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RAVEL: PIANO CONCERTO IN G MAJOR. I Allegramente. The gossamer lightness of the opening, with its sparky little tune for piccolo solo against shimmering bitonality arpeggios for the piano, soft string tremolos, pizzicatos, and a scarcely audible roll of the side drum, is an effect to remember. Hardly has the piccolo introduced the melody when it is taken up by a glittering trumpet solo, and it returns again to cap the climax of the brilliant first movement. Overture, The Roman Carnival, Opus 9. Berlioz&#...

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Music From Program Notes | music-programnotes.blogspot.com Reviews

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RAVEL: PIANO CONCERTO IN G MAJOR. I Allegramente. The gossamer lightness of the opening, with its sparky little tune for piccolo solo against shimmering bitonality arpeggios for the piano, soft string tremolos, pizzicatos, and a scarcely audible roll of the side drum, is an effect to remember. Hardly has the piccolo introduced the melody when it is taken up by a glittering trumpet solo, and it returns again to cap the climax of the brilliant first movement. Overture, The Roman Carnival, Opus 9. Berlioz&#...

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Music From Program Notes | music-programnotes.blogspot.com Reviews

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RAVEL: PIANO CONCERTO IN G MAJOR. I Allegramente. The gossamer lightness of the opening, with its sparky little tune for piccolo solo against shimmering bitonality arpeggios for the piano, soft string tremolos, pizzicatos, and a scarcely audible roll of the side drum, is an effect to remember. Hardly has the piccolo introduced the melody when it is taken up by a glittering trumpet solo, and it returns again to cap the climax of the brilliant first movement. Overture, The Roman Carnival, Opus 9. Berlioz&#...

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Music From Program Notes: December 2011

http://music-programnotes.blogspot.com/2011_12_01_archive.html

Dvorák: Cello Concerto, Op. 104. Thomas May Listen to samples. Cello Concerto in B minor Opus 104. Dvorak Cello concerto begin with the long Tutti introduction. The cello repeated the Subject and lead to the 2. Theme in the usual “Sonata Form” with the long cadenza before ending. Movement is as lovely as the Adagio in the “New World” Symphony. Clarinets was he employed in place of. Cadenza. The final 2. Overture to the Opera “Ruslan e Lyndmila”. In A Monastery Garden: The Immortal Works Of Ketelbey.

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Music From Program Notes: August 2012

http://music-programnotes.blogspot.com/2012_08_01_archive.html

Elgar: Cello Concerto; "Enigma" VariationsG. Concerto for Cello and Orchestra, Op. 85. Allegro ma non troppo. Although cast in four main sections, in contrast to the three movement of the earlier Violin Concerto, the Cello Concerto is a leaner and more concise score. Here, Elgar, self-taught but wise in orchestral experience, successfully projects the solo cello line in clear relief against an orchestral background of unusual refinement and stripped of all inessentials. A nine page essay in English by Ph...

3

Music From Program Notes: Overture, The Roman Carnival, Opus 9

http://music-programnotes.blogspot.com/2012/11/overture-roman-carnival-opus-9.html

Overture, The Roman Carnival, Opus 9. Berlioz’s Overture, “The Roman Carnival,” was composed as an afterthought to serve as an introduction to the second act of his opera, Benvenuto Cellini. It was completed in Paris in 1843 and was performed for the first time under the direction of the composer at a concert in the Salle Herz, Paris, on February 3, 1844. Subscribe to: Post Comments (Atom). RAVEL: PIANO CONCERTO IN G MAJOR. Overture, The Roman Carnival, Opus 9. Preservation Hall Jazz Bands.

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Music From Program Notes: Concerto for Cello and Orchestra, Op. 85

http://music-programnotes.blogspot.com/2012/08/concerto-for-cello-and-orchestra-op-85.html

Concerto for Cello and Orchestra, Op. 85. Allegro ma non troppo. Although cast in four main sections, in contrast to the three movement of the earlier Violin Concerto, the Cello Concerto is a leaner and more concise score. Here, Elgar, self-taught but wise in orchestral experience, successfully projects the solo cello line in clear relief against an orchestral background of unusual refinement and stripped of all inessentials. Programme Note c Felix Aprahamian, 1983. Subscribe to: Post Comments (Atom).

5

Music From Program Notes: July 2012

http://music-programnotes.blogspot.com/2012_07_01_archive.html

ROSSINI - OVERTURE: THE BARBER OF SEVILLE. Within two decades, from 1810 to 1829, Rossini. Wrote thirty-eight opera, and then no more in the remaining years of his life. About ten of his operatic overtures survive in the concert-room, among them that attached to The Barber of Seville. Programme Note C Felix Aprahamian, 1983. Subscribe to: Posts (Atom). ROSSINI - OVERTURE: THE BARBER OF SEVILLE. Preservation Hall Jazz Bands. There was an error in this gadget.

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Music From Program Notes

RAVEL: PIANO CONCERTO IN G MAJOR. I Allegramente. The gossamer lightness of the opening, with its sparky little tune for piccolo solo against shimmering bitonality arpeggios for the piano, soft string tremolos, pizzicatos, and a scarcely audible roll of the side drum, is an effect to remember. Hardly has the piccolo introduced the melody when it is taken up by a glittering trumpet solo, and it returns again to cap the climax of the brilliant first movement. Overture, The Roman Carnival, Opus 9. Berlioz&#...

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