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mamiko.biz

Art by Mamiko Otsubo

And Office of Jeff.

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Art by Mamiko Otsubo | mamiko.biz Reviews

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1

Mamiko Otsubo: CV

https://www.mamiko.biz/otsubo_cv

Born 1974 in Nishinomiya City, Japan. Lives and works in Los Angeles. 2004 MFA Yale University. 2002 BFA Art Center College of Design. 1997 BA in Economics University of California, San Diego. New York, NY. Curated by Courtney J. Martin, Curatorial Research Lab at Winkleman Gallery. New York, NY. Hedreen Gallery at Seattle University. Headlands Center for the Arts 2015 Benefit Auction. Headlands Center for the Arts. San Francisco, CA. Long Island City, NY. Curated by Robert Rhee, 2024 Franklin. Curated b...

2

Mamiko Otsubo: Press

https://www.mamiko.biz/presses

The Henry Moore Foundation Review Henry Moore Foundation. Download .pdf - 500 KB. Material World Public Art Fund. Download .pdf - 440 KB. Emerging Artist: Japan Art In ASIA. Download .pdf - 410 KB. Foolproof Guide to Cooking a Steak Mamiko. Download .pdf - 3.4 MB. Emily Hall, Summer 2012. Download .pdf - 6.8 MB. And Office of Jeff.

3

Mamiko Otsubo: Works

https://www.mamiko.biz/works

Untitled (purple with sticks). Untitled (blue poster with pins). P 202 (Saul Bass). Fiji Natural Artesian Water. P 84 (Calder Smile). P 194, 196 (Duchamp Red). P 75 (Burnt Umber Jackson Pollock). P 49, 60 (Silver with Big Mouth). P 111, 118 (Leaf Face). P 147 (Black Hat Black Bangs). P 33, 36 (DADA). P 124, 129 (Yellow with Stripes). Untitled (Tree with Sky Bar). Untitled (with Kartell Umbrella Stand). Untitled (Table with Glass Lake). Untitled (with Eames chair base). Cloud on a Stick. P16, 60 (Kurosawa).

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Queens | HOUSEGUEST

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June 7, 2014. Chris Bogia works in a studio in Long Island City, Queens. His most recent works, hybrid paintings/sculptures (or better yet, sculptures as substitute paintings) made of yarn and plywood continue his longstanding use of techniques borrowed from craft to create works that reference decoration and design. In a 2012 essay in October. George Baker identifies the notion of the. As a central trope of the work of the artist Mike Kelley. “Like Allan McCollum. Q You recently moved from work with mor...

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FIAR | HOUSEGUEST

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June 7, 2014. Chris Bogia works in a studio in Long Island City, Queens. His most recent works, hybrid paintings/sculptures (or better yet, sculptures as substitute paintings) made of yarn and plywood continue his longstanding use of techniques borrowed from craft to create works that reference decoration and design. In a 2012 essay in October. George Baker identifies the notion of the. As a central trope of the work of the artist Mike Kelley. “Like Allan McCollum. Q You recently moved from work with mor...

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gwahlquist | HOUSEGUEST

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June 7, 2014. Chris Bogia works in a studio in Long Island City, Queens. His most recent works, hybrid paintings/sculptures (or better yet, sculptures as substitute paintings) made of yarn and plywood continue his longstanding use of techniques borrowed from craft to create works that reference decoration and design. In a 2012 essay in October. George Baker identifies the notion of the. As a central trope of the work of the artist Mike Kelley. “Like Allan McCollum. Q You recently moved from work with mor...

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Herni Bergson

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A backyard mix of personal and professional pursuits. July 31, 2014. Reality in a world of appearances is first of all characterized by “standing still and remaining” the same long enough to be an object for acknowledgement and recognition by a subject. Hannah Arendt, The Life of the Mind If only my materials, precariously stacked and mated awaiting judgment, had the capacity to actively stay put, […]. The Use of Time. Trinh T. Minh-ha. Mies Van de Rohe. Sophia Cara Frydman Dixon.

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Meno

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A backyard mix of personal and professional pursuits. July 31, 2014. Reality in a world of appearances is first of all characterized by “standing still and remaining” the same long enough to be an object for acknowledgement and recognition by a subject. Hannah Arendt, The Life of the Mind If only my materials, precariously stacked and mated awaiting judgment, had the capacity to actively stay put, […]. The Use of Time. Trinh T. Minh-ha. Arnold I. Davidson. The Use of Time. Sophia Cara Frydman Dixon.

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Gilles Deleuze

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A backyard mix of personal and professional pursuits. July 31, 2014. Reality in a world of appearances is first of all characterized by “standing still and remaining” the same long enough to be an object for acknowledgement and recognition by a subject. Hannah Arendt, The Life of the Mind If only my materials, precariously stacked and mated awaiting judgment, had the capacity to actively stay put, […]. The Use of Time. Trinh T. Minh-ha. Trinh T. Minh-ha. The Use of Time. Arnold I. Davidson.

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Identification

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A backyard mix of personal and professional pursuits. July 31, 2014. Reality in a world of appearances is first of all characterized by “standing still and remaining” the same long enough to be an object for acknowledgement and recognition by a subject. Hannah Arendt, The Life of the Mind If only my materials, precariously stacked and mated awaiting judgment, had the capacity to actively stay put, […]. The Use of Time. Trinh T. Minh-ha. The Use of Time. Mies Van de Rohe. Sophia Cara Frydman Dixon.

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Thomas Kuhn

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A backyard mix of personal and professional pursuits. July 31, 2014. Reality in a world of appearances is first of all characterized by “standing still and remaining” the same long enough to be an object for acknowledgement and recognition by a subject. Hannah Arendt, The Life of the Mind If only my materials, precariously stacked and mated awaiting judgment, had the capacity to actively stay put, […]. The Use of Time. Trinh T. Minh-ha. Trinh T. Minh-ha. Arnold I. Davidson. Sophia Cara Frydman Dixon.

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Descartes

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A backyard mix of personal and professional pursuits. July 31, 2014. Reality in a world of appearances is first of all characterized by “standing still and remaining” the same long enough to be an object for acknowledgement and recognition by a subject. Hannah Arendt, The Life of the Mind If only my materials, precariously stacked and mated awaiting judgment, had the capacity to actively stay put, […]. The Use of Time. Trinh T. Minh-ha. Mies Van de Rohe. The Use of Time. Sophia Cara Frydman Dixon.

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The Use of Time

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A backyard mix of personal and professional pursuits. The Use of Time. The Use of Time. July 31, 2014. Reality in a world of appearances is first of all characterized by “standing still and remaining” the same long enough to be an object for acknowledgement and recognition by a subject. Hannah Arendt, The Life of the Mind If only my materials, precariously stacked and mated awaiting judgment, had the capacity to actively stay put, […]. The Use of Time. Trinh T. Minh-ha. April 25, 2013. Mies Van de Rohe.

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SENYUM dan ucapkan ALHAMDULILLAH kerana ALLAH masih izinkan kita bersama mereka yang kita SAYANG. Tuesday, 7 June 2016. Sekejap je dah masuk bulan Ramadhan. Selamat berpuasa kawan-kawan dan selamat menjalani ibadah di bulan yang mulia ni. Semoga Ramadhan kali ini lebih baik dari sebelum ini. Amin. Ok, kawan-kawan, dapat juga aku post at least 1 entry per month. Moga terus istiqamah.hehehe. Tuesday, 10 May 2016. Tahun depan aku cuba balik pukul 5 ye. Mood nak kerja pun dah ke laut dah. Mungkin dah bos...

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Mamiko Takayanagi - mamiko-takayanagi.com

Solo show "small talk". The Ar complex Center Tokyo. Http:/ www.gallerycomplex.com/schedule/ACT173/takayanagi mamiko.html. Lives and works in Kyoto.

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Art by Mamiko Otsubo

And Office of Jeff.

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Mamiko - Artista Plástica

Coleção 2017 - 2018. Live do Facebook da Toke e Crie - Confira. Adesivos decorativos By Mamiko 2018. Mamiko nasceu no Japão e há 30 anos ministra aulas em várias cidades do estado de São Paulo e do Brasil. Sua especialidade é a pintura, desde tecido, vidro jateado, tela até cerâmica. Devido ao grande número de alunos, desenvolveu muitos trabalhos em découpage, que segundo ela, é uma técnica prática, fácil e rápida de realizar e ensinar. Mamiko presta serviços para as empresas Acrilex, Toke e Crie e Condor.

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Mamiko - DeviantArt

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