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MOMUS – A Return to Art CriticismMOMUS is an online art publication that promotes international art writing and journalism, and stresses a return to art criticism.
http://www.momus.ca/
MOMUS is an online art publication that promotes international art writing and journalism, and stresses a return to art criticism.
http://www.momus.ca/
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MOMUS – A Return to Art Criticism | momus.ca Reviews
https://momus.ca
MOMUS is an online art publication that promotes international art writing and journalism, and stresses a return to art criticism.
momus.ca
Sky Goodden, Author at Momus
http://momus.ca/author/skygoodden
8212; A Return to Art Criticism —. How to FOMO: Missing Out On the Fear of Missing Out. An Elegy for Annie Pootoogook (1969-2016). The 11th Gwangju Biennial’s Overreach: “What Can Art Do? Clive Holden Grounds the Digital in Aura. October 27, 2016. Clive Holden Grounds the Digital in Aura. I spend most of my life on the internet. I work here, I entertain myself here; I distract, delay, advance, compose, and channel myself…. September 15, 2016. Mark Ruwedel’s Desert History, as Fugitive Present. I woke up ...
Bodies Beholden: The Changed Corporeality of David Salle's New Paintings - Momus
http://momus.ca/bodies-beholden-the-changed-corporeality-of-david-salles-new-paintings
8212; A Return to Art Criticism —. How to FOMO: Missing Out On the Fear of Missing Out. An Elegy for Annie Pootoogook (1969-2016). The 11th Gwangju Biennial’s Overreach: “What Can Art Do? Clive Holden Grounds the Digital in Aura. Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings. August 12, 2015. David Salle, "Silver 10" and "Silver 12", 2014. David Salle, licensed by VAGA. Courtesy Skarstedt, New York. And scatters a trail of rose petals to the hot tub in the backyard. But the...
Glenn Ligon and Simon Grant, Author at Momus
http://momus.ca/author/glenn-ligon
8212; A Return to Art Criticism —. How to FOMO: Missing Out On the Fear of Missing Out. An Elegy for Annie Pootoogook (1969-2016). The 11th Gwangju Biennial’s Overreach: “What Can Art Do? Clive Holden Grounds the Digital in Aura. Glenn Ligon and Simon Grant. August 14, 2015. Inside My Head: An Interview with Glenn Ligon. By Glenn Ligon and Simon Grant.
Picturing Nothing: Reading the Drawings of Sophie Jodoin Through the Words of Samuel Beckett - Momus
http://momus.ca/picturing-nothing-reading-the-drawings-of-sophie-jodoin-through-the-words-of-samuel-beckett
8212; A Return to Art Criticism —. Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto. Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent. Liz Magor Waits, But Not For You. DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience. Picturing Nothing: Reading the Drawings of Sophie Jodoin Through the Words of Samuel Beckett. July 29, 2015. Sophie Jodoin, "Untitled (abstract 1)", 2013. Photo: Sophie Jodoin. Montreal...
How to Start an Art School - Momus
http://momus.ca/how-to-start-an-art-school
8212; A Return to Art Criticism —. Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto. Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent. Liz Magor Waits, But Not For You. DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience. How to Start an Art School. February 10, 2015. Why would you even want to? Unfortunately, the current model for art school sucks. Let us count the ways, easily summed in dollars. This i...
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Be Real, Be True | tarpaperpress
https://tarpaperpress.wordpress.com/2015/07/09/be-real-be-true
Be Real, Be True. The National Press Photographers Association. Visual journalists and those who manage visual news productions are accountable for upholding the following standards in their daily work:. Be accurate and comprehensive in the representation of subjects. Resist being manipulated by staged photo opportunities. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events. Do not intentionally sabotage the efforts of other journalists. Think proa...
Untitled (It’s Almost a One-Liner) | Sarah Beck
https://sarahbeck.com/artworks/untitled-its-almost-a-one-liner
Postcards from the End. Museum for the End of the World. Untitled (It’s Almost a One-Liner). Roadkill cast in bronze. Untitled (It’s Almost a One-Liner). Untitled (It’s almost a one-liner). Created by Sarah Beck and Shlomi Greenspan. Referencing the work of Andy Kaufman, a ground breaking comedian who straddled performance art and comedy, the answering machine delivers the performance in lieu of the performer. Unlike Marina Abramović, the artist is not present. Untitled (Itʼs almost a one-liner). Curated...
Dagmara Genda
http://www.dagmaragenda.com/bio.html
Wall works and installation. B 1981, Koszalin Poland. Dagmara Genda is an artist and writer. Her work has been shown at the Walter Phillips Gallery. Banff, the Esker Foundation. Calgary, Contemporary Art Forum Kitchener Area. Biennial 2014, as well as numerous public and private venues across Canada and the US. Over the past two years she has been making work in various residencies nationally and internationally, including China, US, and the UK. Her publications include articles and reviews in. Cutting o...
Parasite Paradise - Paul de Guzman
http://www.pauldeguzman.com/pages/parasite-paradise
Two sides of a flat surface . The people are the city . Excavating grid - excerpts. Two sides of a flat surface . The people are the city . In his newest work, Parasite Paradise. Calls attention to the thread that connects people together: architect, vacationer, postcard recipient, de Guzman and now the viewer. A thread that, as de Guzman put it, "acts as a reminder that architecture invokes narrative and is a result of a lived social human experience.". Love Letters to Architects.
Curriculum Vitae - Paul de Guzman
http://www.pauldeguzman.com/pages/curriculum-vitae
Two sides of a flat surface . The people are the city . Excavating grid - excerpts. Two sides of a flat surface . The people are the city . Born in Manila, The Philippines where he studied Engineering, de Guzman immigrated to Canada in 1986. Dividing his time between Manila and Vancouver, his artistic practice is post-studio and nomadic, and his autodidactic education in art was achieved by reading texts on art, theory and architecture. Vancouver Coastal: a nomad's guide to the floating world,. Art Galle...
excavating grid - excerpts - Paul de Guzman
http://www.pauldeguzman.com/gallery/excavating-grid-excerpts
Two sides of a flat surface . The people are the city . Excavating grid - excerpts. Two sides of a flat surface . The people are the city . 215 x 28 cm unfolded. Inkjet print on found letter-sized paper folded in half. Self-published artist's book edition of 40 2 a.p. 215 x 28 cm unfolded. Inkjet print on found letter-sized paper folded in half. Self-published artist's book edition of 40 2 a.p. 215 x 28 cm unfolded. Inkjet print on found letter-sized paper folded in half. 215 x 28 cm unfolded.
Parasite Paradise - Paul de Guzman
http://www.pauldeguzman.com/gallery/parasite-paradise
Two sides of a flat surface . The people are the city . Excavating grid - excerpts. Two sides of a flat surface . The people are the city . Pictured is the left panel of the diptych. 762 x 76.2 x 2.5 cm per panel. Digital c-print mounted on aluminium with u.v. laminate. Edition size of 5 2 artist proofs. Pictured is the right panel of the diptych. 762 x 76.2 x 2.5 cm per panel. Digital c-print mounted on aluminium with u.v. laminate. Edition size of 5 2 artist proofs. 762 x 76.2 x 2.5 cm per panel.
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MOMUS – A Return to Art Criticism
8212; A Return to Art Criticism —. Inside My Head: An Interview with Glenn Ligon. On the Subtle Joy of Agnes Martin. What Gets Revealed When Iris Haussler Finally Owns Her Own Name. Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings. What Gets Revealed When Iris Häussler Finally Owns Her Name. Inside My Head: An Interview with Glenn Ligon. By Glenn Ligon and Simon Grant. Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings. By Glenn Ligon and Simon Grant. Body of...
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