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Marili Ilagan

Sunday, February 15, 2009. ANG TEATRO AYON KAY EPSKAMP. REALIDAD. Ano ba talaga ang depinisyon nito? Kung "ang totoo" ang ibig sabihin nito, maaari bang magbuo ng ibig sabihin nito na malinis na naghihiwalay sa kung ano ang totoo at hindi totoo, na katanggap-tanggap sa lahat? Introduksyon: Teatro at Lipunan. Ayon kay Epskamp, ang sentral na tanong na gustong sagutin ng kanyang aklat ay: "Ano ang papel na pang-edukasyon ng teatro sa mga proseso ng pagbabagong panlipunan at pag-unlad; at paanong ang paggam...

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Marili Ilagan | marilif.blogspot.com Reviews

<META> DESCRIPTION

Sunday, February 15, 2009. ANG TEATRO AYON KAY EPSKAMP. REALIDAD. Ano ba talaga ang depinisyon nito? Kung ang totoo ang ibig sabihin nito, maaari bang magbuo ng ibig sabihin nito na malinis na naghihiwalay sa kung ano ang totoo at hindi totoo, na katanggap-tanggap sa lahat? Introduksyon: Teatro at Lipunan. Ayon kay Epskamp, ang sentral na tanong na gustong sagutin ng kanyang aklat ay: Ano ang papel na pang-edukasyon ng teatro sa mga proseso ng pagbabagong panlipunan at pag-unlad; at paanong ang paggam...

<META> KEYWORDS

1 marili ilagan

2 dr apolonio chua

3 ni marilie fernandez ilagan

4 ibid

5 posted by

6 marili fernandez ilagan

7 no comments

8 labels epskamp

9 marili

10 performing arts

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marili ilagan,dr apolonio chua,ni marilie fernandez ilagan,ibid,posted by,marili fernandez ilagan,no comments,labels epskamp,marili,performing arts,popular theater,teatro,dr belen calingacion,by marilie fernandez ilagan,introduction,primary source,karl

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Marili Ilagan | marilif.blogspot.com Reviews

https://marilif.blogspot.com

Sunday, February 15, 2009. ANG TEATRO AYON KAY EPSKAMP. REALIDAD. Ano ba talaga ang depinisyon nito? Kung "ang totoo" ang ibig sabihin nito, maaari bang magbuo ng ibig sabihin nito na malinis na naghihiwalay sa kung ano ang totoo at hindi totoo, na katanggap-tanggap sa lahat? Introduksyon: Teatro at Lipunan. Ayon kay Epskamp, ang sentral na tanong na gustong sagutin ng kanyang aklat ay: "Ano ang papel na pang-edukasyon ng teatro sa mga proseso ng pagbabagong panlipunan at pag-unlad; at paanong ang paggam...

INTERNAL PAGES

marilif.blogspot.com

1

Marili Ilagan

http://marilif.blogspot.com/2009/02/reaction-to-karls-lecture-given-during.html

Sunday, February 15, 2009. REACTION TO KARL'S LECTURE (given during the Mindulani Theatre Congress on November 2008 in Cagayan de Oro City). I would assume it was the call of empathy, which is quite characteristic of the artist. One Filipino writer, a Pulitzer awardee I think, wrote a book which he entitled "I Walked with Heroes." I have been thinking to write something which I could also call "I Walked with Karl.". Daghang salamat ug mabuhay. Subscribe to: Post Comments (Atom). View my complete profile.

2

Marili Ilagan: May 2007

http://marilif.blogspot.com/2007_05_01_archive.html

Thursday, May 24, 2007. Barter Faith" is about Meda, a nongovernment development worker in a Moslem area. The piece expresses Meda’s frustration as she works with people who carry an agenda of religious conversion. Barter Faith" is the second part of Island Vignettes. Labels: Pictures by Logo Situmorang. Threat to Bai Bibyaon. A Monologue of an Indigenous Ata-Manobo in a Time of Repression. Based on a true story, August 2002, Bukidnon). Theatre groups are striving to change. THEATER AND REALITY,. Me to m...

3

Marili Ilagan: February 2009

http://marilif.blogspot.com/2009_02_01_archive.html

Sunday, February 15, 2009. ANG TEATRO AYON KAY EPSKAMP. REALIDAD. Ano ba talaga ang depinisyon nito? Kung "ang totoo" ang ibig sabihin nito, maaari bang magbuo ng ibig sabihin nito na malinis na naghihiwalay sa kung ano ang totoo at hindi totoo, na katanggap-tanggap sa lahat? Introduksyon: Teatro at Lipunan. Ayon kay Epskamp, ang sentral na tanong na gustong sagutin ng kanyang aklat ay: "Ano ang papel na pang-edukasyon ng teatro sa mga proseso ng pagbabagong panlipunan at pag-unlad; at paanong ang paggam...

4

Marili Ilagan

http://marilif.blogspot.com/2009/02/ugpaanan-or-sanlibongan-sanctuary-for.html

Sunday, February 15, 2009. 8220;UGPAANAN” OR “SANLIBONGAN”:. A SANCTUARY FOR WOMEN IN THEATRE. College of Arts and Letters. University of the Philippines, Diliman. According to Epskamp, alternative theatre is one name given to a movement of a handful of professional theatremakers who rebelled against dependence on commercial interests and started performing avant-garde plays. [2]. These theatremakers, in the Mindanao context, speak of their kind of theatre as experimental theatre. Most, if not all, estab...

5

Marili Ilagan: April 2007

http://marilif.blogspot.com/2007_04_01_archive.html

Tuesday, April 24, 2007. Theatre for Development @ International Theater Institute-Unesco. TAG-ANI PERFORMING ARTS SOCIETY, INC. Every performance equates with harvesting or bringing into being that which best inspires, serves and strengthens artist and audience. Do you have another professional activity aside from your theatre work? We do cultural researches and multimedia services. How would you define Theatre for Development? It is also a means to awaken and politicize the audience for a just society.

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Marili Ilagan

Sunday, February 15, 2009. ANG TEATRO AYON KAY EPSKAMP. REALIDAD. Ano ba talaga ang depinisyon nito? Kung "ang totoo" ang ibig sabihin nito, maaari bang magbuo ng ibig sabihin nito na malinis na naghihiwalay sa kung ano ang totoo at hindi totoo, na katanggap-tanggap sa lahat? Introduksyon: Teatro at Lipunan. Ayon kay Epskamp, ang sentral na tanong na gustong sagutin ng kanyang aklat ay: "Ano ang papel na pang-edukasyon ng teatro sa mga proseso ng pagbabagong panlipunan at pag-unlad; at paanong ang paggam...

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