musicalaesthetics.blogspot.com

Musical Aesthetics

FROM THE NOTEBOOK OF LUKE DAHN. Wednesday, May 08, 2013. My new blog site is here: lukedahn.wordpress.com. Posted by Luke Dahn at 9:55 PM. Sunday, June 24, 2007. Scruton on Banality, Cliché and Sentimentality. I recently read a portion (pp.474-88) of Roger Scruton’s major 1997 work, The Aesthetics of Music. The first point that Scruton makes is that music is intrinsically. How does this relate to banality and cliché? They all pertain to the topic of value. Us It is appreciated because it portrays human e...

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Musical Aesthetics | musicalaesthetics.blogspot.com Reviews

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FROM THE NOTEBOOK OF LUKE DAHN. Wednesday, May 08, 2013. My new blog site is here: lukedahn.wordpress.com. Posted by Luke Dahn at 9:55 PM. Sunday, June 24, 2007. Scruton on Banality, Cliché and Sentimentality. I recently read a portion (pp.474-88) of Roger Scruton’s major 1997 work, The Aesthetics of Music. The first point that Scruton makes is that music is intrinsically. How does this relate to banality and cliché? They all pertain to the topic of value. Us It is appreciated because it portrays human e...

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Musical Aesthetics | musicalaesthetics.blogspot.com Reviews

https://musicalaesthetics.blogspot.com

FROM THE NOTEBOOK OF LUKE DAHN. Wednesday, May 08, 2013. My new blog site is here: lukedahn.wordpress.com. Posted by Luke Dahn at 9:55 PM. Sunday, June 24, 2007. Scruton on Banality, Cliché and Sentimentality. I recently read a portion (pp.474-88) of Roger Scruton’s major 1997 work, The Aesthetics of Music. The first point that Scruton makes is that music is intrinsically. How does this relate to banality and cliché? They all pertain to the topic of value. Us It is appreciated because it portrays human e...

INTERNAL PAGES

musicalaesthetics.blogspot.com

1

Musical Aesthetics: Victor Zuckerkandl: Tone (Part 1 of 4)

http://musicalaesthetics.blogspot.com/2006/06/victor-zuckerkandl-tone-part-1-of-4.html

FROM THE NOTEBOOK OF LUKE DAHN. Saturday, June 10, 2006. Victor Zuckerkandl: Tone (Part 1 of 4). I am currently working through Victor Zuckerkandl’s book Sound and Symbol: Music and the External World. From 1956. The book is divided into four sections each containing a subheading: Tone Motion Time Space. My blog entries on Zuckerkandl will come in four parts corresponding to these four sections. 16) The answer to this question becomes a principal tenet of the entire section: It is the. 21) What VZ has in...

2

Musical Aesthetics: Victor Zuckerkandl: Motion (Part 2 of 4)

http://musicalaesthetics.blogspot.com/2006/06/victor-zuckerkandl-motion-part-2-of-4.html

FROM THE NOTEBOOK OF LUKE DAHN. Sunday, June 18, 2006. Victor Zuckerkandl: Motion (Part 2 of 4). The second section of Zuckerkandl’s Sound and Symbol. Is devoted to the paradoxical concept of musical motion. Motional description of music is quite natural. But what is it exactly that moves in music? In the external world, motion refers to the act or process of a physical body or thing moving from one place to another. How can something move in music which has no physical bodies or things? In passing, VZ d...

3

Musical Aesthetics: July 2006

http://musicalaesthetics.blogspot.com/2006_07_01_archive.html

FROM THE NOTEBOOK OF LUKE DAHN. Friday, July 14, 2006. Victor Zuckerkandl: Time (Part 3 of 4). Music has often been regarded as a temporal art par excellence. Yet Victor Zuckerkandl is one of few to have recognized the extent of music’s capacity in revealing to us the phenomenon of time and temporality. As noted in the previous section dealing with musical motion, music is free from things and places. The beats in the empty intervals between. The beats, in the places were ‘time merely elapses’. (181)...

4

Musical Aesthetics: May 2006

http://musicalaesthetics.blogspot.com/2006_05_01_archive.html

FROM THE NOTEBOOK OF LUKE DAHN. Sunday, May 28, 2006. Musical Emotions: A Personal Creed. I believe that when we use emotive terms to describe music, we do so legitimately, and we use these emotive terms to refer to attributes inherent in the music. That is to say, the emotions expressed by music are properties of the music itself. Naturally, there are no real. Emotions in the music, but emotions are heard in. I believe that these emotional properties of music may. Emotions within the listener may be hei...

5

Musical Aesthetics: Scruton on Banality, Cliché and Sentimentality

http://musicalaesthetics.blogspot.com/2007/06/scruton-on-banality-clich-and.html

FROM THE NOTEBOOK OF LUKE DAHN. Sunday, June 24, 2007. Scruton on Banality, Cliché and Sentimentality. I recently read a portion (pp.474-88) of Roger Scruton’s major 1997 work, The Aesthetics of Music. On the topic of banality, cliché and sentimentality in music. First I will relate the basic gist of Scruton’s writing, and afterwards will explore the implications of these ideas as they pertain to my own thoughts on emotional expression in music. How does this relate to banality and cliché? Sentimentality...

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musicalaesthetics.blogspot.com

Musical Aesthetics

FROM THE NOTEBOOK OF LUKE DAHN. Wednesday, May 08, 2013. My new blog site is here: lukedahn.wordpress.com. Posted by Luke Dahn at 9:55 PM. Sunday, June 24, 2007. Scruton on Banality, Cliché and Sentimentality. I recently read a portion (pp.474-88) of Roger Scruton’s major 1997 work, The Aesthetics of Music. The first point that Scruton makes is that music is intrinsically. How does this relate to banality and cliché? They all pertain to the topic of value. Us It is appreciated because it portrays human e...

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