latest project in this suite is Bystander. It has recently been exhibited at Performance Space. Bystander story on ABC Sunday Arts. Download here. The two minute project documentation (10MB). Flash 7 or later]. Bystander - project documentation (1'43").

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lifeafterwartime.com

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Life After Wartime

http://www.lifeafterwartime.com/index.html

In 1998 Ross Gibson and Kate Richards began collaborating on a suite of works, known collectively as Life After Wartime. In a range of different media, the suite of works responds to an archive of crime scene photographs from Sydney, 1945-60. The latest project in this suite is Bystander. It has recently been exhibited at Performance Space. Bystander story on ABC Sunday Arts. Download here. The two minute project documentation (10MB). Flash 7 or later]. Bystander - project documentation (1'43").

2

Life After Wartime

http://www.lifeafterwartime.com/html-content.html

Life After Wartime Live with the Necks. Life After Wartime CD-ROM. Return to home page]. In 1998 Ross Gibson and Kate Richards began collaborating on a suite of works, known collectively as Life After Wartime. The photographs offer glimpses of life and death in Sydney fifty years ago. We see a world often ignored by the records that historians usually consult. It's a world full of yearning, folly, mendacity and nobility, a world as complex and mysterious as our own moment in time. Approximately 100 print...

3

Life After Wartime

http://www.lifeafterwartime.com/download-pdfs.html

All documents in one file. Life After Wartime Live with the Necks. Life After Wartime CD-ROM. Return to home page].

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teemingvoid.blogspot.com

(the teeming void): Generative Heritage - notes on Succession

http://teemingvoid.blogspot.com/2014/12/generative-heritage-notes-on-succession.html

Generative and data aesthetics. Thursday, December 04, 2014. Generative Heritage - notes on Succession. I spent three months this year on sabbatical at Culture Lab, Newcastle University (UK). It was a privelege to spend time in such a vibrant research lab, as well as to get to know the city of Newcastle. One of the projects to come out of my visit is Succession. Here, some notes and documentation on the work, some musings on generative and computational heritage. Applies this generative approach to the d...

intopractice.com

ISEA 2013 - Day 2- Dominic Smith | Into Practice

http://intopractice.com/isea-2013-10-june-dominic

ISEA 2013 – 10 June – Dominic. Yesterday I caught lectures at the Museum of Modern Art, caught the Jess Wall show and then took in the Rocks Pop-Up exhibitions. Nostalgia of the new. Spoke about a project Unhomely and Life after wartime. I caught Unhomely later on that night as part of the pop up shows. Unhomely – ISEA 2013. Key words and phrases:. Personal Aesthetic, Poetic gaps in knowledge, Location lends traction, Fuzzy logic. Key words and phrases:. Key words and phrases:. Long time no see. This ent...

katerichards.net

Life After Wartime « Kate Richards

http://katerichards.net/art/life-after-wartime

Is a multi-media artist and producer. Suite of multimedia artworks - 1999 ongoing. LifeAfterWartime CD ROM excerpt. The cd-rom is a story engine where users chose images in an intuitive way, then explore the stories and characters that their choices have populated. An installation view of the main gallery. Original negs from the archive. Detail - forensic objects. Frame grab from visitors' database of crime shots. Life After Wartime live with The Necks. Sydney Opera House Feb 2003. Foul Whisperings, Stra...

katerichards.net

Bystander « Kate Richards

http://katerichards.net/art/bystander

Is a multi-media artist and producer. Interactive installation - 2007. The combination on prose, quotes and archival pictures are projected on the display surface. Kate Richards and Ross Gibson. Daniel Heckenberg Jon Drummond. New video in the Life After Wartime suite. A galaxy of the imagination realised in a games engine - 2009 ongoing. Mr Dawes Pronounces Well. Live performance work in development. The Uncertainty Principle v 2 - 'wake'. First stage of a new video installation - 2009.

visiblearchive.blogspot.com

the visible archive: December 2014

http://visiblearchive.blogspot.com/2014_12_01_archive.html

Creative research on the visualisation of archival datasets. Generative Heritage - notes on Succession. Posted by Mitchell Whitelaw at 2:00 pm. I spent three months this year on sabbatical at Culture Lab, Newcastle University (UK). It was a privelege to spend time in such a vibrant research lab, as well as to get to know the city of Newcastle. One of the projects to come out of my visit is Succession. Here, some notes and documentation on the work, some musings on generative and computational heritage.

visiblearchive.blogspot.com

the visible archive: Generative Heritage - notes on Succession

http://visiblearchive.blogspot.com/2014/12/generative-heritage-notes-on-succession.html

Creative research on the visualisation of archival datasets. Generative Heritage - notes on Succession. Posted by Mitchell Whitelaw at 2:00 pm. I spent three months this year on sabbatical at Culture Lab, Newcastle University (UK). It was a privelege to spend time in such a vibrant research lab, as well as to get to know the city of Newcastle. One of the projects to come out of my visit is Succession. Here, some notes and documentation on the work, some musings on generative and computational heritage.

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a book about war and life after war.

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lifeafterwartime.com

Life After Wartime

In 1998 Ross Gibson and Kate Richards began collaborating on a suite of works, known collectively as Life After Wartime. In a range of different media, the suite of works responds to an archive of crime scene photographs from Sydney, 1945-60. The latest project in this suite is Bystander. It has recently been exhibited at Performance Space. Bystander story on ABC Sunday Arts. Download here. The two minute project documentation (10MB). Flash 7 or later]. Bystander - project documentation (1'43").

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