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An American Look at London Theatre: April 2009
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An American Look at London Theatre. Monday, 27 April 2009. REVIEW: “Rookery Nook”. I like farce. When done well it provides an entertaining night out with lots of laughs and a canny look at the peculiarities of social norms and morals. It’s a comforting form of entertainment where the entire piece is dictated by rules and form (like panto) and the creativity comes in exploiting these and finding something new to say within. Making sure the play runs in Noises Off. That’s not to say that everything ...
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An American Look at London Theatre: NOTES: ‘Modelling Spitfires’ / ‘Lost Soul Music’
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An American Look at London Theatre. Monday, 1 March 2010. NOTES: ‘Modelling Spitfires’ / ‘Lost Soul Music’. Hard though it may be to believe, I’ve actually been to the theatre lately and HAVEN’T gone solely to review a show or because a friend was involved or because I was working on it. And since I’ve got deadlines for other work today, these are going to be mercilessly brief. Cast and creative information for Lost Soul Music. Is not present on the Pleasance website and I didn’t buy a programme. Is pres...
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An American Look at London Theatre: August 2009
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An American Look at London Theatre. Thursday, 20 August 2009. REVIEW: Credit Crunch Queen. The great thing about August is how laid back the theatre is in London: soft openings, short runs, and all sorts of fun things for theatre companies who can’t justify the costs of going to Edinburgh and for audiences who can’t justify the effort of going to Edinburgh either. In this case, it meant catching Jackie Skarvellis’s new play Credit Crunch Queen. Programme for pets brings the story to a crashing halt: it f...
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An American Look at London Theatre: January 2010
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An American Look at London Theatre. Tuesday, 19 January 2010. UPDATE: Why so silent? And on that note, I've got phone calls to make before rehearsal. Subscribe to: Posts (Atom). Feedback, press releases and job offers are gladly entertained. View my complete profile. UPDATE: Why so silent? RZ Links of Interest. Actress in the City. An American Actress in London. Dress Circle (London News Merch). Kultur Channel (Vienna Theatre News). London Musicals Online (Cast Info). Off-West End (Listings News).
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An American Look at London Theatre: November 2009
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An American Look at London Theatre. Wednesday, 18 November 2009. Never let it be said that I don’t believe in second chances. On the other hand, let it be said that I absolutely believe in calling ‘em as I see ‘em. And despite thinking this version of Jest End. Is better than its predecessor, and regardless of the cast who worked their tails off to sing it well, the show still doesn’t come together. For one, timing is everything in comedy. So why are there still jokes about Gone With The Wind. Is a cospl...
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An American Look at London Theatre: May 2009
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An American Look at London Theatre. Thursday, 14 May 2009. REVIEW: “Thriller Live”. As a child of the 80’s, the scandal surrounding Michael Jackson in the past 15 or so years is a high publicity decimation of a pop culture icon. I was never a huge fan (I can quote you the Weird Al parodies for “Bad” and “Beat it” far more easily than the original) but I don’t deny the man’s talent and like a number of the big hits. Denise Pearson is also a standout singer, as are Ricko Baird and Earl Perkins. Ashton ...
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An American Look at London Theatre: June 2009
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An American Look at London Theatre. Monday, 1 June 2009. REVIEW: “Arcadia”. I have something of an odd relationship with the works of Tom Stoppard. I love reading Stoppard, and definitely belong to the camp which calls the man a genius, but at the same time I find watching his works less enjoyable, perhaps because I can read one of his plays (barring epics like The Coast of Utopia. In around an hour and a half or less but they always seem to take far, far too long to actually perform. Arcadia. The benefi...
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An American Look at London Theatre: December 2009
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An American Look at London Theatre. Tuesday, 29 December 2009. REVIEW: Cat on a Hot Tin Roof. This is almost certainly my last review for 2009 and probably my final post for the year as well.). In a stunning new production, director Debbie Allen (most infamous for her choreography in Carrie. Has done just that by casting an all-Black family in her Cat. 8221; “I hear you.” with the “Talking/Telling” aspects of Glengarry Glenn Ross. Indeed, there have been many complaints among visitors for how the new tim...
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An American Look at London Theatre: REVIEW: “Once Upon A Time At The Adelphi”
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An American Look at London Theatre. Thursday, 11 March 2010. REVIEW: “Once Upon A Time At The Adelphi”. So before I go all rant-y and do the “tear everything I see apart because that’s what the readers expect” bit, I’ll get the pull quote out of the way first:. Unfortunately, I’m a raging cynic and it just wasn’t my cup of tea. And yes, this is a show full of scousers. And visiting Americans. Visiting Americans played in part by American actors who really should have helped their English compatri...As I ...
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An American Look at London Theatre: UPDATE: Why so silent?
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An American Look at London Theatre. Tuesday, 19 January 2010. UPDATE: Why so silent? And on that note, I've got phone calls to make before rehearsal. This is the best thing, Thank you so much for taking the time to share such a nice information. 26 January 2013 at 12:29. Subscribe to: Post Comments (Atom). Feedback, press releases and job offers are gladly entertained. View my complete profile. UPDATE: Why so silent? RZ Links of Interest. Actress in the City. An American Actress in London.