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Music Experiment 21 | Experimentation v Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century — Click on the three bars to know more! >>>

Experimentation v Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century --- Click on the three bars to know more! >>> (by MusicExperiment21)

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Music Experiment 21 | Experimentation v Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century — Click on the three bars to know more! >>> | musicexperiment21.eu Reviews

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Experimentation v Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century --- Click on the three bars to know more! >>> (by MusicExperiment21)

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Music Experiment 21 | Experimentation vs Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century | Page 2

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Experimentation vs Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century. 1 On Interpretation. Music as Text. 2 The Shift to Performativity. Music as Tones-In-Motion. 3 From Performance Studies to Artistic Research. 4 Experimentation. Reconfiguring the Field of the Audible. 5 Experimental Systems. The Link to Experimental Science. 1 Experimental Systems in Music. Artistic Projects. 3 Epistemology, Philosophy and Aesthetics. Research Projects (case studies). A course on pos...

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Research Horizon | Music Experiment 21

http://musicexperiment21.eu/programme

Experimentation vs Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century. 1 On Interpretation. Music as Text. 2 The Shift to Performativity. Music as Tones-In-Motion. 3 From Performance Studies to Artistic Research. 4 Experimentation. Reconfiguring the Field of the Audible. 5 Experimental Systems. The Link to Experimental Science. 1 Experimental Systems in Music. Artistic Projects. 3 Epistemology, Philosophy and Aesthetics. Research Projects (case studies). Aims at providi...

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2. The Shift to Performativity. Music as Tones-In-Motion | Music Experiment 21

http://musicexperiment21.eu/programme/2-the-shift-to-performativity-music-as-tones-in-motion

Experimentation vs Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century. 1 On Interpretation. Music as Text. 2 The Shift to Performativity. Music as Tones-In-Motion. 3 From Performance Studies to Artistic Research. 4 Experimentation. Reconfiguring the Field of the Audible. 5 Experimental Systems. The Link to Experimental Science. 1 Experimental Systems in Music. Artistic Projects. 3 Epistemology, Philosophy and Aesthetics. Research Projects (case studies).

4

DARE 2015 | Music Experiment 21

http://musicexperiment21.eu/2015/02/21/dare-2015

Experimentation vs Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century. 1 On Interpretation. Music as Text. 2 The Shift to Performativity. Music as Tones-In-Motion. 3 From Performance Studies to Artistic Research. 4 Experimentation. Reconfiguring the Field of the Audible. 5 Experimental Systems. The Link to Experimental Science. 1 Experimental Systems in Music. Artistic Projects. 3 Epistemology, Philosophy and Aesthetics. Research Projects (case studies). The topic of th...

5

Paulo de Assis (PI) | Music Experiment 21

http://musicexperiment21.eu/people/paulo-de-assis

Experimentation vs Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century. 1 On Interpretation. Music as Text. 2 The Shift to Performativity. Music as Tones-In-Motion. 3 From Performance Studies to Artistic Research. 4 Experimentation. Reconfiguring the Field of the Audible. 5 Experimental Systems. The Link to Experimental Science. 1 Experimental Systems in Music. Artistic Projects. 3 Epistemology, Philosophy and Aesthetics. Research Projects (case studies). In the Spring 2...

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About | The Dark Precursor

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International Conference on Deleuze and Artistic Research 2015. Deleuzabelli Variations # 4. More on the Deleuzabelli Variations # 4. View darkprecursor’s profile on Facebook. Orpheus Institute, Ghent, Belgium. 9 – 11 November 2015. Éric Alliez (Kingston University, United Kingdom). Ian Buchanan (University of Wollongong, Australia). Julien Bruneau (choreographer and dancer, Brussels, Belgium). Edward Campbell (University of Aberdeen, United Kingdom). Susanne Granzer and Arno Böhler. Laura Cull (Universi...

lucialeao.blogspot.com lucialeao.blogspot.com

LuciaLeao: Abril 2015

http://lucialeao.blogspot.com/2015_04_01_archive.html

Segunda-feira, 27 de abril de 2015. CfP: The Dark Precursor. International Conference on Deleuze and Artistic Research (Belgium, November 2015) deleuze international. CfP: The Dark Precursor. International Conference on Deleuze and Artistic Research (Belgium, November 2015) deleuze international. International Conference on Deleuze and Artistic Research. Orpheus Institute, Ghent, Belgium. 9 – 11 November 2015. Deadline for submissions: Monday, 1 June 2015. Organised by Music Experiment 21. Experimental G...

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Artistic research reports: December 2013

http://artisticresearchreports.blogspot.com/2013_12_01_archive.html

Thursday, December 19, 2013. A new journal on and through performance. Of The Scottish Journal of Performance. Is out. The journal is announced to appear bi-annually, is refereed and of the open access persuasion, and focusses on performance in Scotland and/or wider aspects of performance presented by (early career as well as established) scholars and reflective practitioners based at Scottish academic institutions. And a former ORCiM artistic research colleague of mine on the staff (violinist Mieko Kanno.

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Artistic research reports: July 2013

http://artisticresearchreports.blogspot.com/2013_07_01_archive.html

Tuesday, July 23, 2013. The Belgian Orpheus Institute. Issues a call for a full-time, paid, performer doctoral fellow in artistic research to hook up with the innovative, EU funded research project “ MusicExperiment21. The application form can be downloaded from the home page of the project’s site. Paulo de Assis, instigator and Principal Investigator of "MusicExperiment21". Also in January 2014, is the inauguration of the Stockholm University of the Arts, an effort of the. Links to this post. An article...

juanparrac.com juanparrac.com

agenda | Juan Parra Cancino

http://www.juanparrac.com/agenda/agenda.html

Composer, guitarist, computer music performer and researcher. November 13-15, All day. Orpheus Institute, Ghent, BE. 20 year Anniversary of Orpheus Institute. November 15-17, All day. Norwegian Academy of Music, Oslo, NO. Lecture performance as part of the Unfolding the Process Symposium. November 21-23, All day. Orpheus Institute, Ghent, BE. ORCiM Seminar 2016: Soundwork. November 29-30, All day. Various locations, Leiden, NL. October 5, 19:30 hrs, Casa da Musica, Porto, PT. Performance of rasch, with.

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The Songwriting Game

The Songwriting Game is a game played by a small group of writers and musicians across the US. By chuckiedixonn-blog October 24, 2010. Friends come… friends go. By chuckiedixonn-blog October 21, 2010. Do you ever feel like your in the room. Like your screamin at the top of your lugs. With the volume turned down. No matter how hard you try. You cant even make a sound. Like your lost, like you lost and youll never be found. Like your lost like your lost and youll never be found. Well welcome to my life.

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Music Experiment 21 | Experimentation v Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century — Click on the three bars to know more! >>>

Experimentation v Interpretation. Exploring New Paths in Music Performance for the Twenty-First Century — Click on the three bars to know more! Continue reading →. Study-Day with Laura Cull and John Ó Maoilearca. Continue reading →. Deleuzabelli Variations 2 / ME21 and HERMESensemble at deSingel, Antwerpen. Continue reading →. Michael Schwab lecture: figure and experimental systems. Continue reading →. HERMESensemble and Paulo de Assis – 1st Rehearsal. Continue reading →. Continue reading →. View darkpre...

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experimental music | experimental music and music composers

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