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SFMOMA AR | John Craig Freeman
https://johncraigfreeman.wordpress.com/2013/05/28/sfmoma-ar
Creative Capital, On Our Radar. Unsitely Aesthetics →. May 28, 2013. San Francisco Museum of Modern Art. Experience a creative reimagining of SFMOMA. S future through an artist-conceived augmented reality mobile application. Developed by Brooklyn-based duo John Craig Freeman and Will Pappenheimer, the public art app-arition is both an interactive and an animated interpretation of the art, architecture and potential future experience of the new museum building. Video documentation by Will Pappenheimer.
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Projects | John Craig Freeman
https://johncraigfreeman.wordpress.com/projects
Metro-NeXt, Grand Central Station. Metro-NeXt, Grand Central Station. John Craig Freeman, public art installation with augmented reality, Grand Central Station, New York City, 2014. Border Memorial: Frontera de los Muertos. Border Memorial: Frontera de los Muertos. John Craig Freeman, augmented reality public art, Southern Arizona, 2012. John Craig Freeman with Greg Ulmer, augmented reality installation art, Manifest.AR, Corcoran Gallery of Art August 14 September 1, 2013. EEG AR: Things We Have Lost.
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Artist Interview: Brain Sensing and Augmented Reality | John Craig Freeman
https://johncraigfreeman.wordpress.com/2014/12/06/artist-interview-brain-sensing-and-augmented-reality
Augmented Realities: Artists Working in Liminal Space. Creative Augmented Reality App in San Francisco: Reimagining the SFMOMA →. Artist Interview: Brain Sensing and Augmented Reality. December 6, 2014. Desi Gonzalez, Graduate Student, Comparative Media Studies, MIT. LACMA Unframed, Art Technology. December 3, 2014. About John Craig Freeman. View all posts by John Craig Freeman →. This entry was posted in Augmented Reality. Augmented Realities: Artists Working in Liminal Space. Leave a Reply Cancel reply.
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EEG AR Clinics | John Craig Freeman
https://johncraigfreeman.wordpress.com/2015/02/07/preparing-the-lab-for-the-eeg-ar-clinics
AR Viewing on LACMA Plaza. Hyperrhiz 12 →. February 7, 2015. EEG AR Clinic at LACMA’s Art Technology Lab. EEG AR Clinic, photo stream. February 14, 2015. EEG AR Clinic, photo stream. February 21, 2015. About John Craig Freeman. View all posts by John Craig Freeman →. This entry was posted in Augmented Reality. AR Viewing on LACMA Plaza. Hyperrhiz 12 →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). 8220;Border Memor...
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Border Memorial: Frontera de los Muertos | John Craig Freeman
https://johncraigfreeman.wordpress.com/border-memorial-frontera-de-los-muertos
Border Memorial: Frontera de los Muertos. Border Memorial: Frontera de los Muertos. Lukeville border crossing, Arizona, 2012. Border Memorial: Frontera de los Muertos. Is an augmented reality public art project and memorial, dedicated to the thousands of migrant workers who have died along the U.S./Mexico border in recent years trying to cross the desert southwest in search of work and a better life. This visualization in Google Earth indicates the GPS data points where remains have been recovered. In th...
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14th & AR, New York City | John Craig Freeman
https://johncraigfreeman.wordpress.com/14th-ar-new-york-city
14th and AR, New York City. Art in Odd Places. October 7 11, 2015. 14th Street between Union. Square and 9th Avenue. There are particular locations around the world where network activity has become so intense that the virtual world has begun to penetrate into the real. 14th and AR in New York City is one of the most active of these sites. Artist John Craig Freeman has developed a software application for mobile devices that allows the general public to detect and view this phenomenon. Town and Village B...
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Hans RichtAR @ Hans Richter: Encounters, LACMA | John Craig Freeman
https://johncraigfreeman.wordpress.com/2013/05/02/hans-richtar-lacma
Interview: John Craig Freeman, TimeOut Singapore. ARtSENSE and Manifest.AR: Revisiting Museums in the Public Realm through Emerging Art Practices →. Hans RichtAR @ Hans Richter: Encounters, LACMA. May 2, 2013. John Craig Freeman and Will Pappenheimer. Included in Hans Richter: Encounters. Los Angeles County Museum of Art, Resnick Pavilion. May 5, 2013 September 2, 2013. Hans RichtAR @ Hans Richter: Encounters, John Craig Freeman and Will Pappenheimer, augmented reality installation art, LACMA, 2013.
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Flotsam & Jetsam | John Craig Freeman
https://johncraigfreeman.wordpress.com/flotsam-and-jetsam
John Craig Freeman, 2013. Is a virtual meta-commentary on global warming, expected sea level rise and the spread of plastic debris field gyres. Flotsam and Jetsam, by John Craig Freeman, augmented reality public art, Singapore, 2013. Produced in association with “ Window Zoos and Views. 8221; an exhibition of augmented reality public artwork during the Digital Art Weeks International. Singapore, 2013 and “ Weathering Art. Marking the contour of the expected sea level fifty years from now,. Built for smar...
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Hyperrhiz 12 | John Craig Freeman
https://johncraigfreeman.wordpress.com/2015/06/29/hyperrhiz-12
Public Art Dialogue, Special Issue, Digital Public Art →. June 29, 2015. Special Issue: Mapping Culture Multimodally. Edited by Craig Saper and Nancy Duxbury. This Special Issue of Hyperrhiz. Border Memorial: Frontera de los Muertos. A PUBLIC ARTWORK BY JOHN CRAIG FREEMAN WITH CRITICAL COMMENTARY BY JESSICA AUCHTER. Border Memorial: Frontera de los Muertos. Augmented reality public art, Patagonia, Arizona, 2015. About John Craig Freeman. View all posts by John Craig Freeman →. Leave a Reply Cancel reply.
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Ulmer Tapes | John Craig Freeman
https://johncraigfreeman.wordpress.com/ulmer-tapes
On June 18-19, 2001, I sat down with Greg Ulmer at his home and recorded his thoughts and theory related to the work that we did with as the Florida Research Ensemble (FRE) in the late 1990s on the Miami River. The Florida Research Ensemble was an interdisciplinary collaborative group working collectively and individually on the invention of new digital forms of art and research for the emerging electrate. In addition to the impact that this project had on Greg Ulmer’s books. 8221; Rhizomes, Vol. 13.
